Sunday, Jul 23, 2017 8:00 PM EDT
(7:00 PM Doors)
9th Ward at Babeville, Buffalo, NY
“We are the elders of our minds,” sings Sean Rowe on “Gas Station Rose,” the track that ushers in his fourth album, New Lore, with plaintive plucks of guitar and steady drips of piano that fall in like rain. It’s a sparse and beautiful moment, anchored by Rowe’s unparalleled voice – so full of gravely soul, aged and edged by years on the road, as a father and husband, as a creative force always looking for the next rhyme. And, so integral to the man that he is, one that is constantly absorbing nature. It wasn’t the easiest journey to get to the ten vulnerable songs that comprise New Lore (out April 7th care of Anti-) – it took a label change, a trip to Memphis and some support from unexpected places – but what resulted is a roadmap for a gentle heart in modern times, in a world where the best oracle isn’t within a computer, but within ourselves.
Though Rowe has often made his hometown of Troy, New York and its surrounding areas his creative base, New Lore brought a new environment, and a new producer. Appropriate to his love of folk-blues legends like Howlin’ Wolf, he ventured to Sam Phillips Recording studio in Memphis to work with Matt Ross-Spang (Jason Isbell, Margo Price). They tapped into the history of the legendary space to hone a sound that is at once rich and stark, putting Rowe’s deep and dynamic rage at the forefront. Because if high notes can shatter windows, Rowe’s low and guttural ones can meld sand into glass.
New Lore also ushered in a career shift – this time, after several years on Anti-, Rowe launched his own label, Three Rivers Records, and will release his LP as a collaboration with the Anti- family. He also embraced a new way of funding his work, using a wildly successful Kickstarter campaign to make the Memphis dreams a reality, and embarked on a series of house shows to reconnect with his fans at the most basic, intimate level.
Rowe also found himself on another unexpected wave – his unreleased song “To Leave Something Behind” found life in Ben Affleck’s film The Accountant, exposing the mystique of his music to an even wider audience. Written five years ago in London, it echoes some of the themes that half a decade later surfaced again in New Lore: the things in life we pass down to our children, the ideas we learn from our elders, the shadows we leave behind when we are gone.