Evolution may leave a lot on the cutting room floor, but it always preserves what is essential. For The Lowtimers, that essence is honest, road-worn songwriting rooted in the American West. What began nearly a decade ago as the harmonizing guitars and vocals of Austin Smith and Mark Tegio has grown into something larger. Shaped by years of troubadouring up and down the I-5—from San Diego dive bars to Seattle clubs—the duo cut their teeth on the folk traditions of Doc & Merle Watson and the haunted poetry of Townes Van Zandt and Blaze Foley. Over time, their songs demanded more than two guitars could carry, and a new chapter emerged. Now joined by Tim Kelso (drums), Andrew Dreher (bass, harmonies), and Payton Vermeesch (pedal steel), The Lowtimers have expanded into a five-piece that stays true to its Americana roots while stretching into new sonic terrain. Their debut album "Cracks" captures this evolution: a collection of songs that are both timeless and timely, carrying the grit of the road and the ache of redemption. Press has already taken notice. The Alternate Root calls the band “Cosmic Country for 2025, honoring truckdriver Country while expanding on its potential with Indie intuition.” Rock The Pigeon says, “The Lowtimers Capture Americana Soul on Debut Album Cracks,” while Music Mecca hails them as a “must-listen newcomer to the Country Americana scene.” That praise is echoed overseas, with Americana UK describing Cracks as “a testament to The Lowtimers’ ability to weave personal narratives into a broader human context… deeply authentic and rewarding.” Ear to the Ground praises the album as “the genuine article for fans of throwback country music… no copycat work here,” while B-Side Guys notes, “Cracks demonstrates remarkable maturity and artistic vision, suggesting The Lowtimers aren’t just passing through the Americana landscape but have established permanent residence within it.” From the grit in the vocals to the tension in the guitars, Last Day Deaf finds in their music “a rawness that feels both timeless and urgent,” while Glide Magazine calls their single “Flesh and Bone” “pure folk-rock at its finest.” And as Twangeville observes, “If a big part of the album is autobiographical in its recollections of time and place, much of the rest is a road-weary view of life’s promise.” In short, The Lowtimers have carved out a sound that is at once rooted and restless, honoring tradition while pushing Americana forward. Because in art, as in life, it’s evolve or die—and with Cracks, The Lowtimers prove they’re here to stay.

Noelle & The Deserters bring South-Western honky tonk and songs of heartbreak from the high deserts of New Mexico to the golden hills of California.  Fronted by singer-songwriter Noelle Fiore, their music draws inspiration from the likes of Emmylou Harris, Loretta Lynn, Marty Robbins,  J.J Cale, Gene Clark, Townes Van Zandt, and the great outlaw country players. The Deserters include seasoned players Graham Norwood (Bryan Scary, Graham Norwood) (guitar), Alicia Vanden Heuvel (The Aislers Set)(bass), David Cuetter (Tarnation)(pedal steel), and Jerry Fiore (Sonic Love Affair)(drums), all based in the Bay Area and Sacramento.  Noelle was raised in Taos, New Mexico. As a guitar player and vocalist, she was a founding member of Sweet Chariot, singing and playing guitar/ banjo.  Later, she and Tim Cohen (The Fresh & Onlys) founded the band Magic Trick, recording four full length albums for labels Hardly Art and Captured Tracks.  Noelle is also a current member of the Shannon Shaw Band, on guitar and vocals. High Desert Daydream is Noelle & The Deserters debut album, out May 31, 2024 on Speakeasy Studios SF.  The songs on the album, written by Noelle, touch on life in the west, growing up in Taos, living in California, songs of love, memory, marriage, work, good times, and bad times.  Like all classic country music, the songs are infused with a sense of real-life struggles and living life in the everyday.  Noelle’s incredible voice carries the album, and her songs are at once moving, powerful, tender, humorous, and intimately relatable.