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Monqui Presents

PREOCCUPATIONS with Moaning

Saturday, May 12, 2018 9:30 PM PDT (8:00 PM Doors)
Star Theater, Portland, OR
21 years and over

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General Admission

GA 21+ $15.00

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UPS 2nd Day $14.50 -  No P.O. Boxes, U.S. addresses only.
Please allow 2-3 business days for UPS 2nd Day delivery.
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This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

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Additional Information

Preoccupations' songs have always worked through themes of creation, destruction, and futility, and they've always done it with singular post-punk grit. The textures are evocative and razorsharp. The wire is always a live one. But while that darker side may have been well-explored, that's not quite the same as it being fully, intensely lived. This time it was, and the result is 'New Material', a collection that broadens and deepens Preoccupations to a true mastery of their sound. In it lies the difference between witnessing a car crash and crashing your own, between jumping into an ocean and starting to swallow the water. "It's an ode to depression,' singer Matt Flegel says plainly. "To depression and self-sabotage, and looking inward at yourself with extreme hatred." Typically resilient, the months leading up to recording 'New Material' brought a new order of magnitude to feelings that had been creeping up on Flegel for some time. He'd written bits and pieces of lyrics through the course of it, small snippets he hadn't assigned to any one thought or feeling but were emblematic of a deeper issue, something germinating that was dense and numb and fully unshakeable. As the band began writing music, that process gave shape to the sheer tonnage of what he'd been carrying. With virtually nothing written or demoed before the band sat down together, the process was more collaborative than before. It was almost architectural, building some things up, tearing others down to the beams, sitting down and writing songs not knowing what they were about. But for Flegel, it led to a reckoning.

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