The Infamous Stringdusters dig deep into their bluegrass roots for their eleventh full-length record A Tribute to Bill Monroe, made available on Americana Vibes. For this album - which pays homage to the Father of Bluegrass includes songs that shaped them individually, and as a band, and recorded them each remotely from their home studios. “Bill Monroe was, as far as I can remember, the first bluegrass music I owned,” shared Andy Hall. I asked my uncle for a Bill Monroe CD box set and got it as a birthday present when I turned 18. The sound coming out of my speakers blew my mind, almost like ancient acoustic heavy metal. But then a song like ‘A Voice From On High’ would come on, and even though it was slow, it had this captivating power. The ancient tones.”  The GRAMMY® Award-winning quintet—Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]—have musical influences that truly run the gamut, but their common denominator is certainly bluegrass -- the sound that has in essence defined the course of their career. This particular body of work, the first in a series of bluegrass tribute albums, was an obvious choice in that Bill Monroe truly laid the foundation for bluegrass as we know it today. This particular style of music is still played, and honored, 75 years later and remains a total creative force, something that albeit separated by the devastating impact of Covid-19 on the live music industry, the ‘Dusters (as they’re known to their fans) came together in their truest, most authentic form to create.  The Infamous Stringdusters stand out as the rare group who can team up with contemporary artists on late night television one night and headline the legendary Red Rocks Amphitheatre or perform alongside The Grateful Dead’s Phil Lesh the next, and have recently emerged as proprietors behind their newly found independent record label, Americana Vibes.  Manifesting an actual flock of impassioned fandom, much like those who paved the road before them, the band have attracted a faithful international audience that continues to grow. Moreover, their powerful music and performances paved the way for a GRAMMY® Award win in the category of “Best Bluegrass Album” for 2017’s Laws of Gravity, and a number of International Bluegrass Music Awards in a variety of categories. Sometimes going back to the roots is where we are most likely to find opportunities for growth and evolution, so A Tribute to Bill Monroe was the catalyst for returning home. “Once we realized that we were going to be grounded for a good while, we found the best way for us to stay connected musically, as a band spread out around the country, would be to record remotely, each guy from his own home studio,” shared Andy Falco. “The silver lining of it was recording albums [such as Dust the Halls: An Acoustic Christmas Holiday and A Tribute to Bill Monroe) like we always talked about but didn’t have the time to actually do because of our busy touring schedule. The most important thing is for the art to continue, and we are very happy to have been able to create despite our different geographical locations.” Bill Monroe was most widely known for his mandolin playing, however interestingly enough, the mandolin does not appear once in the Dusters’ interpretation. So, while the nature of Bill Monroe’s bluegrass resides within the spirit of innovation, the Dusters took that same leap of faith in excluding Monroe’s instrument in that they “followed their own path to be innovators in the music they create together,” shared Jeremy Garrett, “along with exploiting the musical foundation they all share.” This album, like both December 2020’s holiday album and their last pre-pandemic effort, Rise Sun, was self-produced offering the band an opportunity to stay connected musically, together/apart, for which they are grateful. A Tribute to Bill Monroe is the Infamous Stringdusters telling listeners that they are slowly and continually evolving, by honoring the roots of the music that has shaped them as a band and individually. The songs are meaningful, and the musical parts have become more essential. The Dusters are a brotherhood, but that family extends beyond the band even. And with most of the past year apart (and off), the guys can’t wait to hear what the future has in store for them musically speaking, and the hope is to bring that very musical joy back into people’s lives. "[the band] summon the light, which is all the more astonishing considering they tend to formulate their ideas individually before bringing them to the table." - Bluegrass Situation "...they represent a different side of the same socially aware coin that funds less positive, equally progressive artists’ countercultural capital." - No Depression

Sierra Hull is widely regarded to be a as a master of her instrument; A two-time Grammy Nominated artist and songwriter, recognized for both her most recent projects, 25 Trips (2020) and Weighted Mind (2016), she is also the 4x recipient of IBMA’s Mandolin Player of the Year, the first woman to ever receive this distinction. A pioneer for acoustic music throughout her already impressive multi-decade career, she has graced the country’s most iconic stages, including Carnegie Hall, the Grand Ole Opry, and the White House. Her virtuosic abilities have garnered respect from genre-defining trailblazers, friends, and collaborators such as Alison Krauss, Sturgill Simpson, Garth Brooks, Dolly Parton, Bela Fleck, Bobby McFerrin, and Brandi Carlile. Originally hailing from Byrdstown, Tennessee, her unique sound is rooted in bluegrass, and she is widely considered one of acoustic music’s most inventive artists.