British Rock bands, The Struts—named from an offhand comment about their unbridled stage presence— have earned a global reputation as a must-see live act. The band, comprised of lead vocalist Luke Spiller, guitarist Adam Slack, bassist Jed Elliott, and drummer Gethin Davies, was formed in Derby England in 2012. Bursting onto the scene with "Could Have Been Me", they have since released three albums (including collaborations with heavy hitters like Robbie Williams, Tom Morello, and Def Leppard’s Joe Elliott and Phil Collen), earned the No. 1 spot on the Spotify Viral Top 50, and appeared on shows like Jimmy Kimmel Live! and The Tonight Show with Jimmy Fallon, garnered more than 850M on-demand streams and sold out shows across the globe. Praised for their onstage swagger and musicianship, they have opened for The Rolling Stones, Foo Fighters and Guns N’ Roses, played major festivals like Lollapalooza and Governors Ball as well as headlined their own world-wide tours. Now, signed to Big Machine Label Group, the mesmerizing rockers have released their new anthem-rocker single, “Fallin’ With Me.”

What if Thor’s Hammer of the Gods from “Immigrant Song” landed in the hands of four wise, willful, and wild women? Well, it would sound something like Thunderpussy. The quartet—Molly Sides [vocals], Whitney Petty [guitar], Leah Julius [bass], and Ruby Dunphy [drums]—do the most rock ‘n’ roll thing possible and quite literally fuck up every rock ‘n’ roll stereotype you know to be true, piercing the halls of Valhalla in the process. Think of it like an inverse Frank Frazetta painting where it’s the Amazonian siren wielding all of the world’s power instead of Conan (he’s on the sidelines in awe). More simply, instead of Page and Plant, Perry and Tyler, and Jagger and Richards, you get Molly and Whitney. Known for earth shattering pipes, heart-stopping performance art, and a propensity to literally writhe through a crowd, Molly is the consummate ideal front-person—bold, brilliant, brazen, and beautiful. At her righthand, you’ve got Whitney as the ultimate 21st century axe-slinger—cool, collected, and crazy on that fretboard. Rounding out the fray, Leah and Ruby cook up the tightest rhythm section this side of Cream (no kidding). So, what is it that turned the Seattle-based group into a quiet phenomenon with the endorsement of Rolling Stone and Pearl Jam guitarist Mike McCready as well as a string of already legendary performances under their high-waisted belts (we’re looking at you, Sasquatch)? It’d be too easy say it’s the power of the P----- Whitney steps in, “People talk about that magic. There’s some voodoo happening between Molly and I, which is like a cosmic connection. She has this power. Somehow, I’m under her spell when we’re performing—we all are.” “The truth is, I feel the same way about Whitney, Leah, and Ruby,” smiles Molly. “We’re all in this together.” That unity drives the band’s forthcoming full-length debut Thunderpussy [Stardog Records/Republic Records] produced by Sylvia Massy. The lead single Speed Queen begins with a revving engine and arena-size percussion before snapping into a muscular and majestic riff and vocal proclamation, “Long live the Speed Queen.” “The ‘Speed Queen’ is this mythic and magical woman who rides a motorcycle and travels around the country,” explains Whitney. “Nobody knows too much about where she came from or where she’s going, but she changes everyone she meets because she’s that powerful. I was thinking of Molly when I wrote it.” Its companion track “Badlands” evokes bluesy Zeppelin-style mysticism with a fury that certainly wouldn’t be out of place on Aerosmith’s Rocks—but is completely at home on Speed Queen. “It nods to that classic Terrence Malick movie Badlands with Martin Sheen and Sissy Spacek,” adds Molly. “It’s an on-the-run love song between two outlaws.” Among its arsenal, Thunderpussy also boasts a song produced by McCready “Velvet Noose.” Everything comes together into one cohesive and classic vision of rock music recharged, reinvigorated, and resurrected in what can only be described as a diamond in the muff: Thunderpussy. “Being a lover of rock ‘n’ roll music for my whole life, you either have it, or you don’t,” Whitney leaves off. “If you find it, cultivate it, treat it like a wild animal, and tame that raw energy, but not too much. That’s what this is.”