The World’s Best American Band. The bold statement from Louisville’s White Reaper is not only the title of their new album, but also the band’s credo. “Because we are the best,” says guitarist/vocalist Tony Esposito. “Just like Muhammad Ali was the greatest, you gotta say it out loud for people to believe it." And with that mentality the band hit the studio with close friend and producer Kevin Ratterman (My Morning Jacket, Young Widows) and made a good ol' fashioned in-your-face rock ’n’ roll record. “We didn’t make this record or start this band because we wanted to come across in a single, certain way," says Esposito. “We just make records that we'd want to hear. We started doing this because it's fun as hell, just as much now as it was when we were 14." Boasting textured melodies, layered guitars and more seasoned lyrics, The World’s Best American Band finds the quartet busting out of the basement sound established on their previous full length (2015’s White Reaper Does It Again) and setting their sights on the arena. Garnished with glimpses of the golden age of rock and roll, TWBAB is loaded with guitars that scream and gigantic drums in lockstep rhythm, each song packing its own massive, but none the less unique, punch. Lead single “Judy French” struts like a runway model raised on Heavy Metal Parking Lot, while midway point “The Stack” pairs a classic rock shimmy with a flair for glam. The Kentucky boys eagerly await hitting the road in 2017. Armed with a record that celebrates rock in all of its glory, they are poised to satisfy crowds whether they are packed shoulder-to-shoulder in the "standing room only" pit or kicking back in the cheap seats. “Come to the show, have a drink, have fun,” laughs Esposito. “But be nice to everybody, cause you're gonna get real close."

Drug Church stands as a monument to accidental success and a testimony to the idea of ‘failing up.’ By not taking its career seriously, the band has accomplished more than many of its uptight ‘destined to make it’ peers. Haha, posers. Following a mid-80s blueprint of moving to LA to be sucked into the fast life, Drug Church has left its Albany origins in the rearview. Now experiencing the inability to make rent on a whole new level, the band is producing its best material to date.    Drug Church is proud to announce it’s birthed another alt-rock classic in the form of the new single ‘Weed Pin’. The track is a mid-tempo monster jam about being unhireable. Recorded with Jon Markson, ‘Weed Pin’ is a taste of what listeners will be getting on the band’s first LP from Pure Noise Records.