Richie Kotzen w/ John Corabi

Wed Aug 31 2022

8:00 PM (Doors 7:00 PM)

The Basement East

917 Woodland St Nashville, TN 37206

$20.00

Ages 18+

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This show currently has no COVID safety requirements for attendees. This is subject to change. If this changes we will be sure to update this page as well as notify all ticket buyers via email.

Richie Kotzen w/ John Corabi

  • Richie Kotzen

    Richie Kotzen

    Hard Rock

    Richie Kotzen has always been on a clear, laser-focused mission as an artist. While he is rightfully acknowledged worldwide for being a stellar guitar player, an emotive singer, and, frankly, a balls-out dynamic live performer to boot, Kotzen is quite aware he must maintain an ever-vigilant eye on ensuring one particularly important creative arrow in his artistic quiver continues to be properly nurtured — and that is his songwriting.

    “My whole existence has been driven by songs,” Kotzen admits. “I realized when I was very, very young that if I didn’t have a song to sing that, was mine, I probably wouldn’t have much of a future as an artist. That’s where I come from. It’s like I get to live my dream scenario, because my job is doing what I love to do, which is making music. It’s how I live.”

    Good songs are indeed Kotzen’s creative stock in trade, and the man has spent decades making sure he delivers the goods on a consistent basis. As a vocalist, Kotzen’s impassioned style exists at the crossroads where the likes of Paul Rodgers, Terence Trent D’Arby (better known these days as Sananda Maitreya), and Rod Stewart meet. All that primal vocal energy also feeds into his love of great songwriting. To that end, Kotzen cites Daryl Hall and Don Henley as two legendary songwriters he respects and looks up to, both of whom he takes cues from for inspiration. “I’m more of a conversational writer,” Kotzen explains. “I don’t write about aliens and spaceships. It’s more about what I’m thinking, and what I’m feeling. Here’s the thing — I wait. I wait until I have something to say — and usually, that’s when it all comes together. When something strikes me, I’ll sing it into my phone, and then it’ll either live there and wait until another day, or I’ll work on it and it’ll end up on an album. That’s my process.”

    That said, the muse struck Kotzen in a much different kind of way when he got together with his longtime friend and confidant, Iron Maiden guitarist/backing vocalist and songwriter Adrian Smith, to lay down nine galvanizing tracks for March 2021’s collaborative triumph, SMITH/KOTZEN, in addition to its follow-up four-song Record Store Day EP released later in the same year, November 2021’s aptly rousing BETTER DAYS. What both these hard-charging S/K releases reveal is a creative relationship previously only hinted at through their shared musical brotherhood. “I didn’t know what to expect,” Kotzen reveals. “Adrian would come in with either a lyrical concept or a riff, and then we would work on it together. That would usually lead me into writing another section for the song. If he came in with a chorus, I’d be writing a verse — or, if he came in with the verse, I’d come up with the chorus. We just ping-ponged our ideas back and forth like that.”

    One of the best give-and-take SMITH/KOTZEN song examples is “Scars,” a deeply cutting, yearning modern blues-burner of a track wherein Smith provided the verse riff and overall concept and lyric, and then Kotzen improvised the B section for it right there on the spot. “What you hear on the first pre-chorus is the original improv I did when I sat in front of the microphone and just freestyled,” he reports. “The song has a real honest sound to it because of that — and then the chorus just evolved from there.”

    The reason SMITH/KOTZEN works so well is quite simple. “The reality is, Adrian and I connected artistically. We just hit it off,” Kotzen confirms. “The shows we performed together earlier this year on the West Coast and in the U.K. were great, and hopefully, it all continues.” (We kinda suspect it will — or, to modify the title of one of the album’s most poignant songs, we do indeed know you now, and we want to see and hear more of what you’ve got to offer.)

    Kotzen’s undeniable push-pull skills are apparent not only all throughout SMITH/KOTZEN, but also by way of his continually resonant collaboration with Return to Forever legends bassist Stanley Clarke and drummer Lenny White, along with keyboardist Rachel Z and violinist Karen Briggs, in the jazz-fusion supercollective known as Vertú — “a highlight of my career I’m still very, very proud of,” he clarifies.

    In addition to that creative benchmark and his ongoing role as the frontman of the quite formidable rocktastic three-piece band known as The Winery Dogs, Kotzen is an avowed, inveterate solo artist with 22 albums released to date under his own name. None of them are more personally affecting than his February 2020 three-disc retrospectacle 50 FOR 50, released via Kotzen’s own Headroom-Inc. label. Ostensibly intended to celebrate his 50th birthday at the front end of that fateful year, Kotzen found the genesis of 50 FOR 50 by combing through his personal archives to hone in on 50 tracks in various stages of almost-completion in order to come up with the right finishing touches to get them across the finish line. In the process, many of these songs took on a much bigger weight than the songwriter had perhaps initially envisioned.

    “I still think it’s one of the best things I’ve done,” Kotzen declares. “And I’m still super-excited about it. A lot of times folks think everything you write about literally happened to you, but sometimes you may write a song about something you saw someone else go through. You may fabricate scenarios and characters from your own mind without even realizing you’re doing it, so the source of creativity becomes much broader than strictly writing about what happened to you specifically.”

    Since Kotzen’s planned cross-country tour to support 50 FOR 50 around the album’s initial release timeframe was unfortunately derailed due to the pandemic, he’s now set to return to the live stage with a vengeance in the power-trio format he loves so well, starting in August 2022 to make up those earlier dates as well as play in a number of additional venues. After all, playing his music live is what brings everything together. “I like the flexibility in the level of improvisation I can do in that trio format. I go to that place in my head where I know what I’m feeling when I’m singing onstage, and I connect with it,” Kotzen observes.

    Understanding the imprint of his own global artistic reach ultimately brings Richie Kotzen full circle with the feelings evoked by the music he cherished during his own youth, not to mention his regard for the musicians who made it. “Thankfully, I’ve been very lucky in that way,” he concludes. “People tend to gravitate toward others who are carved out of certain like-minded stones, and then you figure out how you fit into each other’s orbit. Me, I like to do that with my music.” Considering how the impact of Kotzen’s ever-expanding catalog stretches to the literal edge of the Earth, we expect the shared orbit of his songs and what they mean to his listenership and fanbase at large will only continue to widen.

  • John Corabi

    John Corabi

    Alternative

    Journeyman vocalist John Corabi had already been cutting histeeth in the hard rock world for nearly a decade when he landed the high-profile gig of replacing Mötley Crüe front man VinceNeil in 1992. Although his tenure with the group proved to be a brief one, Corabi earned a reputation as a go-to front man and collaborator, amassing a solid résumé as a singer and guitarist with acts like The Scream, The Eric Singer Project (ESP), Union, and The Dead Daisies.

    Born on April 26, 1959, in Philadelphia, Corabi, like many musicians from his generation, was drawn into music by seeing The Beatles on television as a child. After graduating high school, Corabi worked various odd jobs while singing lead for hisband, Angora. A visit to Los Angeles during the height of the ’80’s metal scene convinced him to relocate there in 1986, and soon Angora had joined him. The band managed to attract a following but, aside from some interest from Gene Simmons, internal dissension wrecked the group before it could land a recording deal. With guitarist Bruce Bouillet and bass player Juan Alderete, both from the recently defunct Racer X, Corabi formed The Scream in 1989. They released Let It Scream through Hollywood Records two years later and managed to garner airplay on rock radio with the track “Man in the Moon."

    In early 1992, Corabi accepted an invitation to replace the fired Vince Neil in the platinum-selling Mötley Crüe. With Corabi on vocals, Mötley Crüe released the eagerly awaited follow-up to their career-making Dr. Feelgood; however, in the wake of grunge and with Corabi not embraced by the band’s faithful, Mötley Crüe was an unmitigated bust despite a Top Tenplacement on the album charts. When Neil returned to the fold, Corabi was left on his owna nd formed the band Union with ex-Kiss guitarist Bruce Kulick. Although not a major commercial success, the pedigrees of the band’s members ensured a following in the hard rock world, and their self-titled 1998 release did well with its limited audience. Corabi would unite with drummer Eric Singer (Kiss) and guitarist Karl Cochran (Kiss, Ace Frehley) to release an eponymous album under the moniker ESP in 1999 and would also tour with an incarnation of Ratt in the following years.

    Throughout the remainde rof the decade, Corabi largely split his time between playing with Ratt, Union, and ESP, releasing live albums with the latter two in 2005 and 2007, respectively. Corabi made his solo recording debut in 2012 with the acoustic set Unplugged. In 2015, he joined Australian musician David Lowy’s hard rock supergroup, The Dead Daisies, as lead vocalist, recording their second album, Revolución. Following several tours supporting Kiss throughout Europe and Australia, the band followed up with 2016’s Make Some Noise, which made a strong showing globally and reached number 11 in the U.S. on Billboard’s Top Hard Rock Albums chart. Corabi’s career renaissance continued as The Dead Daisies remained highly visible, turning out a 2017 concert set, Live & Louder, and a studio follow-up, Burn It Down, a year later.

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limit 8 per person
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Most shows are standing room only.
Handicap accommodations can be arranged.
ALL ALL AGES and 18+ SHOWS ARE NO RE-ENTRY

Richie Kotzen w/ John Corabi

Wed Aug 31 2022 8:00 PM

(Doors 7:00 PM)

The Basement East Nashville TN
Richie Kotzen w/ John Corabi

$20.00 Ages 18+

This show currently has no COVID safety requirements for attendees. This is subject to change. If this changes we will be sure to update this page as well as notify all ticket buyers via email.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 18+
limit 8 per person
G.A.
General Admission (first-come, first-served seating)
GA
$20.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund. ALL PATRONS MUST BRING A VALID FORM OF IDENTIFICATION.

WE ONLY ACCEPT TICKETWEB TICKETS.

BACKPACKS ARE NOT ALLOWED IN THE VENUE
Most shows are standing room only.
Handicap accommodations can be arranged.
ALL ALL AGES and 18+ SHOWS ARE NO RE-ENTRY