TITUS ANDRONICUS: THE MONITOR Performing the classic album in its entirety

Fri Nov 12 2021

8:00 PM (Doors 7:00 PM)


2011 W. North Ave Chicago, IL 60647

Ages 17+

Share With Friends


Kickstand Productions Presents
TITUS ANDRONICUS: THE MONITOR Performing the classic album in its entirety

  • Sold Out!
  • Titus Andronicus

    Titus Andronicus


    Since debuting in 2008, Titus Andronicus [hereafter +@] has been conditioning faithful
    listeners to always expect only the unexpected, consistently zigging where others would zag
    and maintaining a steadfast dedication to fearless ambition. With the March 2 release of the
    new studio album A Productive Cough on Merge Records, +@ has executed the most
    shocking departure yet—but only if, as ever mercurial singer-songwriter Patrick Stickles
    insists, “you haven’t been paying attention.”
    In a move that may infuriate the black-denim- and-PBR set, A Productive Cough finds +@
    setting aside the leadfooted punk anthems of yesteryear in favor of a subtler, more spacious
    approach that pushes Stickles’ soul-baring songwriting to the fore, creating a conversational
    intimacy between artist and audience with which previous +@ efforts had only flirted.
    “[+@] records have always had their fair share of ballads,” Stickles explains, “but they were
    always buried amidst a lot of screaming. Now, they are the cornerstones. Punk rock is nice,
    but it is but one tool in the toolbox from which I pull to achieve my artistic purpose, and that
    purpose has always been communication and validation. This time, perhaps I can more
    effectively talk to the people if I am not so busy yelling at them.”
    The mission of A Productive Cough is made apparent from the first bars of opening track
    “Number One (In New York).” As a twinkling tableau of piano and dulcet horns unfolds,
    Stickles unleashes a breathless and unceasing 64-bar verse with subject matter as sprawling
    as the kitchen-sink arrangement, which grows to include sparkling guitars, twinkling bells,
    and uplifting choral vocals as Stickles searches desperately for the strength to carry on
    through an increasingly violent and frightening world.
    This new restraint sacrifices none of +@’s singular intensity, from the merciless lyrical
    onslaught of “Number One (In New York)” to the blistering guitar solos which accompany
    the swaggering (Crazy) Horseplay of rock band workouts “Real Talk” and “Home Alone” to
    the disarmingly passionate commuter hymn “Mass Transit Madness (Goin’ Loco’).” Even the
    surprisingly groovy “Above the Bodega (Local Business)” hides, beneath its loose and
    spontaneous facade of zesty brass and propulsive congas, a pained admission of secret
    shame, despairing the challenge of keeping the dark side concealed before the ever-
    judgmental eye of the big city.
    Across the record’s seven tracks, +@ remains as audacious as ever, a fact demonstrated with
    particular defiance by “(I’m) Like a Rolling Stone,” which, through some considerate flipping
    of pronouns, reimagines Bob Dylan’s evergreen anthem as a self-eviscerating confessional, a
    chilling reminder that when you point the finger, three more fingers point back at you.
    A Productive Cough was recorded by longtime +@ producer Kevin McMahon at Marcata
    Recording in New Paltz, NY, with an enviable cast of 21 elite musicians whose diverse
    backgrounds and skill sets allow +@ to incorporate far-reaching musical styles from country

    to rap to soul to jazz. Even amongst such luminaries as veteran pianist Rick Steph (Cat
    Power, Lucero, Hank Williams Jr.) and esteemed cellist Jane Scarpantoni (R.E.M., Bob Mould,
    Lou Reed), listeners may be most struck by what is sure to be a star-making turn on lead
    vocals from Brooklyn singer Megg Farrell for the aging-punk’s lament “Crass Tattoo,” as the
    perennially raspy Stickles humbly steps away from the microphone to enable what may be
    +@’s most unapologetically gorgeous track yet.
    Throughout, Stickles and McMahon weave a dense, luscious tapestry of sound that will
    generously reward dedicated listeners, revealing new layers with each successive spin. For
    the first time, the orchestral flourishes and glistening details that have always colored +@
    records are unobscured by walls of distortion, beckoning the listener further and further
    inward, until they are fully ensconced in a warm cocoon of sonic healing.
    “The last record [2015’s rock opera The Most Lamentable Tragedy] was very much a
    culmination of all that had come before—closing, or really slamming, a lot of doors,” Stickles
    explains, “and to move forward, I had to look for a new door to walk through, only to find a
    window which had been cracked open all along. [A Productive Cough] is the gentle breeze
    which had been wafting through, which I can breathe in fully at last.”
    Suddenly, Stickles grows serious: “We are a world at war,” he proclaims, clearing his long-
    suffering throat, “and if I know not the way to end or to win this way, perhaps I can comfort
    and nurture those who suffer through it. Perhaps I am not a good soldier, but I will strive to
    be a good nurse.”

  • Disq



Kickstand Productions Presents

TITUS ANDRONICUS: THE MONITOR Performing the classic album in its entirety

Fri Nov 12 2021 8:00 PM

(Doors 7:00 PM)

Subterranean Chicago IL
TITUS ANDRONICUS: THE MONITOR Performing the classic album in its entirety
  • Sold Out!

Ages 17+