SadGirl has always existed in a state of flux, with new contributors coming in and out of the equation and new tactics being explored for capturing found Misha Lindes’ songwriting. And yet the heart and soul of the music has always touched upon memories of the past while mining an analog sound steeped in history, nostalgia, and LA. The group’s sound digs into old school brokenhearted country music like George Jones or Patsy Cline with a slight flourish of Mexican norteño ballads. This new chapter for the group focuses more as a personal recording project than it has been in the past. If this is any indication of what’s to come for SadGirl, then perhaps the past is best left to memory.