Reggies Rock Club + Reggies Music Joint
Friday, May 9th + Saturday, May 10th | 21+
Weekend Pass: $50
Friday Joint: $25adv/$30dos
Saturday Both Rooms: $30
Friday Joint:
The Koffin Kats began by putting together songs with such subjects as dealing with the horrors of the real world, as well as Science Fiction. The band started in small local bars playing for beer, hoping for gas money, and eventually made their way out of the Midwest. The next couple of years contained positives including numerous North American tours, and negatives concerning changes at the drumming position. During this time they released their first three albums: Koffin Kats (2003), Inhumane (2005), and Straying From The Pack (2006).
The three album releases and their supporting tours gained attention for The Koffin Kats and helped get the band noticed in the wide world of punk and psychobilly. In 2007 Vic and Tommy connected with drummer Eric “E-Ball” Walls to record the band’s fourth studio album, Drunk In The Daylight (2008), and catalyzed what the band is now known for: love for their fans and the road, and playing everywhere for everyone willing to watch and listen.
In the years following the release of Drunk In The Daylight, The Koffin Kats have established their name performing in Europe, and have also been included on tours with some of the tops acts in psychobilly, including, but not limited to, Mad Sin, Nekromantix, and The Meteors. In 2009 the trio released their fifth studio album, Forever For Hire, and Tommy departed at the year’s end to pursue a normal life. Shortly thereafter, “EZ” Ian Jarrell took over the guitarist position and joined the band on tour. While on the road they worked on the material that would become featured on their split album with fellow psychobilly act 12 Step Rebels, From Our Hands To Yours (2011).
The Koffin Kats signed with Sailor’s Grave Records in late 2011, and released Our Way & The Highway in January 2012. The trio supported their sixth studio album’s release with non-stop international touring, finally ending in summer of 2013. In autumn of the same year, they released another full-length album with Sailor’s Grave Records, Born Of The Motor. Sales and reviews have proven Born Of The Motor, the band’s seventh studio album, to be their most successful release to date.
Early 2014 brought another change to The Koffin Kats’ member roster; Ian Jarrell left the band to handle personal business at home in Albuquerque, New Mexico. Not wanting to bring someone too far removed from The Koffin Kats family into the fold, Vic and Eric enlisted John Kay (Guitar). John was the engineer on numerous recordings.
The founding lineup returned in 2016.
Six years after his departure, Tommy Koffin returned to playing guitar with The Koffin Kats. With Vic Victor on lead vocals and upright bass, and E Ball Walls on drums. In 2017, the trio released their latest album titled “Party Time In The End Times.”
2019 is a year of new music and international touring. KK will be releasing a new song each month while touring throughout North America and Europe.
Formed in the East Village of New York City in 1991, Mephiskapheles played its first show on Long Island. From day one, the band began attracting a diverse, dedicated fan base.
Sold-out NYC gigs led to tours with the Buzzcocks and GWAR, and hits on the Hawaiian Islands Chart with three singles from the band's first album, 1994's God Bless Satan, produced by Bill Laswell.
While touring relentlessly, Mephiskapheles followed-up in 1997 with Maximum Perversion, a jazz-influenced work that didn't take long to be hailed as a classic. A deal in 1999 with Koch Records resulted in the band's hard-hitting, exploratory third album, Might-Ay White-Ay. The band released the self-titled EP Mephiskapheles in 2015, featuring the single "Satan Stole My Weed," an instant classic. Never Born Again, an EP released in 2019, brings the band back full circle to its dark and melodic roots.
Fronted by lead singer Grylli aka Invidious aka the Nubian Nightmare, along with the hottest rhythm section in New York, and the Horns of Hell, Mephiskapheles spreads its evil seed with an ongoing reissue program, epic shows, and new music on the way.
Members:
Jesse Sendejas - Guitar, Vocals
Veronica Sendejas - Mandolin, Vocals
Corey Page - Bass, Vocals
Jessamyn Cobb - Drums
Elliot Lozier - Bass, Drums, Vocals
Justin Paxton - Drums, Vocals
CARRIE NATION & THE SPEAKEASY (CNS) is a high-energy sextet from Wichita, KS, USA. The band has been described as “...astagecoach in overdrive” and “dark, psychedelic speedfolk”. Psychedelic soundscapes are punctuated by downright amphetaminic tempos and controlled cacophony. File under: Dark psychedelic speedfolk/ thrashgrass/ experimental acoustic/ folkpunk for people who hate folkpunk.
Punk rock like abuela used to make!
Piñata Protest is a “Tex-Mex punk” band from San Antonio, TX. Their self described sound and attitude arises from the two counter-clashing worlds that the band embraces: punk and Tex-Mex.
Piñata Protest’s unique and catchy sound takes the traditional folk rhythms of Tex-Mex music (conjunto and norteño music that is native to the South-Texas and Nortern-Mexican region they originate from) along with the three-row button accordion and combine that with the fast tempos and attitude of punk rock, ska, and many other genres. Along with the use of traditional instruments and rhythms the band also sings in their regional mix of Spanish and English (or Spanglishas it’s called locally). Their songs lyrics cover a range of topics, from political topics close to the ethno-identities of the band, drinking, love, religion, and racism. Adding to their sonic performances is a lively and energetic live show that ignites crowds to mosh, skank, and twirl their dance partners.
Piñata Protest was founded by the Mexican-born singer, song writer, and accordionist Álvaro Del Norte. The band includes Regino Lopez on electric guitar and vocals, Richie Brown on electric bass and vocals, and Chris-Ruptive on drums. Other instruments such as the trumpet and güido are used in not only their studio recordings but their live performances as well.
For over ten years the quartet has maintained a busy schedule of performing and touring throughout the United States, Canada, Mexico, Spain, and France alongside range of musical acts such as The Reverend Horton Heat, Mariachi El Bronx, Molotov, GBH, Tagada Jones, Guttermouth, Voodoo Glow Skills, Brujeria, The Toadies, Ramon Ayala, The Blasters, Authority Zero, Agent Orange, Ozomatli, Mustard Plug, The Blasters, and Wayne Hancock.
Festivals are a strong point for Piñata Protest. Their very eclectic sound, interactive show, and energetic performances makes them a perfect fit for a wide variety of festivals. Most notably the band has had several official appearances at Punk Rock Bowling, SXSW, The Tejano Fan Fair, Flogging Molly’s Salty Dog Cruise, Palomino Fest, Punk In Drublic, The Latin BMI Awards, Accordion Noir, Muddy Roots Festival, and a slew punk, folk, and Mexican themed festivals.
The bands unique sound has also leaded them to be featured in soundtracks for the following major and independently release films: Tequila Re-Pasado (2023), Me Estas Matando Susana (2016), La Soldera (2015), Circus of the Dead (2014). The band has also written music specially for Me Estas Matando Susana.
The band has also had several collaborations with companies including releasing their own beer through Freetail Brewing with a released of Piñata Protest beer which was distributed in grocery chains, bars, and venues across Texas. The band has also collaborated with other worldwide brands such as Tecate beer, Ford Motor Company, and Nike Athletics.
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