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Compared to most musical artists in the Americana genre, Malone seems like a pair of distressed blue jeans amidst a sea of pantsuits. Unlike the surplus of self-professed rootsy rebels, one listen to this woman from Dixie and you know you’re hearing the real thing. Credit Michelle Malone with doing things her own way for the better part of the past three decades, and defying expectations in the process.

She’s had her share of success, courtesy of some 15 studio albums, her own independent SBS Records label, numerous top flight film and TV soundtracks, kudos from the critics and collaborations with a remarkable roster of amazing artists, among them, the late Gregg Allman, ZZ Top, Ellen DeGeneres and the Atlanta Symphony Orchestra. Chuck Leavell, the master keyboardist who has backed both the the Rolling Stones and the Allman Brothers, cited her as “One of the best female vocalists I’ve ever heard.” It’s little wonder that Guitar World once hailed Malone as “Equal parts guitar slinger and sweet songstress, with masterful lyrical introspection – sublime to raucous.”

A singer, songwriter, guitarist and producer whose music is informed by blues, roadhouse rock & roll and Georgia soul, Malone’s stunning and stirring new album Slings and Arrows (Due February 16 via SBS Records) pushes the parameters even further. It’s upbeat, defiant, and jubilant, flush with the raw energy and emotion that’s always been a part of her signature sound all while nudging her deeper into some personal territory she hasn’t explored before. Malone deals with issues that have been burned into her psyche and affected her deeply. These songs speak to desire and disappointment, optimism and awareness, all with a driving and fiery conviction. “It wasn’t planned that way”, she insists, “but inevitably, that’s how the album evolved”.

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