A crowd-thrilling trio from the hills of Colorado, Stillhouse Junkies share the kind of strangely charmed chemistry that elevates both artist and audience alike. Since forming in 2017, the Durango-bred band have offered up a hypnotic and high-energy form of roots music anchored in the free-flowing interplay among the three lifelong musicians (Fred Kosak on guitar and mandolin, Matt Thomas on upright bass, Alissa Wolf on fiddle). While they’ve gained major traction in the bluegrass world in recent years—including winning the IBMA Momentum Band of the Year award in 2021—Stillhouse Junkies ultimately inhabit a genre-blurring and subtly inventive sound informed by everything from blues to classical to Texas swing. When matched with their nuanced songcraft and soul-stirring harmonies, the result is a one-of-a-kind musical experience that immediately transports the listener into a more enchanted state of mind. Founded not long after Kosak moved to Durango from his native New England, Stillhouse Junkies got their start playing a weekly residency at a local distillery and quickly drew a dedicated following on the strength of their unforgettable live show. Although all three members had established careers in other fields, they soon devoted themselves full-time to the band and delivered their debut album in 2018, then embarked on their first national tour the following year. As they earned an ever-growing number of accolades, Stillhouse Junkies built up a repertoire of original songs by tapping into their eclectic sensibilities. Their third full-length and first release for Dark Shadow Recording, 2022’s Small Towns, perfectly encapsulates what makes their music so spellbinding, presenting a richly detailed selection of songs that often use the wildly colorful mythology of the American West to explore complex questions of the human heart. With their fourth album due out in 2025, Stillhouse Junkies have now achieved such triumphs as touring in the UK and Europe and taking the stage at leading festivals like MerleFest and Grey Fox. Whether they’re performing at house concerts or playing to crowds of thousands, the band balances the dizzying intricacy of their musicality with plenty of freewheeling improvisation. And at the heart of their musical connection is an easy camaraderie made even more powerful by the intimacy of their lineup. “There’s a cool dynamic to the trio that we’ve really embraced over the years,” Kosak points out. “We all believe that the triangle is the strongest shape.” “One of our favorite things we hear after shows is that we have such a big, full sound for just three people,” Wolf adds. “We always just try to bring a lot of joy to everything we do and give the audience something they can’t even describe. We want to leave them wondering, ‘Wow, what was that?’”

Fog Holler is a bluegrass band with an edge. What gives them that edge is a topic of hot debate. For some, it’s musicianship - these bluegrass cats shred. For others, it’s the songwriting, traditional in style but topical in substance. Sometimes, they undeniably snare people with the squad factor - folks see 4 grown adults in matching monochrome, and they get curious. The secret, according to Fog Holler, is simply that they write and play bluegrass in 2024, with similar intention but very different context from the genre’s originators. Inspired by a range of influences from The Stanley Brothers to Buck Owens to Meshuggah, Fog Holler breathes fresh life into well worn forms like the murder ballad and the power waltz. Described by two-time Grammy Award Winner Cathy Fink as “The next generation of the many shades of grass”, Fog Holler’s captivating tunes and coordinated outfits are quickly enthralling longtime bluegrass fans and newcomers alike.