Thu Jun 11 2020

9:00 PM (Doors 8:30 PM)

Sunset Tavern

5433 Ballard Avenue NW Seattle, WA 98107

$12.00

Ages 21+

Share With Friends

Share
Tweet

The Crocodile Presents: Kevin Krauter, Boy Scouts

  • Kevin Krauter

    Kevin Krauter

    Indie Pop

    In music, there’s often a tendency to focus on personal pain. It’s a useful shorthand for understanding how an artist got to where they are now, but sometimes that heaviness doesn’t leave enough room for nuance and change. In his solo work, the Indiana musician Kevin Krauter doesn’t flinch when staring down his past, but he doesn’t get too obsessed with the dark stuff either.

    In 2018, Krauter released Toss Up, a quiet album that was built on intricate guitar riffs that looped back on themselves to create a feeling of sunlit calm. Krauter’s sophomore follow up, Full Hand, dives further into the world he’s created — one where songs are evocative of late afternoon light, or dust settling on a creaky floorboard, but with lyrics that probe Krauter’s personal life, grappling with sexuality and religion, while exploring what it means to grow up, grow more critical, and, in turn, more self-confident. 

    Across 12 tracks, Krauter tackles these emotional states and ideas through elliptical songwriting that is at once poetic and truthful. “A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years,” Krauter says, “just growing up and becoming more confident in myself...that process of looking inward and taking stock of myself.” It’s not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauter’s light touch feels like something all his own. On Full Hand’s first single, “Pretty Boy,” he sings, “Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won’t be too long, but I’ll take my time with it / It won’t be too long till I come back home.” There’s a palpable sense of joy in Krauter’s acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he’ll be able to look back and find peace.

    This sense of acceptance is the backbone of Full Hand, both musically and lyrically. Krauter took stock of the different phases of his life — what he was listening to, how he felt when he was a teenager — and welcomed all of it into his music. This meant that nothing was off-limits. All influences were fair game — from early-’00s emo to late ’90s radio rock — and his entire history, instead of becoming something to be ignored or pushed aside, became part of the patchwork of his music. “It’s nice to recognize that the instinct is there in me and all I have to do is say yes or no.”

    Around the release of Toss Up, Krauter shed light on his dominant artistic impulse toward overwhelmingly nice sounds that weave throughout lyrical meditations on personal growth. His vocal lilt on “Opportunity” is so warm, so effortlessly pretty, that you’ll almost miss moments of harsh truth like “Wake up to a morning so listless / come to, sun is looming in.” By the end of the song, Krauter is alone, left behind, looking at his life and wondering what he’s supposed to do next. “It’s an easy fallback to be self-deprecating or defeatist in whatever I was I writing,” he says. “It was a challenge to myself to see how I could flip it the other way but also be real about it. I don’t want to make some sugary, feelgood, all payoff thing because that’s not what my life is like.”

    And on Full Hand, he gets there. It’s an album that is a holistic look at a human life in progress--personal flaws mean everything until they suddenly don’t. Situations are terrible until a new perspective is uncovered, and then they’re not. He’s not so much looking for resolution as he is accepting the journey. On “Surprise,” that journey is distilled into nearly four minutes of perfect pop that manages to encompass the nuances of Krauter’s entire life. “It explores anxieties I deal with and worries that I have. Areas in which I feel inadequate or unfulfilled. It’s always a surprise to come to a realization that it’s not as good as I thought it was,” he says of the song. “And then having to jump back into...it doesn’t matter. Life goes on.”

  • Boy Scouts

    Boy Scouts

    Alternative Folk

    As Boy Scouts, Oakland-based songwriter and multi-instrumentalist Taylor Vick makes the kind of music that hits like good advice from a beloved friend. It's generously warm and inviting, built atop her open, searching voice, but it doesn't shy away from tough emotional truths.

    Vick's songs survey the damage that can come from loving other people with curiosity and grace. Her new album, Free Company – her first for ANTI- Records - is her most vital and incisive work yet, a stunningly tuneful rumination on heartbreak and loss that is always galloping toward the horizon.

    The album’s opener, "Get Well Soon" reckons with the difficult epiphany that comes when you've worked overtime to help someone you love, only to realize they won't meet you in the middle and help themselves. "It's a hard thing to say. You're hoping somebody will eventually feel better, but there's also this weird new distance between you. You can't do anything else, but you still really hope that they're OK," Vick says.

    Her tightest and most cohesive collection of songs, Vick recorded Free Company in a tiny studio her friend Stephen Steinbrink set up inside a rented shipping container--a unique spot that ended up being perfect for her. "It's a windowless little room, but that made me feel really comfortable," she says. "We did it in the comfort of a weird, atypical recording space."

    Steinbrink plays drums, synth, and bass throughout the record in addition to singing backup. It was the first time Vick had opened up her recording process to someone besides herself, and the inclusion of her friends (Rose Droll, Nikolas Soelter, and Chase Kamp also contributed to the album) helped her polish Boy Scouts' indie pop sound to a sparkle.

    With a keen ear for melody and a palpable sense of empathy, Vick picks apart all the confusing and contradictory ways that people glance off of each other while moving through their lives. Her music is an invitation to shake off the weight that's been dragging you down, to lighten your step and keep moving forward no matter what lies ahead.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 10 per person
GA

$12.00

Delivery Method

Mail
UPS
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

The Crocodile Presents: Kevin Krauter, Boy Scouts

Thu Jun 11 2020 9:00 PM

(Doors 8:30 PM)

Sunset Tavern Seattle WA
The Crocodile Presents: Kevin Krauter, Boy Scouts

$12.00 Ages 21+

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 10 per person
GA
$12.00

Delivery Method

Mail
UPS
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.