The Lawrence Arms are an American punk rock band from Chicago, Illinois, formed in 1999 and currently recording for Fat Wreck Chords. They have released five full-length albums and toured extensively. Their music and lyrics juxtapose references from history and literature with American pop culture.

How does one gauge the success of a band pushing the envelope of a genre that receives little to no credit by the mainstream media? In the case of A Wilhelm Scream, the answer is “Who cares?” – As a band playing punk rock for over a decade, members Trevor Reilly, Nuno Pereira, Nick Angelini, Brian Robinson and Mike Supina haven’t focused on success, image or whatever bandwagon a group can jump on to get their music into the ears of listeners: It’s the ideal of music from an honest place, playing to the kids who want to hear more than a simple love song, or want an opinion rammed down their throats. Despite operating just below the radar A Wilhelm Scream have carved out a reputation as one of the best live bands around, bolstered by their staggeringly rich albums of ultratechnical melodic punk rock firestorms.  Playing 250+ worldwide shows each year, the band posses a work ethic best described as ‘heroic’.    A Wilhelm Scream is: Nuno Pereira – Vocals Trevor Reilly – Guitar, Vocals Brian Robinson – Bass, Vocals Mike Supina – Guitar Nick Angelini – Drums

Canadian Rifle is a three-membered punk/rock outfit from Chicago, Illinois. They have been recording and touring constantly since their conception in 2007 – continuously covering the United States and Canada, along with a sole European tour in 2009 in support of their first LP, Visibility Zero (Residue Records).   Canadian Rifle plays melodic punk music and have been compared to bands such as Leatherface, Jawbreaker, Husker Du, Hickey, and Wipers. However, they infuse their own unique Midwestern sound into this realm of music. The lyrical content is bleak and abstract, but relatable – dealing with social interaction, removing yourself from reality, struggling with truths and regret, and pushing forward while running on fumes.   Their discography includes three EP’s, two split 7″s (one with American Cheeseburger and one with Zapiain), three LP’s, and a handful of tour tapes. The labels involved have been Dirt Cult, Residue, Taken by Surprise, Squirrel Heart, Criminal IQ, Rock Bottom, All in Vinyl, and Lucky Gator. They have had interviews in Maximum Rock n’ Roll as well as several other DIY zines and local publications, as well as being featured on the cover of Razorcake. They are very hard working and take what they do seriously while never forgetting that everything is actually a joke.

Fans of AMERICAN STEEL rejoiced with the reformation in 2005 which produced their first album in five years titled Destroy Their Future. After their triumphant return, American Steel are primed to build on their remarkable momentum and acclaim with the release of their fifth full-length, Dear Friends and Gentle Hearts; recorded at Sharkbite Studios in Oakland, CA. From the opening note, Dear Friends and Gentle Hearts reflects American Steel’s unique ability to deliver invigorating songs with an artistic approach that is lost on the majority of their peers. The album’s penetrating songs, soulful choruses, and smart, constantly progressing guitar work combine to create what is by far the band’s paramount achievement to date. Guided by honest lyrics that melt into irresistible hooks which refuse to leave the listener’s head, Dear Friends and Gentle Hearts stands alone in a sea of whimsical, one-and-done offerings from countless other bands in the punk scene. It is truly one of those rare recordings that insights the longing for the cramped and carefree confines of a sweaty, jubilant house party. American Steel fans and music fans in general will be enraptured by this instant classic In its earliest incarnation, American Steel was a band that sought to absorb influences at the far ends of the musical spectrum -€Crass, Fang, The Clash, East Bay pop punk, Irish folk songs, motown, soul -€and outstrip them all in both melody and intensity. Starting in 1995 as a loosely organized trio who traded turns at the mic (and occasionally instruments), the group soon recruited a permanent drummer and invested in amps, tuners, and eventually a van, and embarked on a five-year run of touring that would see them criss-crossing the North American continent dozens of times, starting in basements and backyards and eventually crossing into the club circuit. American Steel’s recorded output is as different from song to song as it is from album to album. The first three American Steel records (1998’s Untitled , 1999’s Rogue’s March, and 2001’s Jagged Thoughts, all of which were recorded by Kevin Army), each take an innovative, complex, and sometimes schizophrenic approach to songwriting. The songs on Destroy Their Future range from the simple and stripped down to the bombastic and over-the-top.American Steelset Dear Friends and Gentle Hearts apart from their past recordings by melding Rory’s introspective often personal lyrics, with soulful aggressive energy that extends the range and scope of what can be classified as punk. In May of 2002, in a move that surprised many of their fans and friends, American Steel decided to simply disband, playing their final show at 924 Gilman Street in Berkeley. With timing that could almost be called appropriate, American Steel,€ – a band that was built on (and celebrated) contradictions – ended their run just as they were starting to bend a few ears. No one has been more surprised by the recent return of American Steel than the band members themselves. Rock music may have seen the birth and death of several sub-genres in the years since American Steel’s first run, but beneath the surface, very little has changed. The rise of digital music has made it easier than ever to find bands to like, and harder than ever to find bands to love. Whatever the case, American Steel is back, and Dear Friends and Gentle Hearts is their powerful and focused entry into the fray.

Ramona is an East Coast band living on the West Coast. Diego (guitar/vox) and Abby (bass/vox) went to college together in Boston, Mass where they played music for a short time until Diego moved to Seattle. After a few years back in her native Philadelphia, Abby moved to Seattle to start up a new band with Diego where they met Shannon (drums) who they instantly knew was a perfect fit and had moved from New York City a few years prior. Armed with a few songs from their college days, they got to practicing and writing; quickly gathering a following with their high-energy live show and “stick to the roof of your mouth” hooks. Now they’re tired all the time and bicker frequently as they win over crowds around the Pacific Northwest. Influenced by everything from hardcore punk to hip-hop to indie-pop, they play an upbeat brand of sad tunes perfect for dancing and shouting along.

It’s been over a decade since The Lillingtons released a full-length album—and an anomaly of a record at that. Having signed to Fat Wreck Chords, The Lillingtons toiled away on their new record in secret, crafting an album that is both a continuation of the band’s legacy and a dramatic reinvention. It’s called Stella Sapiente, a title that vocalist-guitarist Kody Templeman says roughly translates to “wisdom of the stars,” and that phrase proves apt given his claim that it’s “centered around secret societies, astrology, and the occult.”

The Lippies are a feminist pop punk band from Grand Rapids MI formed in the fall of 2014