The groundwork for what has become the relentlessly-touring sonic assault known as The Koffin Kats was laid near Detroit, Michigan when Vic Victor (Lead Vocalist, Upright Bass) joined forces with long-time friend Tommy Koffin (Guitar). After adding Damian Detroit (Drums) the band kicked off in June 2003, stopping for nothing. Now, with over ten years of touring internationally and over two thousand live shows, the touring trio’s current home is out on the open road. The Koffin Kats began by putting together songs with such subjects as dealing with the horrors of the real world, as well as Science Fiction. The band started in small local bars playing for beer, hoping for gas money, and eventually made their way out of the Midwest. The next couple of years contained positives including numerous North American tours, and negatives concerning changes at the drumming position. During this time they released their first three albums: Koffin Kats (2003), Inhumane (2005), and Straying From The Pack (2006). The three album releases and their supporting tours gained attention for The Koffin Kats and helped get the band noticed in the wide world of punk and psychobilly. In 2007 Vic and Tommy connected with drummer Eric “E-Ball” Walls to record the band’s fourth studio album, Drunk In The Daylight (2008), and catalyzed what the band is now known for: love for their fans and the road, and playing everywhere for everyone willing to watch and listen. In the years following the release of Drunk In The Daylight, The Koffin Kats have established their name performing in Europe, and have also been included on tours with some of the tops acts in psychobilly, including, but not limited to, Mad Sin, Nekromantix, and The Meteors. In 2009 the trio released their fifth studio album, Forever For Hire, and Tommy departed at the year’s end to pursue a normal life. Shortly thereafter, “EZ” Ian Jarrell took over the guitarist position and joined the band on tour. While on the road they worked on the material that would become featured on their split album with fellow psychobilly act 12 Step Rebels, From Our Hands To Yours (2011). The Koffin Kats signed with Sailor’s Grave Records in late 2011, and released Our Way & The Highway in January 2012. The trio supported their sixth studio album’s release with non-stop international touring, finally ending in summer of 2013. In autumn of the same year, they released another full-length album with Sailor’s Grave Records, Born Of The Motor. Sales and reviews have proven Born Of The Motor, the band’s seventh studio album, to be their most successful release to date. Early 2014 brought another change to The Koffin Kats’ member roster; Ian Jarrell left the band to handle personal business at home in Albuquerque, New Mexico. Not wanting to bring someone too far removed from The Koffin Kats family into the fold, Vic and Eric enlisted John Kay (Guitar). John was the engineer on numerous recordings. The founding lineup returned in 2016. Six years after his departure, Tommy Koffin returned to playing guitar with The Koffin Kats. With Vic Victor on lead vocals and upright bass, and E Ball Walls on drums. In 2017, the trio released their latest album titled “Party Time In The End Times.” 2019 is a year of new music and international touring. KK will be releasing a new song each month while touring throughout North America and Europe.

The Goddamn Gallows formed in 2004 by founding members and Lansing/Detroit natives Mikey Classic on guitar and vocals, Fishgutzzz on upright bass, and Amanda Kill on drums -replaced by current drummer Uriah Baker (aka; "Baby Genius") in 2006. The trio started out migrating around the West for a time, holing up in Hollywood squats and squalid apartments, before releasing several albums: The Gallows EP (2004), Life of Sin (2005), and Gutterbilly Blues (2007), and finally hitting the road nearly full-time to establish their presence in the psychobilly-country scene while honing their self-described "twanged-out punk rock gutterbilly". In 2009 the addition of Avery, a fire-breathing, accordion and washboard player, as well as Jayke Orvis (formerly of the .357 String Band) on mandolin and banjo, prompted The Goddamn Gallows to explore many new directions with their songwriting and in their live performances. As evidenced on their most recent 2009 album, Ghost of The Rails, and as witnessed by their spectacular and tireless live shows, The Goddamn Gallows began to forge a path founded on their very own brand of contagious primeval abandon: an unpretentious and from-the-gut carnivalesque smorgasbord of parts old time revival, circus sideshow, and good old-fashioned rock and roll. The result falls dead center into a head on collision between something like a Western honky-tonk impromptu parking lot rodeo, and Suburbia (the 1983 Penelope Spheeris cult classic film, not the location).

Mephiskapheles, the band that helped define modern day ska, then defied critics by exploring even greater possibilities with its darkly original ska fusion, forges ahead with amazing shows and new music on the way. Formed in the East Village of New York City in 1991, Mephiskapheles played its first show on Long Island. From day one, the band began attracting a diverse, dedicated fan base. Sold-out NYC gigs led to tours with the Buzzcocks and GWAR, and hits on the Hawaiian Islands Chart with three singles from the band's first album, 1994's God Bless Satan, produced by Bill Laswell.​ While touring relentlessly, Mephiskapheles followed-up in 1997 with Maximum Perversion, a jazz-influenced work that didn't take long to be hailed as a classic. A deal in 1999 with Koch Records resulted in the band's hard-hitting, exploratory third album, Might-Ay White-Ay. The band released the self-titled EP Mephiskapheles in 2015, featuring the single "Satan Stole My Weed," an instant classic. Never Born Again, an EP released in 2019, brings the band back full circle to its dark and melodic roots. Fronted by lead singer Grylli aka Invidious aka the Nubian Nightmare, along with the hottest rhythm section in New York, and the Horns of Hell, Mephiskapheles spreads its evil seed with an ongoing reissue program, epic shows, and new music on the way.

We're a ska punk band!! Members: Jesse Sendejas - Guitar, Vocals Veronica Sendejas - Mandolin, Vocals Corey Page - Bass, Vocals Jessamyn Cobb - Drums Elliot Lozier - Bass, Drums, Vocals Justin Paxton - Drums, Vocals

Serious songwriting from YEARS of hardship, road experience and inner turmoil.The way it was supposed to be, but with a new approach.Over 10 years of relentless touring has cemented SASQUATCH as one of the most high gear, powerhouse band leaders around... his bands, The Sick-a-Billys, Holy Hellraisers, Full Moon Boys and his critically acclaimed King Sickabilly 'One Man Band' have all stayed true as far as vocals, lyrics and his fiery guitar-work. Never giving up his song-writing mission... keeping real music alive and dangerous in the under-underground. Risen from a not so forgotten past, when Live Music still meant something and the scene wasn't a Pre-Apocalyptic Ghost Town... bloody fingertips and a soul-haunting voice will deliver you songs about Sin, Love, Murder, Tornadoes and drinking until you wake up under a random barstool.

Austin Punk/Ska/Thrash/Whatever. IT JUST DOESN'T MATTER! MOO TONE!

"At the lonesome crossroads where country and metal intersect, stand two swaggering badasses holding acoustic guitars. They're not interested in your soul they have plenty of soul already." ~ Kevin Kurtain 
 Cult favorites WhiskeyDick blow minds with a double barrel blast of dreadnaught shredding and hillbilly bellowing that makes you want to knock back a shot, stand up tall, and holler "Oh-Hell-YeeHaw!" 
 
 WhiskeyDick's live show is a true spectacle: two men saunter on stage then pick up acoustic guitars and proceed to amaze everyone by generating more power than a full band by means of Fritz's deep, rich vocals, Johnson's unapproachable acoustic guitar heroics, and their triumphant songwriting. 
 
 Their lyrics are their lives. With continuously touring in the States and Overseas, including being part of the "Crusty Punk Blues Band" Black Eyed Vermillion (8 Years), this duo plays over 200 shows year, bringing their country-fried, no-collar sensibilities to small towns and big cities all over the World and are building faithful followers everywhere. On their travels, they've shared stages with the likes of Ray Wylie Hubbard, HELLYEAH, Shooter Jennings, Scott H. Biram, Pentagram, Foghat, Joe Buck Yourself, Antiseen, Wayne "The Train" Hancock, Honky, Bob Wayne, Bob Log III, Nashville Pussy, Reverend Horton Heat, Jayke Orivs, Goddamn Gallows, Weed Eater, Peter Pan Speedrock, .357 String Band, Nick Oliveri, Wino, Spirt Caravan, The King DMC and The Supersuckers.

Taking the stage like Bela Lugosi on a mechanical bull, Royal Son of a Guns belt out rip snorting acid western voodoobilly with heavy doses of surrealism. These bar stool smashing miscreants take Americana on a psycho-cathartic hayride through the thorny nettles of the American roots music underbelly with primitive guitars, electrified washboard and a bedrock of bass that will rattle your teeth.

CARRIE NATION & THE SPEAKEASY (CNS) is a high-energy sextet from Wichita, KS, USA. The band has been described as “...astagecoach in overdrive” and “dark, psychedelic speedfolk”. Psychedelic soundscapes are punctuated by downright amphetaminic tempos and controlled cacophony. File under: Dark psychedelic speedfolk/ thrashgrass/ experimental acoustic/ folkpunk for people who hate folkpunk.

Punk rock like abuela used to make! Piñata Protest is a “Tex-Mex punk” band from San Antonio, TX. Their self described sound and attitude arises from the two counter-clashing worlds that the band embraces: punk and Tex-Mex.  Piñata Protest’s unique and catchy sound takes the traditional folk rhythms of Tex-Mex music (conjunto and norteño music that is native to the South-Texas and Nortern-Mexican region they originate from) along with the three-row button accordion and combine that with the fast tempos and attitude of punk rock, ska, and many other genres. Along with the use of traditional instruments and rhythms the band also sings in their regional mix of Spanish and English (or Spanglishas it’s called locally). Their songs lyrics cover a range of topics, from political topics close to the ethno-identities of the band, drinking, love, religion, and racism. Adding to their sonic performances is a lively and energetic live show that ignites crowds to mosh, skank, and twirl their dance partners.  Piñata Protest was founded by the Mexican-born singer, song writer, and accordionist Álvaro Del Norte. The band includes Regino Lopez on electric guitar and vocals, Richie Brown on electric bass and vocals, and Chris-Ruptive on drums. Other instruments such as the trumpet and güido are used in not only their studio recordings but their live performances as well.  For over ten years the quartet has maintained a busy schedule of performing and touring throughout the United States, Canada, Mexico, Spain, and France alongside range of musical acts such as The Reverend Horton Heat, Mariachi El Bronx, Molotov, GBH, Tagada Jones, Guttermouth, Voodoo Glow Skills, Brujeria, The Toadies, Ramon Ayala, The Blasters, Authority Zero, Agent Orange, Ozomatli, Mustard Plug, The Blasters, and Wayne Hancock.  Festivals are a strong point for Piñata Protest. Their very eclectic sound, interactive show, and energetic performances makes them a perfect fit for a wide variety of festivals. Most notably the band has had several official appearances at Punk Rock Bowling, SXSW, The Tejano Fan Fair, Flogging Molly’s Salty Dog Cruise, Palomino Fest, Punk In Drublic, The Latin BMI Awards, Accordion Noir, Muddy Roots Festival, and a slew punk, folk, and Mexican themed festivals.  The bands unique sound has also leaded them to be featured in soundtracks for the following major and independently release films:  Tequila Re-Pasado (2023), Me Estas Matando Susana (2016), La Soldera (2015), Circus of the Dead (2014). The band has also written music specially for Me Estas Matando Susana.  The band has also had several collaborations with companies including releasing their own beer through Freetail Brewing with a released of Piñata Protest beer which was distributed in grocery chains, bars, and venues across Texas. The band has also collaborated with other worldwide brands such as Tecate beer, Ford Motor Company, and Nike Athletics.

S. Courtney Kostrick, aka FISHGUTZZZ, is Founding member, singer, writer& upright bass player for underground cult favorites, The Goddamn Gallows, Courtney "Fishgutzzz " Kostrick has spent the past 20 years on the road, leaving behind a trail of barely believable stories, legendary shows & inspired musicians. In 2023 "Fishgutzzz" departed from the band to lead a reclusive lifestyle & focus on writing & recording. Building upon two prior solo records, (The Ignorant Band and The Stinkin Orchestra)the musical maverick is currently focusing on self releasing new music from his South Warren(Detroit) home and making live appearances. His 1st post Goddamn Gallows release is the dark, distraught yet melodic "Crawling to Church " available now exclusively at Fishgutzzzofficial.com

misanthropic industrial antifolk punk poetry