TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb

Saint Motel - The Symphony in the Sky Tour
Wed, 14 May, 8:00 PM CDT
Doors open
7:00 PM CDT
The Hawthorn
2231 Washington Avenue, St. Louis, MO 63103
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
All tickets on the floor are general admission, standing room only. Limited high-top tables and barstool seating will be available on the floor on a first come, first served basis.
--
Ticket prices include all fees and taxes. Tickets purchased at the box office have reduced fees.
The Box Office at The Hawthorn is open every Friday from 10am-4pm.
Address: 2231 Washington Ave, St. Louis, MO 63103
--
VIP 1: “Fine Wine” Pre-Show Experience
Includes:
One (1) GA Floor Ticket
Private Guided Behind The Scenes Tour
Access to Pre-Show Q&A with Saint Motel
One (1) Saint Motel Wrapped Disposable Camera With Secret Surprise Photo Inside
Special Photo Opportunity With Tour Backdrop
One (1) Signed Saint Motel Poster
One (1) VIP Exclusive Saint Motel Merch Item
One (1) VIP Exclusive Saint Motel Tote Bag
One (1) Commemorative VIP Laminate & Lanyard
Venue First Entry (where applicable)
First Access Early Merch Shopping
PLEASE NOTE: THIS VIP PACKAGE DOES NOT INCLUDE A MEET & GREET
VIP 2: “Stay Golden” VIP Merch Package
Includes:
One (1) GA Floor Ticket
Special Photo Opportunity With Tour Backdrop
One (1) Signed Saint Motel Poster
One (1) VIP Exclusive Saint Motel Merch Item
One (1) VIP Exclusive Saint Motel Tote Bag
One (1) Commemorative VIP Laminate & Lanyard
Venue First Entry (where applicable)
First Access Early Merch Shopping
PLEASE NOTE: THIS VIP PACKAGE DOES NOT INCLUDE A MEET & GREET. THERE IS NO ARTIST INVOLVEMENT WITH THIS PACKAGE.
--
PLEASE NOTE - The Hawthorn is a cashless venue. Only debit or credit cards are accepted at our bars, box office and guest services window. Please plan accordingly.
PLEASE RIDESHARE - Parking is limited around the venue. We strongly recommend using rideshare apps like Uber or Lyft for transportation to and from the venue. There is a designated rideshare pick up / drop off location near the entrance for your convenience.
--
Need an Access Code? Sign up for our newsletter to get new show announcements, exclusive presale codes, rental discounts and more. Sign up HERE.
*Presale codes are usually sent out on Thursdays at 10am as part of our weekly newsletter.
Event Information
Age Limit
All Ages

Alternative Rock
Saint Motel
Saint Motel
Alternative Rock
Saint Motel are a California-based indie band whose vivid and catchy art-pop is often paired with innovative visual elements both on-stage and in the form of unique self-made videos that accompany most of their songs. After signing with major-label Parlophone, they landed a charting hit with their 2014 single "My Type," which found an audience in the U.K. and parts of Europe. Their 2016 album, Saintmotelevision, featured virtual reality videos for every track, making it the first VR album ever made. They later released the EPs Original Motion Picture Soundtrack, Pt. 1 and Pt. 2, which they then combined to make their third album, 2021's Original Motion Picture Soundtrack. Starting with 2023's "Everyone's a Guru Now," Saint Motel kicked off a new phase that has yielded singles like "Fine Wine" and 2024's "Stay Golden."
- From Allmusic.com

Pop Rock
Brigitte Calls Me Baby
Brigitte Calls Me Baby
Pop Rock
The music of Brigitte Calls Me Baby is equal parts elegant time warp and up-close exploration of our modern-day neuroses.
The Chicago-based band ingeniously spans genres and eras, merging the lavish romanticism of mid-century pop with the
frenetic energy and spiky intensity of early millennium indie-rock. Centered on Leavins' hypnotically crooning vocal work, the
result is a rare convergence of sophistication and style and unabashed sincerity.
As shown on their debut EP This House Is Made Of Corners -- a five-song project made with nine-time Grammy Award-winning producer Dave Cobb -- Brigitte Calls Me Baby possess a singular musicality informed by Leavins' eclectic upbringing. Originally from the Southeast Texas town of Port Arthur, he grew up listening to Roy Orbison records at his
grandparents' house next door, while his parents played him new-wave bands like The Cars and his friends turned him onto
Radiohead and The Strokes. At age 13, Leavins took up guitar and began writing songs of his own, quickly discovering his
distinct vocal style. "At first I didn't like the way I sang and couldn't really do anything about it, but as I got older I started to
appreciate it more," he reveals. "My whole inclination toward music came from being in this small town in Texas with nowhere to go and nothing to do, and wanting to be understood without having to say anything."
Upon moving to Chicago in 2016, Leavins immersed himself in the local music scene and soon linked up with guitarists Jack
Fluegel and Trevor Lynch, bassist Devin Wessels, and drummer Jeremy Benshish, who joined him in co-founding Brigitte
Calls Me Baby. As the band built up their catalog, Leavins was tapped to take part in recreating a series of Elvis Presley
songs for Baz Luhrmann's 2022 biopic Elvis, a turn of events that found him crossing paths with Cobb. "Dave and I hit it off
right away and started talking about the music we loved, and when we reconnected later he asked me to send him some of
the songs I'd been working on," Leavins recalls. Soon after sharing a batch of demos with Cobb (whose credits include
modern classics like Jason Isbell's Southeastern and Sturgill Simpson's Metamodern Sounds in Country Music), Brigitte
Calls Me Baby headed to Nashville to record their debut body of work at the legendary RCA Studio A.
Co-produced by Cobb and Brigitte Calls Me Baby and mostly recorded live, This House Is Made Of Corners opens on a lush
and cinematic track called "The Future is Our Way Out," a prime introduction to the EP's heightened yet palpably genuine
emotionality. "I want to be earnest even when it's uncomfortable, and write unapologetically about things like my intense fear
of death," says Leavins. "'The Future is Our Way Out' is about that fear, but it's also about hoping there might be something
beyond death, a way out of all the mess and the sadness that plagues us in life." On "Impressively Average," pounding
rhythms and shimmering guitar tones form the backdrop to what Leavins refers to as a "a bit of a self-loathing song, about
trying to cope with someone's very high expectations of you." And on "Eddie My Love," Brigitte Calls Me Baby present a
gorgeously aching portrait of obsession and despair. "'Eddie My Love' paved the way for all the songs that would come after
it," says Leavins, who first penned the track as a ballad. "It felt so vulnerable from the jump, and made me realize that
there's no point in being anything but vulnerable in what we do."
Newly signed to ATO Records after a much-buzzed-about set at SXSW 2023, with their full-length debut due out in 2024,
Brigitte Calls Me Baby remain intent on striking a balance between refined musicianship and absolute devotion to emotional
truth. "In so much music there's a desire to be perceived as someone who's got it all figured out, but I never want to paint a
picture that isn't true," says Leavins. "I know that when I was younger I was looking for something to latch onto that I could
connect with and feel a part of, so I'd hope that our music could provide that for others. I want to create something that helps
people feel more alive, and that will last long after we're gone."