Forget everything you think you know about Rivers of Nihil. The Reading, PA quintet announced themselves as one of the most promising and forward-thinking metalbands in the world today with their first two releases, The Conscious Seed of Light (2013) and Monarchy (2015). But on March 16th, 2018, they will shatter all expectations with their third full-length, Where Owls Know My Name. Whereas Seed and Monarchy were thematically centered around spring and summer, respectively, Where Owls Know My Name represents the fall. And although that season is usually associated with death, for Rivers of Nihil, the autumn serves as a rebirth. Formed in 2009 by guitarist Brody Uttley, bassist/lyricist Adam Biggs, and vocalist Jake Dieffenbach, Rivers of Nihil quickly made a name for themselves in the death metal scene, attracting the attention of legendary DM titan Erik Rutan. Rutan, revered for his work as both a musician (Hate Eternal, Morbid Angel) and producer (Cannibal Corpse, Goatwhore), insisted on recording The Conscious Seed of Light. The results were, unsurprisingly, spectacular, with Heavy Blog Is Heavy going so far as to assert that the debut "rivals even the most legendary work of some of [Rivers of Nihil's] peers and influences." They continued along this trajectory with Monarchy, which Metal Injection praised as an "incredibly striking" demonstration of how "Rivers of Nihil have evolved into a monster." The group further cemented their reputation as a young band to watch by annihilating audiences with their live show, which Metal Wani called "a mind numbing force of modern death metal with a vivid darkness in the sound." To date, Rivers of Nihil have toured with such heavy hitters as Whitechapel, Obituary, Darkest Hour, Misery Index, and Cryptopsy. But Where Owls Know My Name represents a massive evolutionary leap for Rivers of Nihil, as different from its predecessors as Homo sapiens are from amoeba. The band - now rounded out by guitarist Jon Topore and drummer Jared Klein - has delivered an album which is often just as punishing as its predecessors while assimilating ingredients from musical genres as varied as electronica, jazz, alternative, folk, and the golden age of Shrapnel Records. The resulting music is indescribably progressive, a multifaceted soundscape that goes beyond the wildest dreams of even the group's most ardent admirers. All bets are off; listeners are simply not prepared for the magnum opus that is Where Owls Know My Name.

Incorporating elements drawn from myriad genres – including death metal, groove, grunge, electronica, slam, gothic rock, jazz, prog and more – and pushing progressive death metal in ever more imaginative directions, Time Will Take Us All proved that ENTHEOS continues to evolve with every release. Metal Hammer UK lauded a band, “poised to morph from a promising project into tech metal titans,” New Noise Magazine championed, “one of the best versions of modern riff–y progressive death metal we have now,” while Loudwire added, “the band plays with lockstep precision, turning the gears of their technical death metal machine as it steamrolls forward.”

Avoiding the Voids. Transcending Individuality.