Based out of Iowa, Telekinetic Yeti is a two-man band that delivers sonic brutality melded with psychedelic doom wizardry, forged by the worship of the almighty riff and honed by relentless touring and dedication to their craft.    Creating music as cryptically enchanting as it is heavy, you wouldn't guess that the impressive cacophony pouring out of the speakers like molten, metal syrup is being produced by only two people. Founder and guitarist Alex Baumann explains, “Originally I decided not to have a bass player purely for logistical reasons, it was just another schedule to work around, another person who’s boss could tell us we can’t tour, but then I started seeing it as a challenge, like let’s see how heavy we can make it with just two people.”    That started grabbing peoples' attention. Relentless touring and playing pretty much any club that would have them, the band set sail on their epic voyage, selling their debut album Abominable out of their van and cutting their teeth in the underground playing hundreds of shows. All the while receiving rave reviews of their live performance as well as their first release, which landed at #2 on the doom charts and stayed right there for months. The Sludgelord called the eight-song album “a f***ing monster from start to finish,” and The Obelisk, including the album in their year-end, best of list, dubbed it the “debut of the year,” and said “it could have been another band’s second or third record for the level of cohesion on display.” The video for “Stoned and Feathered” quickly racked up a few hundred thousand views and counting. It was at this time that Telekinetic Yeti caught the attention of Ozzy Osbourne bass player, Blasko, who named Abominable on his “5 favorites” list. People were starting to catch on, and soon thereafter Telekinetic Yeti would be invited to tour extensively with some of the best heavy rock bands in the business, including Clutch, Black Label Society, Red Fang and Weedeater.   Now the band finds itself in a much different, auspicious position, and with the help of famed producer Phillip Cope (Baroness, Kylesa, Damad, Black Tusk et al), Telekinetic Yeti returns with their eagerly-anticipated, second full-length album, Primordial.    With this release, the band takes their game to a whole new level. Primordial explores themes as diverse as evolution, sorcery, black magic and the contradictions of the gloriously uplifting yet simultaneously melancholic human condition. "I wanted to write something that was an appropriate intro to the album, that brought to mind an early earth setting and featured atmospheric elements as well as some droning, sparse simplicity and lyrically, simple imagery regarding the dawn of humankind and creation of the first tools." explains Baumann of the title track.    As it unfolds, the album evolves into a cathartic exploration turning themes into tangible sounds and haunting fugues. Says Baumann regarding the inspiration behind “Beast”: "This song is about wanting to escape the societal constraints that keep us on the wheel, toiling away, indefinitely. It's also about questioning authority figures, or really anyone that claims to have all the answers."  Matured songwriting, creatively brutal riffs and an exercise in monstrous tones make this listen an immersive experience taking you back to explore and appreciate the primordial ooze that we all came from. Telekinetic Yeti has partnered with stalwart Indie label, Tee Pee Records. Telekinetic Yeti is: Alex Baumann - Guitar/Vocals Rockwel Heim - Drums

JD Pinkus is an American bassist best known for his work with American punk band Butthole Surfers from1985 to 1994 and since the 2009 reunion. In 1990, he and Butthole Surfers' lead vocalist Gibby Haynes released Digital Dump, the only album from their psychedelic house music side project The Jackofficers. Upon leaving Butthole Surfers, Pinkus worked full-time with the Austin trio Daddy Longhead, which he had assembled during his waning months in the band, and which included longtime Atlanta associate Jimbo Young on guitar and Rey Washam on drums. Daddy Longhead retired after 10 years, leaving Pinkus free to explore other projects including Skinny Leonard and Areola 51. Pinkus played with Helios Creed on his albums NUGG: The Transport [1996] and Activated Condition [1998], and has also collaborated with Bad Livers frontman Danny Barnes several times in a live setting. JD Pinkus then co-founded the band Honky who went on to record five albums and are still currently active. Pinkus also performs with Pure Luck,who released a self-titled release in 2017 on Heavy Feather Records. He leaves his bass to play Banjo and Guitar in this project. On their 30th anniversary tour in 2013, Pinkus joined the Melvins in place of Jared Warren (on paternity leave) as well as performing with the opening Honky. He subsequently joined the Melvins full-time, touring with them in 2014 in support of the album Hold It In, which also featured Butthole Surfers founder Paul Leary, and again in 2015. He also plays on the song Captain Come Down which was first released in 2015 on Chaos as Usual, a split release with Le Butcherettes, and later included on the 2016 album Basses Loaded. In 2018, JD Pinkus released a solo album, Keep on the Grass on cassette tape on Danny Barnes Minner Bucket Records and later Vinyl and Compact Disc through Heavy Feather Records. It was recorded entirely on banjo and features a rendition of the song Bride of Crankenstein from the Melvins album Hold It In. The Keepon the Grass album release show was with Sleep in San Pedro on September 15th 2018.  On February 12, 2018, the Melvins announced that Pinkus would be joining them, alongside current bassist Steven McDonald (Redd Kross), on their next album and subsequent tour. Released on April 20, 2018, the aptly titled Pinkus Abortion Technician features both bass players and four songs written or co-written by Pinkus. In May of 2021 JD Pinkus and Daddy Longhead released another album titled ‘Twinkle” which was originally recorded but not distributed in 1998. JD Pinkus is now releasing his second solo “space grass” banjo album titled “Fungus Shui.” The album was written, recorded, and mixed by Pinkus himself at Plastic Cannon Studio in Asheville, North Carolina. The album was mastered by Kramer. Fungus Shui LP's are being released on Shimmy Disc and CD's available through Heavy Feather Records on August 20th 2021.