Wavves recently made a long-awaited return with their first new music since 2021, news of a newly launched Cannabis brand Wavvy Supply Co., and a Los Angeles County wildfire benefit show at Zebulon earlier in the month.  Now the band returns to announce their new album Spun, extensive North American tour dates, and share new single “Goner.” The Travis-Barker produced song arrives alongside a Brandon Dermer-directed music video filmed at Wavves’ recent Zebulon charity show. Dermer has previously directed Wavves’ 2013 video for “That’s On Me” and has directed videos for Blink-182 amongst others. Speaking about how the track came together with Travis, Williams shares:  “I had this song I had been sitting on, always revisited it and tried to record it a bunch of times but it was never just right. Eventually it was giving me PTSD. I was talking to Travis about doing some songs together and when I opened up the vault to him, this one jumped out so we laid it down and finally we got it right.”  “Goner”, and the previously released “So Long,” will feature on the band’s forthcoming album, Spun, due out June 6th with a headline North American tour set to launch later that month. Like Nathan Williams’ earliest music, this album first took shape in a small shed behind his parents’ house known as the hideaway. It’s the place where Williams made some of his earliest albums, before he became known for his uncanny ability to write songs that sneered at the world while evoking pathos, sympathy, and a deep understanding of how sometimes we’re our own worst enemies, and that can be okay.   Over a decade prior to this, Williams released King of the Beach an album that delivered on all of the promise that his first two homespun records Wavves and Wavvves captured. It’s an album that also catapulted the band to worldwide acclaim as one of the new darlings of indie rock. It was a cocky collection of pop-punk gems that brought fame so rapidly it also, in part, lead to a widely publicized on stage meltdown at Primavera Fest. Wavves recovered, as they always do, and eventually entered the major label system, where the band released two albums before Williams became disillusioned by the lack of creative agency available to him. In 2017, Williams self-released You’re Welcome on his label, Ghost Ramp before returning to Fat Possum (the home of his first three albums) for Hideaway.  Fast forward to 2024, an older, wiser, and slightly less stoned Williams has again reunited with longtime bandmates Stephen Pope, Ross Traver, and Alex Gates for a new full-length Wavves album. Always known for their raucous live performances, Wavves fans can rest assured that 2025 will deliver on the last few years of relative quiet with new music and a massive North American tour on the way.

Death Lens want to be in your ear at all times. They hide their ferocity underneath a thick veneer of style until the energy and chaos of one of their live shows leaves every audience member disarmed and forever changed. Off the strength of 2022’s No Luck, tours with Bad Religion, Militarie Gun, Four Year Strong, and the support of their hometown, Death Lens signed to Epitaph Records and released their new album, Cold World on May 3rd.  For Death Lens, it’s all been building to this. Cold World is a departure from the early styles Death Lens mimicked as a young band, transmuting them into matured and brawny post-hardcore tinged rock songs. On record, Death Lens have an established habit of writing hard-nosed rock that combines West Coast reverbed-out surf punk with tight and bouncy Britrock, deceptively characterizing the band as exclusively chill and vibe-focused when live, a Death Lens show has all the energy of hardcore. Slick guitar sonics and sugary backing vocal harmonies that feel like the best parts of indie punk and shoegaze are the foundation of their style, but in a 200 capacity room, Death Lens brings the same winning concoction as Turnstile and Militarie Gun. In other words, these are the kinds of songs that become the soundtrack to enduring memories of nights of drunken, sweat-drenched singalongs.