Sea of Noise, the second full-length album by St. Paul and the Broken Bones, marks a quantum leap in sound and style for the high-voltage Birmingham, Alabama-based band.
Produced by Paul Butler and recorded at Nashville’s Sound Emporium, the group’s sophomore effort features an expanded eight-piece lineup of the widely praised soul-based rock unit. Longtime members Paul Janeway (lead vocals), Jesse Phillips (bass, guitar), Browan Lollar (guitars), Andrew Lee (drums), Al Gamble (keyboards), and Allen Branstetter (trumpet) are joined by Jason Mingledorff (saxophone, clarinet, flute), and Chad Fisher (trombone).
“It felt like it happened organically,” Janeway says of the band’s development. “With the last record, it was like doing things with your hair on fire – going in, recording it live. There’s a sense of urgency to having a record like that. We were only a band for about five months at that point. I didn’t know my voice – I’d never done this professionally. I was just learning more nuance, and about carrying a melody. You don’t have to go for it 100% all the time. You can draw people in by giving and taking.”
The album’s lyrical and emotional richness is heard loudly in stunning new compositions like “Burning Rome” (which Janeway describes as “a letter to God, if I could write it”) and the startling “I’ll Be Your Woman,” which knocks traditional soul music gender roles on their heads. Janeway says of the latter song, “I wrote that with Jesse, and he said, ‘If I can write that song, I can die a happy man, because I’ve finally made something that I feel can stand up to my standards.’”
St. Paul and the Broken Bones, which toured extensively in the U.S. and Europe behind their debut album, will put their take-no-prisoners live show on the road this fall. Their most recent concert work included arena dates opening for the Rolling Stones in Atlanta and Buffalo. Some acts may have been daunted by such a task, but not this one.
“It was pretty neat, it was pretty crazy,” Janeway says. “I love the Rolling Stones, but my train of thought it, you gotta try and blow ‘em off the stage. And that’s still my goal.”
East Nashville-based musician Aaron Lee Tasjan has always considered himself a songwriter first and foremost, writing his own off-kilter folk-inflected songs since he picked up his first acoustic as a teen guitar prodigy. “A lot of the stuff I did previously was never the main focal point,” Tasjan explains. “It’s all just been pieces along the way.” His soon to be released Silver Tears (New West Records – Oct. 2016) will offer a glimpse through the eyes of one gifted songwriter and versatile musician. Whether playing guitar in the late incarnation of riotous glam-rock innovators the New York Dolls, the gender-bending, envelope-pushing sleaze n’ tease arena rock band Semi Precious Weapons, the Neil Young-signed alt-country act Everest, British roots rock band Alberta Cross, Southern rock stalwarts Drivin’ N’ Cryin’ or even as frontman of the devilishly cleverly-named Heartbreakers meets Replacements rockers Madison Square Gardeners, offer a glimpse through the eyes of one gifted songwriter and versatile musician.