Silverstein enters its 25th year with two full-length albums set for 2025. The band that NME calls “legendary,” and Loudwire placed among the Most Prolific Rock & Metal Artists of the 21st Century, continues to innovate and inspire on forward-thinking records and at crowd-embracing live shows.  Discovering the Waterfront (2005) remains a touchstone classic. A Beautiful Place to Drown (2020) earned a Rock Album of the Year nomination at the Juno Awards. Antibloom (arriving in February) and Pink Moon (August) are stunning reminders of why the group is a vital subcultural force and why Alternative Press readers voted frontman Shane Told among the Five Best Post-Hardcore Vocalists.  Silverstein songs like “My Heroine,” “Smile in Your Sleep,” “The Afterglow,” and “Infinite” are postmodern anthems for a devoted following earned with passionate performances and authentic artistry. As recently as 2024, The Needle Drop called them “emo hardcore legends.” While their 500M+ streams reflect that, Silverstein grew up in a scene where the music and message come first.  Audiences sing and scream along in packed theaters, at festivals, and on tours around the world with groups like Simple Plan, Rise Against, Good Charlotte, Pierce The Veil, Beartooth, and Underoath.  Sam Guaiana (Neck Deep, Holding Absence, Bayside) produced and mixed Antibloom and Pink Moon at Fireside Sound in Joshua Tree, California. The band arrived with 25 demos and chose their 16 favorites. Koehler suggested splitting the music into two albums and turning 2025 into a year-long celebration. This will allow listeners the space to absorb and connect with the songs, which embrace the band’s storied past and postmodern leanings in equal measure, making for diverse experiences.  “We put everything we’ve learned/felt/experienced into this double album,” the band said in a shared statement, declaring Antibloom and Pink Moon “the absolute collection of our musical style.” 

We are an emo band from the suburbs of Chicago.

When you check into a hotel, you immediately step into another mindset. It may not be home, but you can still rest, nonetheless. Without knowing what happened before or what will go down after, you add to the history of each room. In the morning, you leave and essentially return to reality. Broadside explore this phenomenon on their fourth full-length album, Hotel Bleu (out November 10th via Sharptone Records). the trio—Oliver Baxxter [vocals], Domenic Reid [guitar], and Patrick Diaz [bass]—architect a thematic vision as expansive and engaging as their seismic and soaring alternative pop hooks. After posting up north of 100 million cumulative streams and building a devout audience, the band deliver their boldest, brightest, and biggest body of work yet.

Greyhaven have magnified the scope of heavy music since emerging in 2013. The group transfixed audiences with Empty Black [2018] and This Bright and Beautiful World [2022], gathering streams in the tens of millions. Beyond praise from Revolver, KERRANG!, and more, New Noise Magazine professed, "Greyhaven have proven themselves as a force to be reckoned with in the post-hardcore and the heavy music scene at large with their latest release," and Blabbermouth applauded how "musicianship and eloquence are apparent." Throughout 2023, they assembled what would become Stereo Grief with producer Will Putney [Body Count, Norma Jean, Every Time I Die]. Expanding on the EP, which takes inspiration from the classic short story And He Built A Crooked House by Robert A. Heinlein, Mills states,"The EP is a loose story of someone navigating existential fear relating to all life and all death on a grand scale through a multi-dimensional lens. I was inspired by a short story I read while we were tracking that sort of serves as a backdrop for what's going on in the lyrics. Overall, I feel like this is the best material we've written so far and it's only hinting at where we're going. We couldn't be more excited to release it with a new team behind us."