Wed Oct 27 2021

8:30 PM - 11:30 PM (Doors 7:30 PM)

Moe's Alley

1535 Commercial Way Santa Cruz, CA 95065

$15 / $20

Ages 21+

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**Note: Until further notice, we will require proof of vaccination OR a negative test within 72 hours of the show for entry. Masks are recommended when indoor at Moe's Alley.

Acceptable forms of proof:

• Vaccination Record Card
• CA state QR code - https://myvaccinerecord.cdph.ca.gov
• Picture of vaccination card that matches ID
• Negative test confirmation from an authorized testing facility that matches ID

Thank you! 
-------------

Riley Downing
You may know Riley Downing from his work with acclaimed New Orleans combo the Deslondes, or perhaps from his similarly rootsy and wide-ranging catalog of songs with the Tumbleweeds – indeed, the Missouri-based singer-songwriter’s ability to set gripping, evocative narratives within soundscapes that weave together country, blues, folk, r&b, bluegrass, rock, soul and whatever else catches his ear is something that, once you hear it, is hard to shake free from. Same goes for that voice – deep, dusty and drawling, it’s an instrument that can stop you in your tracks with its character and expressiveness, as well as through Downing’s knack for laying out complex emotions in plainspoken, direct language.

Kassi Valazza
Kassi Valazza has a viscous, light gold voice. It swirls around in your head like whiskey in a snifter; vaporous, and intoxicating. For most of her album Dear Dead Days pedal steel and electric guitar lope along at half time, the in-pocket rhythm section booming from deep in the low end. Its frequencies penetrate your flesh. The songs reverberate off your bones. Her lyrics drip down the inside of your skull. Musicians with Southwest origins dependably bring a languorous relaxation – the slow pace, a defense against the oppressive heat of the high desert– and a grim sense of gravitas, having walked among the bleached bones and arid landscapes. At times Valazza sings as if her lyrics are smoke she’s exhaling. You get the hint: Valazza is pretty goddamn good at writing a sad song –but there’s another element, a painted desert, coloured canyon walls at sunset, endless sky vision. Kassi will be your peyote coyote; a guide through these psychedelic vistas. Here she’s found a way to trap the world of cheaters, drifters, lovers and leavers in amber. Wander from your own woes, and come walk with Valazza’s.

Bobcat Rob (solo)

Bobcat Rob is a songwriter and multi-Instrumentalist with a voice likened to honey drizzled over burning coals. His songs are as uplifting as they are haunting, drawing on visceral truths and common threads to weave captivating tales. From quiet to loud, reserved to explosive, each song carries its own weight and settles deep into the listener.

Engineer, Drainpipes, Beauty In The World and Popcorn Lung - the four singles released from Bobcat Rob’s forthcoming LP - venture deeper into a sound Bobcat has been cultivating in recent years that he likes to call Surf Country. Swimming, sometimes psychedelic guitar and keyboard tones with the backbone of a solid rhythm section, paired with heartfelt honest songwriting, powerful vocals and lush harmonies.

Riley Downing of The Deslondes w/ Kassi Valazza + Bobcat Rob (solo)

  • Riley Downing

    Riley Downing

    Americana

    Riley Downing

    You may know Riley Downing from his work with acclaimed New Orleans combo the Deslondes, or perhaps from his similarly rootsy and wide-ranging catalog of songs with the Tumbleweeds – indeed, the Missouri-based singer-songwriter’s ability to set gripping, evocative narratives within soundscapes that weave together country, blues, folk, r&b, bluegrass, rock, soul and whatever else catches his ear is something that, once you hear it, is hard to shake free from. Same goes for that voice – deep, dusty and drawling, it’s an instrument that can stop you in your tracks with its character and expressiveness, as well as through Downing’s knack for laying out complex emotions in plainspoken, direct language.

    For Downing, it all stems from an organic and intuitive approach to songwriting and playing. “I just try to write and sing about life as I live it,” he says simply. All those little bits of life are on full display on Start It Over, his first-ever solo album. From the protagonist in the opening country-soul jam “I’m Not Ready”  (“Everybody’s rushin’ / I’m movin’ at my own speed”), to the crate digger in the breezy “Start It Over” who seems as enamored of his old records as he is with his girl (“She was a 45 woman and I’m a 45 man”) to the overworked nine-to-five-er caught in a cycle of long days at work, late nights at home, followed by hungover mornings (“Long line of trouble / Troubles old and new / Once I was happy / But those days are through”) in the psych-folk lament “Crazy,” the 12 tracks collected on Start It Over unravel in a way that feels instantly relatable, as if Downing could be talking about you, me, or any one of us and doing it with the ease and empathy of a man who’s clearly been there, done that, and lived to play another day.

    Following his last record with the Deslondes, Downing returned home to Missouri, helping out his brother with his plumbing business, embarking on some short solo runs and otherwise playing “mostly for old friends and old dogs and whatever other critters were within earshot,” he says. At some point, Downing and his Deslondes band mate, John James Tourville decided it might be fun to collaborate and release a 45 rpm single. 

    And so Downing and John James (that’s JJ to you) began a long-distance collaboration, adding longtime Deslondes producer Andrija Tokic (that’s Dre to you) into the musical chain as well. The three hashed out songwriting, arrangement and production ideas by passing demos back and forth from their respective homes – Downing in Missouri, JJ in North Carolina and Dre in Nashville – during the months of lockdown. As far as approach, everything was on the table. Downing recalls one of his demos being met with the suggestion that it needed a “Lou Reed/Fats Domino sound.” He laughs. “I couldn’t even imagine what that sounded like, but I had fun trying my best to imagine it.” 

    By the time the three met up, at Dre’s Bomb Shelter Studios in Nashville, everyone had been quarantined at home for two months, with nary a gig or jam session to be had. What they did have, however, was songs. And also, courtesy of Dre, a crack team of musicians. Who was along for the ride? Meg Coleman (Yola) and Jimmy Lester (Los Straightjackets, Blaze Foley) on drums, Dennis Crouch (Johnny Cash, Dolly Parton, co-founder of The Time Jumpers with Vince Gill) on upright bass, Jack Lawrence (The Raconteurs) on electric bass, Jeff Taylor (George Strait, Elvis Costello, The Time Jumpers) on keys, Peter Keys (P-Funk, Lynyrd Skynyrd) on Mellotron, Billy Contreras (George Jones) on strings, Derry DeBorja (John Prine, Jason Isbell and the 400 Unit) on Farfisa, and a host of backup singers, including Kyshona Armstrong, Maureen Murphy, Nickie Conley, Eric Brown and Vaughn Walters.

    “The musicians that Dre picked out were just phenomenal,” Downing says. “They have endless amazing credits, they've all done great things and they were 110% in it.” So much so, he continues that “some of these songs on the record were first takes. And if they weren’t, then it was maybe take two or three.”

    That first batch of tunes – five recorded in three days – included “I’m Not Ready” and “Start It Over,” as well as the strutting “Deep Breath,” the road-dog anthem “Never Coming Home,” and “Hey! Mister.” From there, the floodgates opened. 

    The trio continued to work together closely (but once again, from afar – there was a pandemic going on, after all) staying in constant communication to craft the next set of tunes, with Downing handling the writing and JJ and Dre working unwaveringly to bring his songs to life within vibrant and unique soundscapes. Over the summer, an impromptu road trip between JJ and Dre to transport a Hammond organ and speaker cabinet from Denver to the Bomb Shelter allowed the two to spend some additional time together doing pre-production, and they even made a quick stop in Missouri on the way back to Nashville for a quick check-in with Downing. 

    A month later, the three reconvened at the Bomb Shelter – this time for a relatively extravagant six days – to lay down the seven remaining songs. “I’ve known and worked with both of these guys for more than 10 years and have also lived with each at one point or another,” Downing explains of his connection with JJ and Dre. “We're all old friends, so it was easy to get along and keep moving forward.”

    Once again, the trio, along with the stellar backing musicians, captured inspiration in the moment, with JJ and Dre embellishing the tracks with all manner of instrumentation, from pedal steel, mandolin and fiddle to Mellotron, Farfisa and even guzheng (that’s traditional Chinese zither to you).

    The end result reflects the mingling of past and present, traditional and unusual,  that has long characterized Downing’s musical makeup. “I might be old-fashioned, but I'm not old-timey enough to not live in the modern world,” he says. Regarding his influences, Downing continues, “It’s a little bit of everything – I could probably make a long list and it'd be all over the place. I grew up going to country shows with my grandparents, but I was also angsty and played punk rock in high school. And then at the same time, I was getting into old folk and blues and stuff like that. So I never think in terms of a song having to be in ‘this’ genre or ‘that’ genre – I’m open to doing anything. I just enjoy writing and playing music.”

    That joy comes through loud and clear on Start It Over, which, even in its most serious and somber moments – and also given the fact that it was recorded during a pandemic – radiates with a sincere appreciation for life and living in the here and now. As Downing puts it in “Deep Breath”: “Try to get your head screwed back on tight / Take a deep breath – it’s gonna be all right.”

    This attitude, Downing says, was intentional. “There was so much going on in the world socially, politically and health-wise while we were making this record that I didn't really know what kind of music people would even want to hear. But I knew I didn't want to write a bunch of sad songs where you just stare at the fire and feel bad for yourself. I wanted the record to be about looking at things up on the upside – you know, ‘take a deep breath and we'll all get through this.’ ”

    As for Downing, while he may be through the recording of his first solo album, he assures that it’s certainly not his last. “I'm just going to keep working like I've been doing and communicating with Dre and JJ,” he says. 

    There’s a plan to get started on a new Deslondes record, “and hopefully by the time that’s done,” he says, “I'll have another solo album ready to go as well.”

  • Kassi Valazza

    Kassi Valazza

    Country Folk

    Kassi Valazza
    Kassi Valazza has a viscous, light gold voice. It swirls around in your head like whiskey in a snifter; vaporous, and intoxicating. For most of her album Dear Dead Days pedal steel and electric guitar lope along at half time, the in-pocket rhythm section booming from deep in the low end. Its frequencies penetrate your flesh. The songs reverberate off your bones. Her lyrics drip down the inside of your skull. Musicians with Southwest origins dependably bring a languorous relaxation – the slow pace, a defense against the oppressive heat of the high desert– and a grim sense of gravitas, having walked among the bleached bones and arid landscapes. At times Valazza sings as if her lyrics are smoke she’s exhaling. You get the hint: Valazza is pretty goddamn good at writing a sad song –but there’s another element, a painted desert, coloured canyon walls at sunset, endless sky vision. Kassi will be your peyote coyote; a guide through these psychedelic vistas. Here she’s found a way to trap the world of cheaters, drifters, lovers and leavers in amber. Wander from your own woes, and come walk with Valazza’s.
  • Bobcat Rob

    Bobcat Rob

    Indie Rock

    Bobcat Rob is a songwriter and multi-Instrumentalist with a voice likened to honey drizzled over burning coals. His songs are as uplifting as they are haunting, drawing on visceral truths and common threads to weave captivating tales. From quiet to loud, reserved to explosive, each song carries its own weight and settles deep into the listener.

    Engineer, Drainpipes, Beauty In The World and Popcorn Lung - the four singles released from Bobcat Rob’s forthcoming LP - venture deeper into a sound Bobcat has been cultivating in recent years that he likes to call Surf Country. Swimming, sometimes psychedelic guitar and keyboard tones with the backbone of a solid rhythm section, paired with heartfelt honest songwriting, powerful vocals and lush harmonies.

    Bobcat Rob recorded 2018's A Different Horse at Sonoma County's Prairie Sun Recording Studio, a legendary spot where several notables have made albums throughout the years. The storied studio was an ideal place to record A Different Horse, which marks his first record with a more electric full band sound. The result of Bobcat Rob's debut with the Nightly Howl was fully realized alt-country with an approach similar to Uncle Tupelo. It's loud and rocking with a dose of twang. At the heart of A Different Horse, 'Don't Run', 'Holding On' and 'Doorstep' enter highly personal territory that Bobcat delivers with a depth that channel Springsteen's guttural howls throughout The River and Nebraska. Then there's 'You Can't Bring A Snake To A Knife Fight', a delicious two-minute barn dance instrumental led by a Hammond B3 organ.

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limit 10 per person
General Admission

$15.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

Riley Downing of The Deslondes w/ Kassi Valazza + Bobcat Rob (solo)

Wed Oct 27 2021 8:30 PM - 11:30 PM

(Doors 7:30 PM)

Moe's Alley Santa Cruz CA
Riley Downing of The Deslondes w/ Kassi Valazza + Bobcat Rob (solo)

$15 / $20 Ages 21+

**Note: Until further notice, we will require proof of vaccination OR a negative test within 72 hours of the show for entry. Masks are recommended when indoor at Moe's Alley.

Acceptable forms of proof:

• Vaccination Record Card
• CA state QR code - https://myvaccinerecord.cdph.ca.gov
• Picture of vaccination card that matches ID
• Negative test confirmation from an authorized testing facility that matches ID

Thank you! 
-------------

Riley Downing
You may know Riley Downing from his work with acclaimed New Orleans combo the Deslondes, or perhaps from his similarly rootsy and wide-ranging catalog of songs with the Tumbleweeds – indeed, the Missouri-based singer-songwriter’s ability to set gripping, evocative narratives within soundscapes that weave together country, blues, folk, r&b, bluegrass, rock, soul and whatever else catches his ear is something that, once you hear it, is hard to shake free from. Same goes for that voice – deep, dusty and drawling, it’s an instrument that can stop you in your tracks with its character and expressiveness, as well as through Downing’s knack for laying out complex emotions in plainspoken, direct language.

Kassi Valazza
Kassi Valazza has a viscous, light gold voice. It swirls around in your head like whiskey in a snifter; vaporous, and intoxicating. For most of her album Dear Dead Days pedal steel and electric guitar lope along at half time, the in-pocket rhythm section booming from deep in the low end. Its frequencies penetrate your flesh. The songs reverberate off your bones. Her lyrics drip down the inside of your skull. Musicians with Southwest origins dependably bring a languorous relaxation – the slow pace, a defense against the oppressive heat of the high desert– and a grim sense of gravitas, having walked among the bleached bones and arid landscapes. At times Valazza sings as if her lyrics are smoke she’s exhaling. You get the hint: Valazza is pretty goddamn good at writing a sad song –but there’s another element, a painted desert, coloured canyon walls at sunset, endless sky vision. Kassi will be your peyote coyote; a guide through these psychedelic vistas. Here she’s found a way to trap the world of cheaters, drifters, lovers and leavers in amber. Wander from your own woes, and come walk with Valazza’s.

Bobcat Rob (solo)

Bobcat Rob is a songwriter and multi-Instrumentalist with a voice likened to honey drizzled over burning coals. His songs are as uplifting as they are haunting, drawing on visceral truths and common threads to weave captivating tales. From quiet to loud, reserved to explosive, each song carries its own weight and settles deep into the listener.

Engineer, Drainpipes, Beauty In The World and Popcorn Lung - the four singles released from Bobcat Rob’s forthcoming LP - venture deeper into a sound Bobcat has been cultivating in recent years that he likes to call Surf Country. Swimming, sometimes psychedelic guitar and keyboard tones with the backbone of a solid rhythm section, paired with heartfelt honest songwriting, powerful vocals and lush harmonies.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 10 per person
General Admission
$15.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.