Rowena Wise is a Naarm/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a "lyrical assassin" by the Australian triple j community, Wise writes songs that feel like intimate conversations-ruminations on love, alienation, longing and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of 60s folk while grounded in indie rock, garage pop and alt-folk, she finds truth in fiction and humanity in contradiction. 

Raised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother-a Chicago-born folk musician-instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path. 

Since emerging in 2018 with her debut single 'Diary', Wise has amassed over 10 million streams and earned airplay across triplej, double j and Unearthed. Subsequent releases, including 'F**ked Up Over You' and 'To Pretend', cemented her as one of Australia's most compelling new voices in indie music, while her collaboration 'No Cure for Love' with Didirri further showcased her gift for raw, intimate songwriting. 

In May 2024, she released her debut album, Senseless Acts of Beauty, described by CLASH Magazine as "Carefully etched indie folk." The coming-of-age record, exploring loss, alienation and the slow rebuilding of self, was shortlisted for the 2024 Australian Music Prize, with producer Rob Muinos (Julia Jacklin, Didirri) later nominated for the 2025 AIR Independent Producer of the Year for his work on the project. Since its release, Wise has toured extensively across Australia, the UK, Europe, the USA and Canada, bringing her candid power and vulnerability to international audiences. 

As a live performer, Wise commands the stage with understated intensity. Soaring melodies intertwine with purposeful guitar work, her poetic lyricism anchoring each performance. She has supported artists including The Paper Kites, Medium Build, Didirri, Ball Park Music, Holy Holy, Bernard Fanning and Paul Dempsey, and has appeared at festivals such as The Great Escape (UK), SXSW (USA), Queenscliff Music Festival and Party in the Paddock. 

Amid a relentless touring schedule, Wise wrote and recorded her highly anticipated sophomore album, Bad Things Feel Good*-a tender, point-blank meditation on transformation and what it means to be flesh and blood. Where Senseless Acts of Beauty* explored heartbreak and rebuilding, this new record inhabits the uncomfortable in-between: the knowing and unknowing, harm and pleasure, tenderness and damage coexisting in the same breath. 

Produced again by Rob Muinos (Julia Jacklin, Didirri) and recorded live over three days at Ratshack Studios in Collingwood with Richard Bradbeer (bass) and Jess Ellwood (drums), Bad Things Feel Good* favours restraint and intimacy. The live-band production allows Wise's vocal performances to soar and crumble in real time, holding space rather than demanding attention. The result is powerful, tender storytelling that feels less 

like spectacle and more like permission-an invitation into something deeply personal. 

Written through years marked by mental health struggles, heartbreak and shifts in core identity, Bad Things Feel Good* is not a confession but an honest reckoning with growth's uneasy terrain. Exploring romantic, familial and communal intimacy, inherited patterns, moral vertigo and the seduction of self-betrayal, the album resists neat redemption arcs in favour of embracing contradiction. It acknowledges imperfect parents, fraught lovers and shedding selves, questioning whether growth must always arrive through suffering and whether love can exist without possession or sacrifice. Here, unlearning is as powerful as knowing, vulnerability becomes strength, and pain finds its place within a larger picture. Wise stands at the threshold between who she was and who she might become, inviting listeners to sit in that uneasy space where desire, love and truth collide-and to make peace with the mess rather than smoothing it into something tidy.