At the bottom of the Southwest Virginia foothills half-a-mile from the nearest neighbor, 21-year-old Colby T. Helms resides in an “underground house” built by his late father on land his family has owned for generations. Colby first dreamed of making music his life at age 12, when a group of Blue Ridge Mountain old-time and bluegrass players performed songs like The Ozark Mountain Daredevils’ “Standing On The Rock” and the gospel classic “A Beautiful Life” at his father’s funeral in Boones Mill, VA. To make his dream a reality, he taught himself guitar, banjo, and mandolin by watching local performers and YouTube videos. On the day he turned 16, he bought his first car, a stick-shift Jeep Wrangler, and hit the road to play anywhere people would have him. A veteran performer in the Blue Ridge/Appalachian Mountains region by age 18, Colby wrote the songs that would become his upcoming semi-autobiographical concept album, ‘Tales of Misfortune’, as a senior in high school. The album delves into the beginning of his story - starting off as a dream and ending with the passing and remembrance of his father. “Higher Ground” is about the choices he has made to realize his dream of becoming a touring musician - and their cost. “Mountain Brandy” brings the listener back to Colby’s home at the bottom of the Blue Ridge Mountains and sets the tone for the rest of the album. “Smoke and Flames” chronicles his experience as a fledgling musician, honing his craft and searching for validation while still in high school. Album closer "Daddy's Pocket Knife" cuts the deepest. A true story that also serves as a metaphor for Colby's own artistic journey, it reminds us that some things lost can be found. Colby T. Helms will release his debut album on Photo Finish Records in January 2024. He is managed by Dolphus Ramseur and booked by Paul Lohr and John Everhart of New Frontier Touring.   

The Horsenecks are Gabrielle Macrae and Barry Southern. Based in Astoria, Oregon, they are two multi-instrumentalists who have come together from traditional music backgrounds and found a sound that weaves through layers of influence that include early Appalachian fiddle and banjo music, country, classic bluegrass and original folk. Gabrielle's fiddle style is the result of being raised in the Old Time music hotbed of Portland, OR and being exposed to the fiddle traditions of the Southeast US through years of traveling to festivals and learning from some of the greatest players in the genre. Now deep in the world of songwriting, she brings together her background in traditional music and modern influences across many genres to create a catalog of songs that feel old and new, familiar and unique. Barry’s banjo and guitar playing range from thrilling and high-octane to moody and captivating, and his versatility shines whether flatpicking, playing clawhammer, or driving three-finger banjo. Barry has been consistently active in his home town of Liverpool’s music scene for over 20 years, playing lead guitar with cult heroes Tramp Attack ( Must Destroy Records) and on into the UK Old Time and Bluegrass scene, playing with multiple groups. Together, they create a distinctive sound, neither traditional or contemporary, their powerful harmony singing front and center. The Horsenecks continue to set a new standard in today's traditional music scene with years of touring under their belts, appearances at major festivals in the USA and the UK and three critically acclaimed studio albums.