Andrew Combs, a Dallas native now living near the same Nashville airport immortalized in the opening sequence of Robert Altman’s country music odyssey, is a singer, songwriter, guitarist, and heir to that 1975 film’s idea of the Nashville troubadour as a kind of musical monk. Here in the twenty-first century whorl of digital narcissism, where identity can feel like a 24/7 social media soft-shoe performance, Combs makes music that does battle with the unsubtle. Like the pioneering color photographer William Eggleston, he sees the everyday and the commonplace as the surest paths to transcendence, and he understands intuitively that what is most obvious is often studded with the sacred.
On his EP, 5 Covers & A Song (New West Records), Combs showcases songs that have had an impact on him at different points in his life. Songs by The Strokes and Radiohead are a nostalgic look back at teenage self discovery, while Loudon Wainwright III’s “4 x 10” represents a more current perspective, reflecting on his life now as a husband and father.