From serenading the dimly-litcorners of East London pubs to Courting interest from several major record labels, agents, promoters & publishers in a few short months, The Dinner Party have burst forth gloriously into the guitar music renaissance. Conceived during a wine-stained evening in Brixton, the name embodies a musical and aesthetic ethos of decadence, mystery, spectacle and charm. Finding artistry in the intersection between the beautiful, sublime and grotesque, the band are guided by their favourite Romantic poets and Gothic novelists. The preceding years of isolation and anxiety have only served to heighten The Dinner Party’s creative appeal as they usher in a new era of unashamed maximalism and untethered euphoria. They cast their net of inspiration across artists and genres, from Kate Bush and David Bowie, glam rock and new wave, to unexpected moments of twelve bar blues, classical overture and heavy synth breakdowns. Singer Abigail, guitarists Emily and Lizzie, keyboardist Aurora and bassist Georgia weave a fantasy of haunting melodies, explosive choruses, and lyrics that embrace tragedy and triumph in equal measure. At their shows, the band lead audiences through the soaring crescendos and pin-drop silences of the most debaucherous dinner parties, gathering a dedicated and growing company of attendees with every performance. The band are currently based in London writing, recording, and preparing for their next spectacle. You are cordially invited. The Dinner Party

To be a cyborg means to have been manufactured; to have been downloaded with information, characteristics, and abilities meant to carry out a function which will serve its creator. It is to have stepped into the world with very little control under an all-powerful hand. Miss Grit knows that to be a cyborg also means to have potential beyond your creator; to inevitably grow a hand even more powerful. New York-based musician Margaret Sohn created Miss Grit to function as an outlet for their own analysis and expression of self. Called a “polymath” by NME in early 2019, their process is insular and meticulous, their vision precise. Sohn produced this album entirely in their home studio, and mostly in solitude, with occasional guest collaborators like Stella Mozgawa of Warpaint, Aron Kobayashi Ritch of Momma, and close friend and fellow songwriter Pearla.