Stanley Jordan Jazz Trio

Sat Apr 23 2022

8:00 PM - 9:10 PM (Doors 6:30 PM)

Iridium

1650 Broadway New York, NY 10019

$45.00

All Ages

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The Mayor of New York City has mandated that indoor music venues effective August 17, 2021, require proof of vaccination from all customers above 12 years of age in order to enter the facility. Customers with a disability or a religious belief that precludes them from vaccination are exempted, but are subject to a reasonable accommodation at the discretion of the Iridium.

We are requiring any such exempted persons to:
1. Obtain approval prior to arrival to the event and show their exempt status by sending proof ( a letter from your Doctor or a senior official from your place of worship) to the club manager at their email noted below.
2. Wear a mask indoors except when active on court.
3. Maintain a 6 foot distance as much as possible.

Youth ages 11 and under are exempt, however they shall wear masks when accompanied by their legal guardian / parent and shall maintain social distancing.

All customers must now check in at the Box Office or with the venue Manager prior to entry. Going forward please allow enough time to check in.\

We appreciate your cooperation as we navigate this time.

Iridium Management

 

Stanley Jordan Jazz Trio

  • Stanley Jordan

    Jazz


    World-renowned guitarist Stanley Jordan has developed a new live show called "Stanley Plays Jimi." This is a tribute show, but it's not pure imitation. Instead Stanley builds on Jimi's legacy in a creative way. As Stanley explains it, "This is my fantasy Jimi Hendrix concert if Jimi were still playing today. By re-imagining his music and channeling his persona I try to bring that fantasy to life." 
     

    It may be surprising that Stanley Jordan would take on a project like this. After all, Stanley is already a well-known guitarist with a signature style, four Grammy nominations, a cameo in a Blake Edwards film (Blind Date), and a host of TV appearances over a long career including Jimmy Fallon, David Letterman, Jay Leno and Johnny Carson to name a few. But Stanley explains, "I feel a strong connection to Jimi Hendrix because he was the first guitarist I emulated as a child. Out of love for Jimi and his music I feel a strong desire to try to keep his legacy alive."
     

    It may also be surprising that a rock legend like Hendrix would get so much love from a jazz legend like Jordan. Stanley's 1985 album Magic Touch was #1 on Billboard's jazz chart for 51 weeks, and Stanley has shared the stage or recorded with jazz artists such as Benny Carter, Dizzy Gillespie, Miles Davis and Billy Cobham. But again, hearing it from Stanley, "I actually played rock and blues before I played jazz. In fact, Jimi's constant searching for new sounds inspired me to move toward jazz in the first place."
     

    In recent years Stanley has performed with many artists in the rock and jam band worlds, including the Dave Matthews Band, Umphrey's McGee, Moe. and more. Stanley says, "Returning to my rock roots has been an absolute joy artistically, and with this project I'm taking that to a new level."
     

    Another important aspect is the embodiment of Jimi's persona. Stanley actually steps onto the stage as Jimi Hendrix so there is a theatrical element to the show. But this is not a comedic caricature nor is it a theatrical  play--it's a concert. It's a concert built upon a sincere and heartfelt effort to recreate the jaw-dropping experience of witnessing Jimi Hendrix live while at the same time bringing his legacy up to date in a believable way. Wow! Tall order to fill--no? That's why you need a world-class artist of Stanley Jordan's caliber to pull it off.
     

    This extra touch of portraying the Hendrix of today rather then yesterday keeps the show creative and fresh for both Stanley and the audience and it gives Stanley's fans a new insight into Stanley's own evolution. It also makes the show more authentic in a certain sense, because a real Hendrix concert would have surprises and unexpected turns. "Stanley Plays Jimi" tries to re-create both the energy and the creativity of the real thing.
     

    "This would be a challenging endeavor for anyone," Stanley explains. "For sure you can put on an impressive show with just 2 or 3 of his techniques. But I'm trying my best to cover as much of his work as possible while at the same time trying to build on it, which I think is really the heart and soul of this project. The truth is, no one really knows what Jimi would be doing today. But we do know he would have kept evolving. This gives me some creative leeway and it lets my own identity come through because we're viewing Hendrix thru my lens. But it's also challenging for me because I can't do just anything; It has to make sense and to come across as something Jimi might have actually done."
     

    One way Stanley builds on Jimi's legacy is by expanding on some of the jazz elements that Jimi was evidently reaching for toward the end of his life. Stanley says, "We know that he jammed with Rasaan Roland Kirk and Larry Young, and plans were underway to collaborate with Miles Davis and Gil Evans. You can hear him reaching and expanding his vocabulary on albums like Nine To The Universe, which was very influential to me as a youngster. And some of his compositions have a kind of jazzy shuffle, such as 'Up from the Skies' and 'Belly Button Window.' I try to expand on that."
     

    Stanley also builds on Jimi's work by incorporating touch, or two-hand tapping techniques. Many people associate that more with Van Halen than with Hendrix but Stanley says, "I actually got the idea from Jimi Hendrix. I saw him do it with just his left hand, but that's all I needed to see. I just added the right hand, which was an obvious extension." And extend it he did. Today Stanley Jordan is considered by many to be the World's best tapper, having developed it into a rich pianistic style.
     

    Jimi Hendrix was no stranger to electronics and Stanley builds on that as well, saying, "Of course I use feedback and effects just as Jimi did. But I avoid programmed sequencers and prerecorded tracks because there just isn't enough evidence that Jimi would have gone that route. And the real genius of what he did consisted in making himself part of the circuit rather than externalizing it. For Jimi, electronics were not an end in themselves but a means to an end--an extension of the instrument and a channel of his spirit."
     

    Stanley also adds a few original compositions to the setlist--fantasy songs that could have been written by Jimi today, just to fill out the repertoire and to give shape to some of the new concepts Jimi was developing. Remember--this is the Hendrix of today, not yesterday.
     

    In terms of look and style, Stanley stays mostly faithful to Jimi's traditional style. Of course we know Jimi could have evolved significantly in his clothing style by now but Stanley doesn't speculate much in that area, explaining, "The truth is, in this show I'm both a musician and an actor, and I want my character to be believable. I feel that the best way to do that is to be fairly faithful to the Jimi Hendrix that we all know."
     

    "Stanley Plays Jimi" is a new project but it's based on an old idea. Stanley says, "Back in 1971 at the age of 11 I was saddened to hear of Jimi's passing. I decided there and then to try to continue his legacy, so I took up guitar. Of course my desire was to be original artist in my own right, but the concept of a Hendrix tribute has been in my mind pretty much from the start. Now, in the year of the 50th anniversary of Jimi's historic Woodstock  performance the time feels right to bring this idea to fruition."
     

Please correct the information below.

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Select Tickets

limit 6 per person
General Admission

$45.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

The Iridium is a fully seated venue. Ticket price does not include the $15 food and drink minimum at the venue. All sales are final.

Valid ID is required for Will Call ticketing.

Stanley Jordan Jazz Trio

Sat Apr 23 2022 8:00 PM - 9:10 PM

(Doors 6:30 PM)

Iridium New York NY
Stanley Jordan Jazz Trio

$45.00 All Ages

The Mayor of New York City has mandated that indoor music venues effective August 17, 2021, require proof of vaccination from all customers above 12 years of age in order to enter the facility. Customers with a disability or a religious belief that precludes them from vaccination are exempted, but are subject to a reasonable accommodation at the discretion of the Iridium.

We are requiring any such exempted persons to:
1. Obtain approval prior to arrival to the event and show their exempt status by sending proof ( a letter from your Doctor or a senior official from your place of worship) to the club manager at their email noted below.
2. Wear a mask indoors except when active on court.
3. Maintain a 6 foot distance as much as possible.

Youth ages 11 and under are exempt, however they shall wear masks when accompanied by their legal guardian / parent and shall maintain social distancing.

All customers must now check in at the Box Office or with the venue Manager prior to entry. Going forward please allow enough time to check in.\

We appreciate your cooperation as we navigate this time.

Iridium Management

 

Stanley Jordan

Jazz


World-renowned guitarist Stanley Jordan has developed a new live show called "Stanley Plays Jimi." This is a tribute show, but it's not pure imitation. Instead Stanley builds on Jimi's legacy in a creative way. As Stanley explains it, "This is my fantasy Jimi Hendrix concert if Jimi were still playing today. By re-imagining his music and channeling his persona I try to bring that fantasy to life." 
 

It may be surprising that Stanley Jordan would take on a project like this. After all, Stanley is already a well-known guitarist with a signature style, four Grammy nominations, a cameo in a Blake Edwards film (Blind Date), and a host of TV appearances over a long career including Jimmy Fallon, David Letterman, Jay Leno and Johnny Carson to name a few. But Stanley explains, "I feel a strong connection to Jimi Hendrix because he was the first guitarist I emulated as a child. Out of love for Jimi and his music I feel a strong desire to try to keep his legacy alive."
 

It may also be surprising that a rock legend like Hendrix would get so much love from a jazz legend like Jordan. Stanley's 1985 album Magic Touch was #1 on Billboard's jazz chart for 51 weeks, and Stanley has shared the stage or recorded with jazz artists such as Benny Carter, Dizzy Gillespie, Miles Davis and Billy Cobham. But again, hearing it from Stanley, "I actually played rock and blues before I played jazz. In fact, Jimi's constant searching for new sounds inspired me to move toward jazz in the first place."
 

In recent years Stanley has performed with many artists in the rock and jam band worlds, including the Dave Matthews Band, Umphrey's McGee, Moe. and more. Stanley says, "Returning to my rock roots has been an absolute joy artistically, and with this project I'm taking that to a new level."
 

Another important aspect is the embodiment of Jimi's persona. Stanley actually steps onto the stage as Jimi Hendrix so there is a theatrical element to the show. But this is not a comedic caricature nor is it a theatrical  play--it's a concert. It's a concert built upon a sincere and heartfelt effort to recreate the jaw-dropping experience of witnessing Jimi Hendrix live while at the same time bringing his legacy up to date in a believable way. Wow! Tall order to fill--no? That's why you need a world-class artist of Stanley Jordan's caliber to pull it off.
 

This extra touch of portraying the Hendrix of today rather then yesterday keeps the show creative and fresh for both Stanley and the audience and it gives Stanley's fans a new insight into Stanley's own evolution. It also makes the show more authentic in a certain sense, because a real Hendrix concert would have surprises and unexpected turns. "Stanley Plays Jimi" tries to re-create both the energy and the creativity of the real thing.
 

"This would be a challenging endeavor for anyone," Stanley explains. "For sure you can put on an impressive show with just 2 or 3 of his techniques. But I'm trying my best to cover as much of his work as possible while at the same time trying to build on it, which I think is really the heart and soul of this project. The truth is, no one really knows what Jimi would be doing today. But we do know he would have kept evolving. This gives me some creative leeway and it lets my own identity come through because we're viewing Hendrix thru my lens. But it's also challenging for me because I can't do just anything; It has to make sense and to come across as something Jimi might have actually done."
 

One way Stanley builds on Jimi's legacy is by expanding on some of the jazz elements that Jimi was evidently reaching for toward the end of his life. Stanley says, "We know that he jammed with Rasaan Roland Kirk and Larry Young, and plans were underway to collaborate with Miles Davis and Gil Evans. You can hear him reaching and expanding his vocabulary on albums like Nine To The Universe, which was very influential to me as a youngster. And some of his compositions have a kind of jazzy shuffle, such as 'Up from the Skies' and 'Belly Button Window.' I try to expand on that."
 

Stanley also builds on Jimi's work by incorporating touch, or two-hand tapping techniques. Many people associate that more with Van Halen than with Hendrix but Stanley says, "I actually got the idea from Jimi Hendrix. I saw him do it with just his left hand, but that's all I needed to see. I just added the right hand, which was an obvious extension." And extend it he did. Today Stanley Jordan is considered by many to be the World's best tapper, having developed it into a rich pianistic style.
 

Jimi Hendrix was no stranger to electronics and Stanley builds on that as well, saying, "Of course I use feedback and effects just as Jimi did. But I avoid programmed sequencers and prerecorded tracks because there just isn't enough evidence that Jimi would have gone that route. And the real genius of what he did consisted in making himself part of the circuit rather than externalizing it. For Jimi, electronics were not an end in themselves but a means to an end--an extension of the instrument and a channel of his spirit."
 

Stanley also adds a few original compositions to the setlist--fantasy songs that could have been written by Jimi today, just to fill out the repertoire and to give shape to some of the new concepts Jimi was developing. Remember--this is the Hendrix of today, not yesterday.
 

In terms of look and style, Stanley stays mostly faithful to Jimi's traditional style. Of course we know Jimi could have evolved significantly in his clothing style by now but Stanley doesn't speculate much in that area, explaining, "The truth is, in this show I'm both a musician and an actor, and I want my character to be believable. I feel that the best way to do that is to be fairly faithful to the Jimi Hendrix that we all know."
 

"Stanley Plays Jimi" is a new project but it's based on an old idea. Stanley says, "Back in 1971 at the age of 11 I was saddened to hear of Jimi's passing. I decided there and then to try to continue his legacy, so I took up guitar. Of course my desire was to be original artist in my own right, but the concept of a Hendrix tribute has been in my mind pretty much from the start. Now, in the year of the 50th anniversary of Jimi's historic Woodstock  performance the time feels right to bring this idea to fruition."
 

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 6 per person
General Admission
$45.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

The Iridium is a fully seated venue. Ticket price does not include the $15 food and drink minimum at the venue. All sales are final.

Valid ID is required for Will Call ticketing.