HULDER (led by the self-same artist) was born in 2018 within the dense landscape of the American Pacific Northwest. She quickly offered forth a series of demos, EPs, singles, and utilized her fixation on medieval lore as inspiration for the acclaimed 2021 debut LP Godslastering: Hymns Of A Forlorn Peasantry. A pivotal 2022 saw HULDER release The Eternal Fanfare, a five-song mini-album, marking a new phase in the project’s rapid development and garnered interest from various metal publications, domestically and abroad. Further to HULDER’s auditory ascendency, the band set the live stage ablaze, touring widely in North America throughout the year and into 2023, which brought them to European shores for the first time as well. Spurred on by these noble victories, the ground was prepared for the band to take on the headlining slot of the 2024 Decibel Magazine Tour and announce a brand new offering of darkness. The hauntingly grandiose new HULDER album Verses In Oath, out February 9th, 2024, constitutes the most majestic, untamed manifestation thus far in the band’s journey of conquest, as new territory is put to flame and conquered by sword and shield.The ancient sorrow-filled melancholy and seething spirit that are the essence of “Hearken The End” permeate the entire album, by now a fundamental detail in HULDER’s identity where roots run deep in long forgotten soil. And whilst the slashing cruelty and torn flesh of “Vessel Of Suffering” and “Enchanted Steel” embrace a predatory barbarism, it is the joining of all those elements that places Verses In Oath in the timeless pantheon of black metal’s most strident lineage.While black metal has evolved into myriad offshoots and subgenres to the point of incomprehension, HULDER is resolutely steeped in the genre’s destructive preeminence, rituals, and traditions, carrying the torch of its origins and heritage. The result is both unsparingly savage and wistfully evocative; black blood on white snow.  

Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns!

Deep within the scorching cauldron of Texas, the alchemists of Necrofier have brewed another potent dose of American black metal with their sophomore full-length, ‘Burning Shadows in the Southern Night.’ The Houston four-piece honors the time-tested virtues of traditional black and heavy metal, even taking an organic sonic approach, tapping seven-time Grammy-nominated producer and engineer Joel Hamilton (Unsane, Tom Waits, Tyler Bryant & The Shakedown, etc.) to lend his magic touch for a natural sound.   “The goal going into the new record was to start setting ourselves apart from our contemporaries,” explains Necrofier drummer Dobber Beverly. “One of those ways was changing what the record sounded like. Moving away from the clinical and sterile nature that most productions suffer from and back into a real room with real instruments and performances. Our friend and esteemed producer/engineer Joel Hamilton had expressed interest in venturing back into the metal world and offered to make the record with us at his facility, Studio G Brooklyn. With a full vintage Neve front end and a host of Telefunken and Neumann microphones we tracked a record the old way, mostly. The results will speak for themselves hopefully, as this record breathes and spits fire wherever it’s played.” “Joel is one of the world's best engineers,” adds Necrofier guitarist and vocalist Bakka. “Dobber and Joel have become good friends since they recorded the last Oceans of Slumber album with him. After that, Joel wanted to record something heavy so we made the trip to New York City to record in his legendary studio. It was an amazing experience in a great studio; besides having all the gear, he also created an environment where we challenged ourselves and brough everything up to the next level.”   ‘Burning Shadows in the Southern Night’ doesn’t just simply pick off where Necrofier’s debut album left off, but displays a conscientious effort to double down on the elements that made ‘Prophecies of Eternal Darkness’ successful. The solos are more plentiful and intricate, the hooks are more anthemic, and the overall musicianship is bolder and more daring. Speaking of the band’s evolution, Bakka explains, “I think this collection of songs represents us very well. We have grown together as a band and it shows in the new songs. Also, for this record we flew to NYC and recorded all day long for 10 days straight. I love recording this way because it captures a certain magic. The whole band is immersed in the process and it's all we would think, do, live and breathe during the process.”   Another core facet of Necrofier’s allure is being a black metal band from Texas. .” “Where you live always helps shape someone,” says Bakka. “It helps shape our style and tone in ways, it’s hot most of the year, so as we burn, it gives us warmer tones and more of a heavy metal influence than when compared to our brothers from the North. Also, Texas has a style all of its own; everything is heavier, louder and we are always trying to outdo the rest of the world.”   To that avail, Necrofier isn’t your typical black metal band, and so this isn’t your typical black metal record as there’s a healthy amount of traditional metal influences, particularly within the guitar work. While conceptually, the band doesn’t heavily rely on Satanic themes, exploring deeper human philosophies and the occult like burning for your dreams or spiraling out on a psychedelic trip and exploring the beyond.. “While there isn’t overt satanic worship in the lyrics, I would still say that he is a friend of ours,” Bakka cheekily says.“There are Occult themes on this record, but at the same time, it does take a philosophical approach.”   Further illustrating the influence of their environment, Necrofier also heavily explores one of Southern America’s most fabled myths. “The new record touches on selling your soul at the crossroads,” adds Bakka. “ I like to take a different approach and touch on the elements of the esoteric world and dive into the forbidden or hidden that surrounds us in our lives everyday.”   As the Texan black metal outlaws saddle up for record two, they are leading the charge as one of the contemporary purveyors of black metal revivalism. ‘Burning Shadows in the Southern Night’ is certain to elicit a sense of nostalgia for those who dare to lay ears on this vicious new offering.