The Districts w/ Francis of Delirium and Vanillaroma

Tue Apr 5 2022

8:00 PM (Doors 7:00 PM)

The Basement East

917 Woodland St Nashville, TN 37206

$18 ADV / $20 DOS

Ages 18+

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By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (PCR or antigen) within 48 hours prior to the event. Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice,  all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours.  We will continually assess the information and recommendations provided by the CDC and update our policy as needed. For more info visit thebasementnashville.com

 

The Districts w/ Francis of Delirium and Vanillaroma

  • The Districts

    The Districts

    Alternative Rock

    "You Know I’m Not Going Anywhere is an unachievable promise,” says The Districts bandleader Rob Grote. “It’s about a dream for love to last forever and a yearning to postpone death. It is about wanting to escape everyday life while also craving time with one who’s present. It’s a plea to remain the same in the face of constant change, and the certainty of going nowhere fast.” Written after playing nearly 200 shows over two years in support of their 2017 album, Popular Manipulations, The Districts’ fourth full-length You Know I’m Not Going Anywhere almost never arrived.

     

    As they began to contemplate a new album, Grote and his longtime bandmates Pat Cassidy (guitar), Connor Jacobus (bass), and Braden Lawrence (drums) faced a transitional period that was painful for both personal and professional reasons, and found themselves fatigued and disoriented as a group. Grote also felt dysphoric from the anxiety-provoking state of the world today, while facing a daily battle with the dire health problems of his beloved dog. The Districts were forced to rethink everything. “This album was written as an escape and as reassurance. I was falling in love with someone new and trying to juggle this desperate desire to escape with the need to show up in my life. It’s pretty damn hard to be present and completely checked out all at once,” Grote explains. “It felt like much of my world had reached such a pitch that all I could do was try to tune it out. I felt really uncertain about the future of the band and super detached from much of what I used to identify with, on a personal level and with our music. I was thinking, ‘Do I want to keep doing music?’ ‘Do I want to keep doing it in this context?’”

     

    Grote retreated to his bedroom and started writing with no objective other than to create. Free from expectations, and with an acoustic guitar, synthesizer, and drum machine at hand, he discovered a newfound creative freedom. “Originally, I had no intention of them even being a record. It was strictly a process of trying to connect to something outside of and larger than myself—kind of this rocky imbalance of isolating myself while trying to maintain connections as time rushed on. There was a lot of back and forth between working as a group and not feeling capable of doing that,” reflects Grote. “I ended up taking these recordings super far along, whereas normally I would almost compulsively share them with my bandmates as soon as I had an idea. This time I was sitting on them and putting work into them in a way that I hadn’t known I enjoyed doing.”

     

    He ended up with a batch of 32 songs; but, these songs didn’t sound like ‘The Districts.’ Yet to his surprise, when Grote later played early demos for his bandmates, they loved them. Turns out these were Districts songs, and the Philadelphia-based band later decamped to a cabin in Red Hook, N.Y., where they recorded and produced the lion’s share of the album themselves alongside frequent collaborator Keith Abrams.

     

    While You Know I’m Not Going Anywhere builds on preceding albums, it takes an ambitious leap to a new level, exhibiting a widened sense of experimentation and expansiveness at its heart. There’s Rhodes, Mellotron, strings, samples, drum machines, tape loops, Wurlitzer, “ambient swells,” piano, synthesizers; Grote lists 12 instruments next to his name alone. Airy and understated, discordant and exuberant, and earnest all at once, You Know I’m Not Going Anywhere is the culmination of The Districts’ growth and maturation through milestones and setbacks alike.

     

    The haunting, atmospheric opener “My Only Ghost” is an ode to the secrets and memories we share with the ones we’ve lost; the rapturous, pulsating “Velour and Velcro” is a love song about the unknown future we’re all riding into; and the stripped-back “Descend” deals with death and separation. The songwriting sees Grote drawing a sort of spiritual comfort from music and creativity as he worked. Despite the song’s dark undertones, the ‘nihilist disco’ of “Cheap Regrets” finds The Districts as electrifying as ever. “The act of writing a song, trying to sculpt something out of the human experience, can feel quite vain. So do the extremes of American culture, which constantly reinforces the self. The mirror reconfirms you. It's all iPhones, selfies, and mirrors,” says Grote. “This song is a criticism of the divisions that result from a self-oriented society and an attempt to transcend them, while simultaneously being an example of these very ideas. The song is the statue to the self; it is about itself.”

     

    Credit also to Dave Fridmann (The Flaming Lips, Spoon, MGMT), whose mix expertly layered all of the elements into a cohesive whole. That’s most obvious in the subtle, synth-laden psychedelia of album standout “Hey Jo,” which floats on plucked guitars and Grote’s airy vocals before kicking into a rousing, Wall Of Sound chorus where he tunefully repeats “Fuck my head.” The song nods to Grote favorites like Lee Hazlewood and Harry Nilsson. “All of their arrangements are surreal in a way that’s not relying on normal psychedelic things,” he says.

     

    Pulling from the propulsive Popular Manipulations, the jagged indie rock of 2015’s A Flourish and a Spoil, and the rootsy vibe of their 2012 debut, Telephone, the band here followed their creative instincts every step of the way, resulting in their most sophisticated and adventurous record to date.  “I really just needed to be myself instead of being what someone else thought I should be, whether that was like some masculine bar-band singer or… I don’t know,” Grote says, laughing. “I just want to be myself, and I want to try and do that as best as I can. This record is paradoxically the most-Districts record ever with no intention of ever being one at all. It’s about breaking free from how you’re seen, always being yourself first and holding on to who you are—but also about coming together as a whole and putting your 'self' aside. Doing all that, I’ve realized, ‘Oh, this is how I want to make music from now on!’”

  • Francis of Delirium

    Francis of Delirium

    Indie Rock

  • Vanillaroma

    Vanillaroma

    Alternative Rock

Please correct the information below.

Select ticket quantity.

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limit 8 per person
G.A.
General Admission (first-come, first-served seating)
GA
$18.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (administered by a Health Care Professional) within 48 hours prior to the event. AT HOME TESTS WILL NOT BE ACCEPTED! Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice, all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours. No at-home tests accepted. We will continually assess the information and recommendations provided by the CDC and update our policy as needed. More Info: https://www.thebasementnashville.com/

ALL PATRONS MUST BRING A VALID FORM OF IDENTIFICATION.

WE ONLY ACCEPT TICKETWEB TICKETS.

BACKPACKS ARE NOT ALLOWED IN THE VENUE
Most shows are standing room only.
Handicap accommodations can be arranged.
ALL ALL AGES and 18+ SHOWS ARE NO RE-ENTRY

The Districts w/ Francis of Delirium and Vanillaroma

Tue Apr 5 2022 8:00 PM

(Doors 7:00 PM)

The Basement East Nashville TN
The Districts w/ Francis of Delirium and Vanillaroma

$18 ADV / $20 DOS Ages 18+

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (PCR or antigen) within 48 hours prior to the event. Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice,  all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours.  We will continually assess the information and recommendations provided by the CDC and update our policy as needed. For more info visit thebasementnashville.com

 

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 18+
limit 8 per person
G.A.
General Admission (first-come, first-served seating)
GA
$18.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund. By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (administered by a Health Care Professional) within 48 hours prior to the event. AT HOME TESTS WILL NOT BE ACCEPTED! Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice, all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours. No at-home tests accepted. We will continually assess the information and recommendations provided by the CDC and update our policy as needed. More Info: https://www.thebasementnashville.com/

ALL PATRONS MUST BRING A VALID FORM OF IDENTIFICATION.

WE ONLY ACCEPT TICKETWEB TICKETS.

BACKPACKS ARE NOT ALLOWED IN THE VENUE
Most shows are standing room only.
Handicap accommodations can be arranged.
ALL ALL AGES and 18+ SHOWS ARE NO RE-ENTRY