For a band to not only last beyond 30 years together but keep scaling more imposing heights, it’s going to need a sense of purpose. In the case of The Woggles, the seasoned garage rockers passed that milestone with a renewed rallying cry to move ever forward!
The Woggles now feature a two-guitar attack of Graham Day (The Prisoners, Solar Flares, Thee Mighty Caesars) and Shane Pringle (Tiger! Tiger!, Bad Spell), with Shane switching to saxophone for some songs.

The band is touring in support of their new album Time Has Come out on Steven Van Zandt’s Wicked Cool Records label. It features several songs (Hole In My Heart, Her Majesty’s Pleasure, Mr. Last Chance) designated as “Coolest Song in the World” both on Van Zandt’s Siriusxm Channel and his syndicated over the air radio program.
Steven Van Zandt (Little Steven) contributes guitar parts to several songs along with Greg Cartwright (Reigning Sound), Peter Greenberg (Barrence Whitfield & The Savages/Lyres/DMZ), and Pat Beers (The Schizophonics).

“The band is not as much an institution as a way of life,” says frontman “The Professor” Mighty Manfred. “The main thing is to keep swimming, cause the shark has got to keep moving.”
The band continues to feature the sock-it-to-them rhythm section of bassist Buzz Hagstrom and drummer Dan Eletxro, both also sometime members of savage English rockers Graham Day & The Gaolers.

“Alan Freed once said that ‘Rock and roll is a river of music that has absorbed many streams,’” quotes Manfred. “The Woggles drink from its many tributaries, from early rock and roll and R&B to ’60s garage rock, British Invasion, ’60s soul and forward.”
Fusing pure rock and soul from vintage sources into their own singular sound, The Woggles lay it down hard and loud but with more majesty than recklessness. Their beats and riffs are as strident as Manfred’s swagger and strut onstage. Having played in the past with Johnny Cash, Link Wray, The Zombies and nearly every garage rock group worth its salt, as Meredith Ochs wisely advised on NPR All Songs Considered: “Go see a Woggles show. It will change your life.”

Led by drummer Brad Elvis (Screams, The Elvis Brothers, Big Hello, The Romantics) and vocalist/guitarist/saxophonist Chloe F. Orwell (Big Hello), Chicago’s The Handcuffs will be releasing their fourth studio album Burn The Rails. The 13-song album was tracked at Kingsize Sound Labs, Chicago with producer/engineer Mike Hagler (Wilco, Neko Case, Billy Bragg, Mavis Staples, My Morning Jacket, The Mekons). Burn The Rails is being released by Pravda Records in June on CD, download and via streaming platforms and later on 12″ vinyl.

For the the new album, The Handcuffs found inspiration from the heady, analog days of early 1970s rock & roll, weaving together elements of glam, indie, garage, art and blues rock. Inhabiting some of the same musical turf as T-Rex, Mott The Hoople, Roxy Music, The Raconteurs, P.J. Harvey, Led Zeppelin, and Patti Smith – all filtered through a modern lens – they deliver bold, sexy songs with memorable melodies and unexpected twists.

Guest keyboardist Morgan Fisher (Mott The Hoople) demonstrates his synthesizer and piano prowess on a couple of tracks on the new LP. The relationship with Fisher, a musical hero of the band, began after singer Orwell’s rave review of Mott The Hoople’s 2018 reunion tour went viral on social media, attracting the attention of Fisher, who got in contact. From there a creative collaboration was sparked, in-spite of an ocean separating the now real-life friends.

Finishing the record during the peak of the pandemic and lockdown, gave several of the songs an  inadvertent anthem-for-the-times feel – with themes of love and loss, heartache and hope, and even the great ideological divide that was as omnipresent as the virus.

Elvis and Orwell formed The Handcuffs from the ashes of Big Hello, their first band together, which released three indie label records and toured from coast to coast. Elvis’ career also includes a few major label go-arounds, arena tours, and a backstory that will be documented in a new autobiography in the near future. The duo’s eagerness to explore new sonic territory and evolve into an entity that aligned more with their ever-expanding influences and broad range of musical tastes prompted a change. The Handcuffs began as primarily a studio project, in which Elvis and Orwell wrote and recorded an abundance of material. During the process, they realized that they missed the live band experience, and so The Handcuffs as recording artists and a dynamic live band was born. Completing the line-up are bassist Emily Togni, lead guitarist Jeffrey Kmieciak, and keyboardist Alison Hinderliter, all of whom originate from different parts of the country, but have made Chicago their home.