Daze Between New Orleans is a two-day event taking place on the “Daze Between” New Orleans Jazz Fest weekends, Tuesday April 30 -Wednesday May 1, 2024, at the Faubourg Brewery in New Orleans. The event will bring together some of the finest musicians from the Big Easy and beyond on 2 full stages, tapping into the worlds of jazz, funk, jam, folk, and more to create a musical gumbo reflective of the collaborative spirit that makes this city unlike anywhere else. In addition to music, fans may enjoy all that Faubourg has to offer, from a top-notch beer selection to fantastic traditional Louisiana cuisine. Single and two-day passes are available, as well as a variety of VIP options and travel packages to elevate the experiences.

Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning songwriter-produce Eric Krasno continues to evolve with each record, project, and performance. Something of a musical journeyman, his extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he’s shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band’s Revelator and guitarist on Derek Trucks Band’ Already Free. In 2019, he served up Telescope under the KRAZ moniker. The cinematic concept album earned widespread acclaim from the likes of Relix and Salon who hailed it as “a timely New York story.”  On his 2021 fourth full-length solo offering Always, he defines himself as not only an artist, but also as a husband, father, and man across these ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty. Grammys Tedeschi Trucks Band - Revelator (Best Blues Album Winner) Songwriter/Guitarist Tedeschi Trucks Band - Live In Oakland (Best Contemporary Blues Album Nominee) Guitarist Derek Trucks Band - Already Free (Best Contemporary Blues Album Winner) Guitarist Ledisi - Turn Me Loose (Best R&B Album Nominee) Producer Pretty Lights - Color Map Of The Sun (Best Electronic Album Nominee) Multi-Instrumentalist Tedeschi Trucks Band - Live in Oakland (Best Contemporary Blues Album Nominee) Songwriter Robert Randolph - Got Soul (Best Contemporary Blues Album Nominee) Songwriter/Guitarist Producer Highlights Aaron Neville - Apache (Producer/Songwriter Full Album) 50 Cent - My Gun Go Off (Producer/Writer) Talib Kweli & Norah Jones - Soon The New Day (Producer) Talib Kweli & Justin Timberlake - Nature (Producer/Writer) Vieux Farka Toure - The Secret feat. Dave Mathews & various special guests (Producer Full Album) Lawrence - Breakfast (Producer Full Album) Marcus King Band - Producer (coming in 2018) Collaborations Gramatik & Eric Krasno - Recovery Gramatik & Eric Krasno - Torture (featured on ‘Narcos’ & ’Step it Up’) Griz & Eric Krasno - Wicked Griz & Eric Krasno - Gotta Push On

George Porter Jr. is an award-winning bassist, songwriter and vocalist. He is a founding member of New Orleans’ seminal funk band, The Meters and widely recognized as one of the greatest bass players of all time. Formed alongside Art "Poppa Funk" Neville, Leo Nocentelli and Joseph Zigaboo Modeliste, the pioneering R&B funk outfit hit the scene on the streets of the Crescent City in the 1960s, to ultimately become one of the progenitors of the funk music genre. The groundbreaking collective carved out syncopated polyrhythms and grooves inherited from New Orleans’ deep African musical roots. Porter’s heavy pocket and fat notes formed the rubbery bass lines behind funk classics like their signature “Cissy Strut,” the now classic 1969 funk instrumental released as a single from their eponymous debut album, which reached No. 4 on the R&B chart and No. 23 on the Billboard Hot 100 respectively. While the group rarely enjoyed massive mainstream success, they are widely heralded alongside James Brown, Sly Stone, and George Clinton’s Parliament/Funkadelic as the founding fathers of funk. The Meters have been nominated four times for induction into the Rock and Roll Hall of Fame (most recently in 2017), and were presented with a Grammy Lifetime Achievement Award at the 60th Annual Grammy Awards in 2018. At the outset of his young career, Porter developed his signature style on sessions in his hometown New Orleans, with early musical pioneers Johnny Adams, Irma Thomas, Snooks Eaglin, Eddie Bo and The Lastie Brothers. While Porter developed his pedigree, The Meters were gaining notoriety, soon becoming the house band for Allen Toussaint’s recording label, backing classic records from Dr. John, Lee Dorsey and Earl King, while later supplying the musical foundation for classic hit albums and singles from modern artists Robert Palmer, Paul McCartney, Tori Amos, Taj Mahal, not to mention Patti Labelle’s No. 1 R&B hit “Lady Marmalade.” George and The Meters toured with the Rolling Stones in '75, were embraced by Led Zeppelin and The Beatles, and became primary influences to modern artists such as Red Hot Chili Peppers and the Beastie Boys. Porter’s rhythmic work with drummer Modeliste also became the building block behind primary samples used by the most relevant hip-hop artists of the 1980’s and 1990’s, including A Tribe Called Quest, Run DMC, N.W.A. and Queen Latifah. Porter has accompanied the stage as a band member or special guest with the likes of David Byrne, Dead & Company, Jimmy Buffet, Warren Haynes, Widespread Panic, Tedeschi Trucks Band, John Scofield, Bill Kreutzmann, Mickey Hart and various members of Phish, to name a few. He continues to be the bandleader of current projects, George Porter Jr. and Runnin' Pardners and George Porter Jr. Trio; with both incarnations still playing often locally, and touring prolifically, garnering respect not only as quintessential New Orleans' bands, but also as major national attractions within the jam band and festival scene. On special occasions, Porter still anchors Foundation of Funk, a current Meters "reinvention" with original drummer Zigaboo Modeliste, boasting a rotating line-up which has featured members of Widespread Panic, Medeski Martin & Wood, Dumpstaphunk and 2018's now infamous Lockn Festival sit-in by Bob Weir, John Mayer and Grateful Dead drummers Mickey Hart and Bill Kreutzmann, the latter of whom George played with in the popular side project, The 7 Walkers. Currently, Porter still maintains a healthy touring schedule with his trio and Runnin’ Pardners projects with a cast of seasoned and talented musicians including long-time collaborator Michael Lemmler (keyboards), Terrence Houston (drums) and Chris Adkins (guitar). George and his Runnin' Pardners recently released their highly acclaimed first new studio album in six years, Crying For Hope in March 2021. The album garnered national coverage with Billboard, Tidal, MOJO, Premier Guitar and Bass Player, along with Porter's hometown publication, Offbeat, which declared: "While the title cut harkens back to the social commentary lyricism of some of the best Meters songs and references the déjà-vu all-over-again experiences of Black America in these fraught times, the rest of the album remains emotionally upbeat and hopeful. For a band that is known for its stop-on-a-dime tightness when performing live, this album proves over and over that with the right musical ingredients the magic can actually be bottled." During the course of his career spanning more than four decades, Porter has made a deep impression as an elite player; acknowledged as one of Rolling Stone Magazine’s 50 Greatest Bassist of All Time. At 74 years young, George Porter Jr. plans to keep a smile on his face and often says, "I feel like I am working towards something that will be remembered."

Tony Hall is an American bassist, guitarist and vocalist from New Orleans. He is a founding member of Dumpstaphunk. His work includes affiliation with New Orleans artists Harry Connick Jr., Dr. John, the Neville Brothers, Aaron Neville, Jean Knight, June Yamagishi, Shannon McNally and the Meters.

Decade upon decade, Skerik remains the tireless steward for one of modern music's most diverse, adventurous & passionate bodies of work. Skerik's world is one where dialogue flows freely between wildly disparate strains of musical thought... where no borders exist between jazz & sludge metal, where elements of Congolese soukous dialect might find their way onto the million-selling records of an alternative rock band, where an avant-garde electronic translation of Ornette Coleman's deepest & darkest fantasies (shared with a select few listeners in a small club) easily attains the same level of satisfaction & meaning as an exuberant explosion of jazz/funk catharsis (shared with hordes of sweaty festival crowds all over the world). It is a world where all sounds may communicate freely with each other, so long as they all originate from true inspiration & good faith. They may encounter friction & chaos along the way, eventually emerging in a shared harmonious understanding... or perhaps they might remain in friction & chaos, screaming in musical hellfire until the next chapter begins. Safety is never guaranteed in these woods, but boredom will never rear its head. That's a promise. It all began in Seattle when a precocious young man took his first few steps on tenor & baritone saxophone, inspired in equal measure by his love for jazz (as inherited from his father), the grittier side of funk/r&b and the experimental corners of rock. An apprenticeship spent working in a wide variety of bands in London, Paris & the South Pacific further expanded his ears & ambitions, and he returned home in the late 1980s armed with a full set of 10,000 hours and an insatiable work ethic that continues unabated to this day. Back in Seattle, Skerik "accidentally" found himself joining the amazing rock duo SadHappy in 1990 (recording two studio albums & embarking on countless live adventures with the band), and the following year saw the first of many such honors when he won "Best Horns" from the Northwest Music Awards in 1991.  Ever restless, Skerik teamed up with Matt Chamberlain in 1993 to form the singular Critters Buggin, alongside luminaries such as Brad Houser & John Bush (later to be joined by Mike Dillon). Critters' blend of rock, funk, jazz, industrial & African influences established an utterly unique presence in the explosion of improvisation-focused music that emerged in the 90s, and Skerik's pioneering incorporation of harsh & abrasive electronic elements ensured that the band's output was distinguished by a confrontational edge that wasn't often encountered among the mellow hippie friendliness of the day. Skerik was inducted into the "Seattle Jazz Hall Of Fame" by Earshot Jazz in 2017, and he is the recipient of numerous awards including "Best Horns" (1991 Northwest Music Awards), "Northwest Jazz Instrumentalist Of The Year" (2003 Earshot Jazz Golden Ear Awards) and "Northwest Alternative Jazz Group Of The Year" (2012 Earshot Jazz Golden Ear Awards, as bestowed upon his group Bandalabra). All totaled, Skerik has contributed to more than 200 records as a saxophonist and/or keyboardist, and his music has seen worldwide placement in feature films, independent films, TV shows, theater & dance pieces. He continues to make Seattle his primary home (now owning & operating his own studio in the city), and regularly embarks on tours around the world with his ever-expanding cast of collaborators & new things to do.

Trumpeter and vocalist, Jennifer Hartswick is one of the most exciting performers in music today. She exudes confidence and joy and brings her own refreshing spirit to the stage every time she performs. Jennifer’s music is honest, soulful and comes with a maturity far beyond her years. Hartswick is an original member of the Trey Anastasio Band and has recorded/shared the stage with Herbie Hancock, Phish, Christian McBride, Tom Petty, Aaron Neville, Carlos Santana, The Rolling Stones, Big Gigantic, Dave Matthews and countless others. Jennifer’s live performances are renowned as spontaneous, joyful and contagious. Her natural charisma and sincerity shines through, and each performance is a celebration of musical collaboration. And whether she is wailing on the trumpet or singing an intimate vocal solo, her performance is all part of a single seamless instrument, one that is played not only with astounding technical proficiency, but also with sensitivity, conviction and heart.

After nearly a decade spent with the Gramblers, and recent high-profile collaborations (Phil Lesh, Infamous String Dusters, Ryan Adams), and a split from her husband and musical mentor, vocalist and songwriter Nicki Bluhm is stepping out on her own with her new album, TO RISE YOU GOTTA FALL. The songs were written over a two-year period in Bluhm’s life and chronicle her fundamental life changes, which found the West Coast native living in Nashville, TN. “These songs are the conversations I never got to have, the words I never had the chance to say, and the catharsis I wouldn’t have survived without,” she says. Recorded in Memphis, TN at legendary Sam Phillips Recording, Bluhm brought in producer Matt Ross-Spang (Margo Price, Jason Isbell), for these live band, analog sessions. The studio band includes Will Sexton (guitar), Ross-Spang (guitars), Ken Coomer (drums and percussion), Al Gamble (Hammond B3), Rick Steff (piano), Dave Smith (bass), with Sam Shoup (string arrangements) and various special guests.  TO RISE YOU GOTTA FALL tells the story of a woman searching for light among darkness and reveals her emergence as a powerful songwriter and vocalist of great depth and immediacy.

He goes by many names. a-waz. waz. my dawg. ya boy. the forever hang. Egyptian born, American raised, all soul, and all hang. alex was born in alexandria, egypt and raised in savannah, georgia. performing music is alex's way of taking you out of what may have been a depressing day and into what might be the wildest night of your life. alex regularly performs and tours the world with Dumpstaphunk. he also leads a few different ensembles of his own, the very good™ brass; a 15 piece fully improvised brass band with rotating drummers, and Dusk Dept., his own band. alex also throws the funkiest party in Los Angeles and New Orleans every monday at his series called Very Good™ Mondays. besides performing live music and studio recording, a-waz is also a skilled composer and arranger and is also known for his professional grade written music and charts. for more information, click the contact tab above to reach out to him for his services. alex has a thing for throwing parties too. google 'alex wasily’s funk party 15.' go ahead, he'll wait for you here to check it out. alex is currently based in Los Angeles and splits his time between Chicago and New Orleans…but really he likes to consider his home(s) as either LAX/Burbank Airport, the delta sky lounge in concourse A at hartsfield-jackson airport in Atlanta or a bar called lincoln station (#foreverhang) in chicago. a-waz (alex) is a slave to the hang and the hang is real - catch him sometime soon, he’s active on social media. (@alexwasily) he studied at DePaul University and has his bachelor’s degree in jazz studies where he studied with Tim Coffman, Charlie Vernon, Mark Fisher, Kelly Sill, Bob Lark, Tom Matta, Bob Palmieri, Ron Perillo, Mark Colby, Kirk Garrison, Cliff Colnot, Michael Lewanski, and Erica Neidlinger. alex is an endorsed King Trombones Artist (Conn-Selmer), AMT (Applied Microphone Technology) artist, an AR Resonance Mouthpiece artist, an AVID Sibelius™ Arranger, and currently rocks a vintage King2B Liberty trombone.

New Orleans native Raymond Weber is an independent drummer and founding member of Ivan Neville’s Dumstaphunk, Harry Connick Jr., and Charmaine Neville. He first began drumming at age ten and has traveled nationallly and internationally for decades drumming for some of the biggest names in the industry. Raymond has played and toured with the late Joe Sample, Ray Parker Jr., N’Dea Davenport and the late Dr. John.

DJ Soul Sister is an internationally-known, veteran DJ artist, whose broadcast programs and live performances feature only the music she loves: 1970s – mid-1980s soulful rarities in R&B, funk, disco, jazz, and more from her personal collection of thousands of vinyl records.   A native of New Orleans, Soul Sister has hosted her Soul Power show on WWOZ FM New Orleans for 25+ years, and has hosted internationally-aired radio programs on Sonos Radio and Worldwide FM, among others.   As a performance DJ, she is the first to win New Orleans' prestigious Big Easy Entertainment Award for "Best DJ." She has also performed everywhere from the New Orleans Jazz & Heritage Festival, Voodoo Music Experience, Essence Music Festival (mainstage DJ 2008-2010), BUKU Music & Art Project, Jam Cruise, Boiler Room, and Electric Forest. Soul Sister has opened for many of her favorite artists like George Clinton and Parliament-Funkadelic, The Roots, Bootsy Collins, Maceo Parker, DaM-FunK, Average White Band, George Duke, Teena Marie, Doug E. Fresh, ConFunkShun, Switch, the funky Meters, Dumpstaphunk, Chuck Brown & the Soul Searchers, Soul Rebels, Lettuce, Tower of Power, and more; and has also performed alongside DJ artists/producers such as Questlove, DJ Jazzy Jeff, Mannie Fresh, KON, Maseo (De La Soul), Low Down Loretta Brown (Erykah Badu), Rich Medina, Biz Markie, and others. She was even personally invited by George Clinton to DJ his 71st birthday party. Music artist Solange called her “wonderful” and “life given,” and dj artist King Britt said she was “the best…top 3 DJs for me.”   Soul Sister's mission is to share music, and is equally dedicated to educating about music, both as a writer/researcher and as a university lecturer.