Way back in 2008—before the Grammy nominations, the steady stream of sold-out tours and critically acclaimed records, the co-signs from rock royalty like the Rolling Stones, Robert Plant, Bonnie Raitt, Iggy Pop, and many more—Grace Potter holed up in an L.A. studio with the legendary T Bone Burnett and cut an album unlike any other in her wildly expansive body of work. Made with a crew of musical luminaries, the Burnett-produced LP captured Potter at a moment of profound metamorphosis, then wound up shelved. After joining forces with her former label Hollywood Records to unearth those recordings from deep in the vaults, Potter at long last presents the official release of Medicine: a powerhouse album that’s equal parts archival gem and thrilling new addition to her extraordinary catalog.   Recorded at The Village Studios, Medicine strays far from the high-spirited roots-rock of Potter’s earliest work, bringing a shadowy intensity to her soul-baring songs of lust and longing and self-salvation. To carve out the sonic landscape envisioned for the album, Burnett enlisted his longtime collaborators Jim Keltner, bassist Dennis Crouch, guitarist Marc Ribot, and keyboardist Keefus Ciancia.    Over the course of its 12 songs, Medicine achieves a hypnotic power thanks to the charmed interplay between Potter’s shapeshifting voice and the sonic exploration of her collaborators. On “Low Road,” for instance, her vocals slip into a moody smolder as she recounts a surreal night in Austin when she roamed the city alone and encountered a man dressed as a priest. “I was in a dreamlike state and talked with him for a long time about his regrets and love affairs gone wrong, and it made me realize how we as humans are so desperate to connect with people who’ve experienced the same pain we have.” Meanwhile, on “If I Was from Paris,” Potter shares the first song ever written on her iconic Gibson Flying V: a gloriously brash come-on propelled by primal drumbeats, slinky guitar riffs, and coquettish harmonies. “T Bone understood exactly where I was coming from and told me, ‘Let’s make this song as subversive as it can possibly be.’”     Since the making of Medicine, Potter has forged a formidable career that’s included sharing the stage with the likes of Robert Plant, Allman Brothers Band, the Rolling Stones, and Mavis Staples, in addition to earning three Grammy nominations (including Best Rock Album for her critically lauded 2019 album Daylight and another for a 2011 collaboration with country superstar Kenny Chesney). “Medicine brought me to a new understanding of the diversity of musicality I have within me—it showed me I had so much to share beyond the ’70s-throwback, rock-and-roll thing I had been known for up to that point,” says Potter. “Maybe it was just so far behind its time…or so ahead of its time…that I needed to step away from it for a while, keep exploring and keep moving away from anything derivative. This is an album that truly belongs in its own space, and I’m so happy to finally give it the platform I know it deserves.”

A Savannah, GA native, Jonah Kagen is the embodiment of raw talent and relentless dedication. At just 25, Jonah has already made waves with over 386 million global streams, 2.5 million monthly listeners on Spotify, and two critically acclaimed EPs — The Roads and Black Dress, featuring hit "God Needs The Devil" which is presently Top 15 at Alternative radio and was chosen as one of Spotify's Best Pop Songs of 2024.   Jonah's unique artistry extends beyond his deep, universally resonant songwriting. He is also a skilled guitarist and instrumentalist, having played many instruments since childhood. And to round out his self-sufficiency, he has taught himself how to produce every note, most recently in an Airstream that he transformed into his personal mobile studio.   The Airstream isn't just a fun adventure; it's a reflection of Jonah's spirit, drawing inspiration from both nature and legends before him like Townes Van Zandt, Jason Isbell, and Andy McKee. Whether touring on his sold-out solo dates or performing alongside the likes of Sam Barber and Chance Peña in the US and abroad, Jonah's sound is a blend of personal experience and universal connection. Unsurprisingly, Jonah's balance of grit and musicality make him a festival mainstay having performed at the historic Austin City Limits, AmericanaFest, Summerfest, and RedWestwith and will continue this summer with stops at RiverBeat, Under The Big Sky, Calgary Stampede, Bourbon & Beyond, and more.   With his electrifying energy, sincere songwriting, and genre-defying sound, Jonah Kagen is one to watch.

It would be difficult to find a band that is more self-aware than longtime touring band Lucero. Since forming in Memphis in the late 90’s, Lucero’s base musical hallmarks have remained similar to the band’s initial sound established with their first record The Attic Tapes. In the history of their expansive discography, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul, whilst simultaneously maintaining their distinctive sonic foundations. Years later, dedicated fans of the group still flock to hear the band’s punchy driving rhythms, punk-rooted guitar licks, and lyrics that evoke the whiskey drenched sentimentality of Americana singer-songwriters.

Mo Lowda & the Humble are a self-produced indie rock band hailing from Philadelphia.  The band is set to release their 5th studio album on June 20th, 2025, entitled: Tailing the Ghost.  Since releasing their debut album in 2013, they’ve vastly expanded the sonic exploration of their recorded material whilst developing a dialed-in, yet energetic live show through persistent touring. In turn, they’ve built a ravenous and loyal following across the country, selling out clubs and theaters throughout the US each year. 'Tailing the Ghost' was recorded entirely on the road, with the majority of the songs being cut almost entirely live.  It is Mo Lowda's most cohesive, yet explorative album to date. The band tours year around, often playing over 90 shows a year.

Born and raised on Boston’s North Shore, 25-year-old Lily Fitts is emerging as one of the most compelling new voices in modern Americana and Indie Folk — an artist defined not by genre, but by the clarity and conviction of her storytelling. What began as intimate covers on TikTok has evolved into a career anchored in lyrical precision and emotional depth, transforming personal experience into songs that resonate well beyond their origins. Her work has drawn early support from artists such as Noah Kahan, The Lumineers, and Zach Bryan, alongside a rapidly growing audience that propelled her debut album, Getting By, to nearly 15 million streams since its release earlier this year.    Getting By introduced Lily as a fully formed storyteller: a coming-of-age record marked by unfiltered honesty, narrative discipline, and a sharp emotional point of view. Drawing subtle influence from songwriters like Dolly Parton while operating with a distinctly contemporary sensibility, Fitts writes with cinematic detail and restraint, allowing each song to unfold with intention. She is not chasing a lane — she is establishing one.    On stage, Lily pairs commanding vocal delivery with a lyric-first performance style that translates with immediacy and impact. Rodeo Magazine calls her live show “beautiful, powerful, and refreshing,” while Concert Chronicles notes a voice that “stretches and simmers.” Following standout appearances at Fairwell Festival, Levitate Festival, and BST Hyde Park alongside Noah Kahan, Gracie Abrams, FINNEAS, and Gigi Perez, she brought Getting By to the road on her first-ever sold-out headline tour.    With momentum accelerating, Lily recently completed a European and UK tour alongside Max McNown, further expanding her international fanbase and stagecraft. She will enter the studio at the beginning of 2026 to record her sophomore album, marking the next step in the steady rise of an artist quickly becoming one of the most compelling young writers of her generation.