In a town known for dealing hard knocks, country singer/songwriter Brit Taylor hasn’t flinched.  After a decade “of playing by the rules”, she broke out on her own and did it her way. Her hard work and determination are paying off. Today, she is quickly becoming known for her loyalty to tradition while embracing a uniquely modern sound, for her unwaveringly honest and relatable lyrics, and for her sultry yet powerful alto. Her highly acclaimed debut album Real Me (opening after just 10 days as the highest-ranking debut album on the AMA/CDX Radio Chart at No. 37 and receiving positive reviews from American Songwriter, Rolling Stone, NPR’s World Cafe and others) was a self-reflective journey to self-awareness from the depths of despair. Next up was her break-out year sophomore album, Kentucky Blue, a happier, more upbeat record that is feisty, funky and pure country.  Produced by the legendary duo of Sturgill Simpson and David Ferguson, the album debuted at No. 4 on the Bluegrass albums Billboard chart and stationed itself on the Americana chart for weeks in the Top 20.  Her Kentucky Blue tour took her from Maine to San Diego and from Key West to Seattle, including 14 headliner shows on the West Coast, as well as solo performances at major music festivals including CMA Fest, Railbird, Key West, Laurel Cove, Master Musicians, and multiple stages at Americanafest.  Recognized repeatedly as one of country music’s emerging artists, the Kentucky native had a song on the TV hit show “Tulsa King” and has supported musicians across the country including Dwight Yoakum, Margo Price, Brent Cobb, Blackberry Smoke, Turnpike Troubadours, Kelsey Waldon, Charles Wesley Godwin, Dayton Farley and others.  Born where the famed Country Music Highway 23 slices through the Kentucky mountains, she grew up with family and music – and idols she loved – Chris Stapleton, Loretta Lynn, Tyler Childers, Dwight Yoakum, Patty Loveless, Ricky Skaggs and so many more.  Life was good for the singer who spent her childhood years on the Kentucky Opry, followed by a move to Nashville, a college degree, a music deal, marriage, and a mini-farm.  All that was good suddenly went bad. A husband gone AWOL, a band that dissolved, a beloved dog that died, a car that just quit, a music deal gone sour and a bank that wanted her home made for a winter of despair.  After a brief wallow in self-pity, Brit went to work, determined to make her music her way. Sick, tired and broken hearted from the “new Nashville” and the type of songs she was expected to write, she boldly walked away from her song writing deal. Brit cleaned houses to pay the bills and successfully turned her side hustle into a bona-fide small business.  At the same time, she served as “general contractor” for her self-financed first album, pulling together a cast of professionals to write with her, play with her and market her, all while recording on her own, newly-created record label, Cut A Shine Records. Her acclaimed second album of original music soon followed, and, as she proudly said on the Grand Ole Opry stage, “I am not too proud to clean toilets” if it makes it possible for me to make music that I love and am proud to share.  What could have broken her only strengthened her; instead she is thankful for the hardships that shaped her into the person she is and led her to the life she enjoys.  It is why the power of her songwriting and music is that they are refreshingly simple yet surprisingly complex.  She gifts listeners with songs that offer a background for life’s laughter or a shoulder to lean on for life’s tears. Authentically true in her life, in her music and in her songs, Brit Taylor is the real deal.

In recent years EG Kight has emerged as a preeminent voice in roots music. Dubbed "The Georgia Songbird" decades ago, hers is a rich and velvety voice that’s a cross between Phoebe Snow, Bonnie Raitt, and Patsy Cline. Kight has received various music industry nominations, including six for Female Artist of the Year, three for Song of the Year, and one for Album of the Year. With her rich vocals, well-crafted songs, and inimitable sense of humor, her stage show leaves her audience feeling like they've just walked down a country road with an old friend. For several decades Kight has brought her diverse musical menu to various clubs, theaters, and festivals, even appearing on such mainstays as Nashville Now and NPR’s “A Prairie Home Companion.” And she has worked shows with artists across the genres, including Gregg Allman, Phoebe Snow, Merle Haggard, Koko Taylor, Little Feat, Lee Roy Parnell, B.B. King, and Delbert McClinton. Her songs have been recorded by various artists, including Koko Taylor, Dorothy Moore, and Shaun Murphy. And several songs aired on four major TV networks, one as recently as last fall on NBC’s “Chicago PD.” And she placed five songs in a movie that is available on Amazon Prime. Georgia Music Magazine writes that Kight is “a gentle and elegant woman who manages to channel Southern charm, sophistication and a fierce passion for music into one tremendously intoxicating voice.” www.EGKightMusic.com