
Shoot the Moon Fest Vol.II
Fri, 8 May, 6:00 PM CDT
Doors open
5:00 PM CDT
Reggies Rock Club
2109 South State Street, Chicago, IL 60616
Description
Shoot the Moon Vol. II
Reggies Rock Club and Music Joint
5PM doors | 6PM show
One GA ticket give you access to both rooms.
2026 Lineup
Rock Club:
Codefendants
Goddamn Gallows
The Rumours
Lash Out
Music Joint:
Black Eyed Vermillion
Anger
Yes Ma’am
Little Foot
Event Information
Age Limit
21+
eTicket Delivery
Your tickets will be e-mailed closer to the event date.

Punk
Codefendants
Codefendants
Punk
Fat Mike of NOFX's newly launched project, Codefendants, are the breath of fresh air and the steel-toe-cap kick in the nuts music has needed for too long. Get Dead vocalist Sam King’s graffiti crew were giving tattoos and making flash art to raise money to help rapper Ceschi Ramos when he was in prison. Months later they met at the Gilman Street Project in Berkeley, California. They bonded, talking about their love of hip-hop and punk rock, over a bottle of Jameson. They didn’t know it yet, but they had just started Codefendants. Impossible to define by traditional standards, Codefendantswere forged out of a desire to make an album that sounded like nothing else; a completely genre-fluid album, a cross between hip hop, new-wave, flamenco, and the Beatles. They call the genre 'Crime Wave'.

Psychobilly
The Goddamn Gallows
The Goddamn Gallows
Psychobilly
The Goddamn Gallows formed in 2004 by founding members and Lansing/Detroit natives Mikey Classic on guitar and vocals, Fishgutzzz on upright bass, and Amanda Kill on drums -replaced by current drummer Uriah Baker (aka; "Baby Genius") in 2006. The trio started out migrating around the West for a time, holing up in Hollywood squats and squalid apartments, before releasing several albums: The Gallows EP (2004), Life of Sin (2005), and Gutterbilly Blues (2007), and finally hitting the road nearly full-time to establish their presence in the psychobilly-country scene while honing their self-described "twanged-out punk rock gutterbilly". In 2009 the addition of Avery, a fire-breathing, accordion and washboard player, as well as Jayke Orvis (formerly of the .357 String Band) on mandolin and banjo, prompted The Goddamn Gallows to explore many new directions with their songwriting and in their live performances. As evidenced on their most recent 2009 album, Ghost of The Rails, and as witnessed by their spectacular and tireless live shows, The Goddamn Gallows began to forge a path founded on their very own brand of contagious primeval abandon: an unpretentious and from-the-gut carnivalesque smorgasbord of parts old time revival, circus sideshow, and good old-fashioned rock and roll. The result falls dead center into a head on collision between something like a Western honky-tonk impromptu parking lot rodeo, and Suburbia (the 1983 Penelope Spheeris cult classic film, not the location).

Rock
The Rumours
The Rumours
Rock
The Rumours are a chick fronted rock band based out of Waterloo, IA. Talk about a bad to the bone crüe straight out of the sleazy pits of Rock N Roll Hell. Although it’s clear it’s clear this band sold their souls to Rock N Roll, they often flirt with Glamish-Punk, and even Blues ideas. The Rumours and their feisty attitudes are gonna rip your heart out and leave you beggin’ for more.

Punk
Lash Out
Lash Out
Punk

Blues Revival
Black Eyed Vermillion
Black Eyed Vermillion
Blues Revival
BLACK EYED VERMILLION was born Gary Christian Vermillion in 1969 as the product of a one night stand between an unemployed circus freak and a jackal. Abandoned by his mother, he was adopted by a roaming tribe of Buddhist Monk street sweepers, eventually causing him to find inner-peace within the gutter. At age 7, young Vermillion fell into an open sewer. After being trapped for three days he was finally rescued; unconscious and badly hurt. When he awoke he could only communicate in swear words for a year and his voice was severely damaged from the septic fumes. He also sustained a head injury, resulting in his first set of black eyes which would lead to the nick name he still bears to this day. At 11 Vermillion set out to see the world but mostly saw it from behind bars. As he stumbled around the world from bus stations to bars to shelters to jails, he was always just lucky enough to cross paths with some of the most talented people in the underground music scene. Stevie Tombstone, One Armed Willie, Handsome Andy Gibson, Cornelious ‘the Pain’ Wickenburg, Joe Buck Yourself, Heathen Bill, Stix the Clown, Whiskey Dick and of course the legendary Shelton Williams the 1st were just a few of the people that would help him realize that he had absolutely NO musical talent! But they also taught him that it didn’t matter as long as there was a song in his heart. Combining the elements of American roots music with the dark anger of punk and grindcore, B.E.V. will be attempting to play as many gigs as possible, depending on the bands ever demanding Rehab schedule.

