The War and Treaty

Fri Aug 23 2019

9:30 PM (Doors 8:30 PM)

High Noon Saloon

701 E Washington Ave Madison, WI 53703

$15 ADV// $17 DOS

Ages 18+

Share With Friends

Share
Tweet

Michael and Tanya Trotter took distinctly different paths to becoming The War and Treaty.

After winning a talent show when she was 13, Tanya knew singing would be her life. Growing up in a tight-knit community just outside of Washington, D.C., Tanya had a voice that was already hinting at the force it’d become: honeyed and bold, guttural but angelic. She’d discovered writing, too, and every blank space was an opportunity. “My mom would come into my room late at night and catch me reading books and writing, with a flashlight,” Tanya says, laughing. “I used to write on everything––envelopes, everything.”

Michael started writing later, and for different reasons. He spent part of his childhood in Cleveland before moving with his mother, brother, and sister to Washington, D.C. The family spent time in and out of homeless shelters––a limbo Michael would experience again as an adult. He was 19 when his first daughter, Michaela, was born. “She was the first thing I felt that I’d done right––my little girl,” he says. “I joined the army for her.” Michael enlisted in the United States Army in 2003, two years after 9/11. “I didn’t know it was wartime,” he says. “People say, ‘How do you not know that?’ Well, in the neighborhood I grew up in, we weren’t patriotic. No one cared––that’s rich people’s news. Meanwhile, someone I know just got shot yesterday.”

But what Michael did know was that as a soldier, he felt proud––then scared. He was sent to Iraq, where leaders who outranked him saw the fear in his eyes and treated him not as an underling, but as a brother. Stationed in one of Saddam Hussein’s rubbled palaces, he had access to a piano that had emerged miraculously unscathed. A captain heard him play and sing with his once-in-a-generation volcano of a voice, and he encouraged Michael to pursue music. When that same captain was killed, Michael sat down to write––really write––for the first time.

Officers noticed the tribute, pulled Michael from the front lines, and gave him a new charge: write and perform songs for the fallen. So whenever a brother or sister in arms died, Michael spoke to buddies, uncovered the story, and penned a song for the memorial. It was a heavy burden that also made him safer. “I remember, I would walk from one point to another, imagining people were chanting my name––imagining a concert that had nothing to do with death,” he says.

When Michael returned home, he was booked on a festival that also featured Tanya Blount. After his set, Tanya approached him and asked if he’d written his songs. He had. The two exchanged numbers, but Michael, battle-weary, scarred, and daunted by Tanya’s beauty, couldn’t understand why she’d want anything to do with him. “I threw her number away because I had a lot of insecurities that I still have. I thought, ‘Who would want to be with a guy who went to war?’”

Continued on there website: https://www.thewarandtreaty.com/about

 

 

 

 

 

 

FPC Live Presents
The War and Treaty

  • The War and Treaty

    The War and Treaty

    Louisiana Blues

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 10 per person
Advanced General Admission

$15.00

Delivery Method

Mail
UPS
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

FPC Live Presents

The War and Treaty

Fri Aug 23 2019 9:30 PM

(Doors 8:30 PM)

High Noon Saloon Madison WI
The War and Treaty

$15 ADV// $17 DOS Ages 18+

Michael and Tanya Trotter took distinctly different paths to becoming The War and Treaty.

After winning a talent show when she was 13, Tanya knew singing would be her life. Growing up in a tight-knit community just outside of Washington, D.C., Tanya had a voice that was already hinting at the force it’d become: honeyed and bold, guttural but angelic. She’d discovered writing, too, and every blank space was an opportunity. “My mom would come into my room late at night and catch me reading books and writing, with a flashlight,” Tanya says, laughing. “I used to write on everything––envelopes, everything.”

Michael started writing later, and for different reasons. He spent part of his childhood in Cleveland before moving with his mother, brother, and sister to Washington, D.C. The family spent time in and out of homeless shelters––a limbo Michael would experience again as an adult. He was 19 when his first daughter, Michaela, was born. “She was the first thing I felt that I’d done right––my little girl,” he says. “I joined the army for her.” Michael enlisted in the United States Army in 2003, two years after 9/11. “I didn’t know it was wartime,” he says. “People say, ‘How do you not know that?’ Well, in the neighborhood I grew up in, we weren’t patriotic. No one cared––that’s rich people’s news. Meanwhile, someone I know just got shot yesterday.”

But what Michael did know was that as a soldier, he felt proud––then scared. He was sent to Iraq, where leaders who outranked him saw the fear in his eyes and treated him not as an underling, but as a brother. Stationed in one of Saddam Hussein’s rubbled palaces, he had access to a piano that had emerged miraculously unscathed. A captain heard him play and sing with his once-in-a-generation volcano of a voice, and he encouraged Michael to pursue music. When that same captain was killed, Michael sat down to write––really write––for the first time.

Officers noticed the tribute, pulled Michael from the front lines, and gave him a new charge: write and perform songs for the fallen. So whenever a brother or sister in arms died, Michael spoke to buddies, uncovered the story, and penned a song for the memorial. It was a heavy burden that also made him safer. “I remember, I would walk from one point to another, imagining people were chanting my name––imagining a concert that had nothing to do with death,” he says.

When Michael returned home, he was booked on a festival that also featured Tanya Blount. After his set, Tanya approached him and asked if he’d written his songs. He had. The two exchanged numbers, but Michael, battle-weary, scarred, and daunted by Tanya’s beauty, couldn’t understand why she’d want anything to do with him. “I threw her number away because I had a lot of insecurities that I still have. I thought, ‘Who would want to be with a guy who went to war?’”

Continued on there website: https://www.thewarandtreaty.com/about

 

 

 

 

 

 

The War and Treaty

The War and Treaty

Louisiana Blues

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 18+
limit 10 per person
Advanced General Admission
$15.00

Delivery Method

Mail
UPS
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.