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FITZGERALDS Presents:
THE BONES of J.R. JONES w/ special guest Tall Tall Trees@ FITZGERALDS HISTORIC NIGHTCLUB!
Fri, 12 Jun, 8:30 PM CDT
Doors open
7:30 PM CDT
FITZGERALDS NIGHTCLUB
6615 W Roosevelt Road, Berwyn, IL 60402
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
FITZGERALDS NIGHTCLUB PRESENTS:
THE BONES OF J.R. JONES seen HERE
$30 General Admission // $35/seat Reserved Tables
Growing up, Jonathon Linaberry was obsessed with the radio.
“I remember sitting there at night, glued to the boombox, cassette player ready to record whenever my favorite songs came on,” he recalls. “There was something so thrilling about it, something romantic that I think we’ve lost now that everything’s available at our fingertips. I wanted to find a way to get back to that place, to recapture those feelings of excitement and anticipation and possibility.”
Linaberry does precisely that on Radio Waves, his sixth studio album as The Bones Of J.R. Jones. Recorded in Toronto with producer Robbie Lackritz (Feist, Bahamas), the collection is moody and hypnotic, steeped in the sonic landscape of the ’80s and ’90s as it excavates the past with equal parts nostalgia and curiosity. The arrangements are utterly entrancing here, built on the tension between acoustic instruments and retro synthesizers, and Linaberry’s performances are raw and visceral, at times aching in their vulnerability. Put it all together and you’ve got a
poignant exploration of memory and longing delivered by a relentless searcher, a revelatory work of personal reflection steeped in the endless beauty, pain, and chaos of youth.
“I’ve never really resonated with the idea of ‘the good old days,’” Linaberry reflects. “Your understanding of the past and your relationship with it change as you get older, and I’ve always been more interested in the evolution of those feelings than in wearing any kind of rose- colored glasses.”
Born and raised in central New York, Linaberry got his start playing in hardcore and punk bands before becoming enamored with the field recordings of Alan Lomax, who documented rural American blues, folk, and gospel musicians throughout the 1930s and ’40s. Inspired by the unvarnished honesty of those vintage performances, Linaberry launched The Bones of J.R. Jones in 2012 and, operating as a fully independent artist, began releasing a series of critically acclaimed albums and EPs that would land his songs in a slew of films and television shows (including True Detective, Suits, Daredevil, Longmire, and Graceland) and lead to countless tours
across the US and Europe (including stops everywhere from Telluride Blues to Hardly Strictly Bluegrass). Along the way, Linaberry also shared bills with the likes of The Wallflowers, G. Love, and The Devil Makes Three, soundtracked an Amazon commercial helmed by Oscar-winning director Taika Waititi, and earned praise from Billboard, American Songwriter, Under the Radar, and more.
Grab dinner before the show at BABYGOLD BARBECUE
Or enjoy full service dining inside the club when doors open.
***PARKING***
There is rather limited street parking in the area, we recommend arriving by rideshare, bicycle, or rickshaw.
***AGE RESTRICTIONS***
21+, minors admitted with guardian
Event Information
Age Limit
21+
Refund Policy
All Tickets are Non-Refundable. All Tickets are Non-Transferrable. A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.

Americana
The Bones of J.R. Jones
The Bones of J.R. Jones
Americana

Alternative Rock
Tall Tall Trees
Tall Tall Trees
Alternative Rock
Mike Savino is not your grandaddy’s banjo player, and Tall Tall Trees is definitely not your average indie-folk outfit from NYC. A pioneer in the the world of experimental and psychedelic banjo music, Mike Savino has released two records and one EP on his own label Good Neighbor Records, Tall Tall Trees (2009), moment (2012), and The Seasonal EP (2014). Since 2012 Tall Tall Trees has been touring relentlessly, mystifying audiences with his “continually refreshing and innovative approach to the banjo” (Paste Magazine). Often performing solo, Savino’s modern take on the one-man band involves running his homemade instrument, dubbed the Banjotron 5000 through a slab of effects and loopers, bowing, drumming, and strumming out multi-textured arrangements to support his lyrically driven songs.