The acoustic jazz ensemble, Rhythm Future Quartet has a straightforward agenda: to keep the spirit of Gypsy jazz alive and expanding in today’s musical universe. The virtuosic foursome, named for a Django Reinhardt tune, offers up a newly minted sound, influenced by the classic Hot Club of France, yet wholly contemporary. Founded by violinist Jason Anick, the quartet performs dynamic and lyrical arrangements of both Gypsy jazz standards and original compositions that draw upon diverse international rhythms and musical idioms. With Henry Acker, Bruno Peterson, and Greg Loughman rounding out the quartet, Rhythm Future is dedicated to expanding the boundaries of a vital musical genre.    The Fall of 2018 marked the release of their newest album, “Rhythm Future Quartet and Friends”, which features the critically acclaimed singer Cyrille Aimée, brazil’s top bandolimist Hamilton de Holanda, and world-renowned guitarist Stochelo Rosenberg. While maintaining the effervescent lilt, virtuosic musicianship and adventurous musical leanings of their previous recordings, Rhythm Future Quartet and Travels (picked as one of the best jazz albums of 2016 by All About Jazz and the Huffington Post), RFQ and Friends brings vibrant new colors to the mix. JazzTimes Magazine stated, "RFQ and Friends is packed to the gills with feeling and remains consistently dynamic, full of virtuosity and swing." With its arresting blend of Hot Club of France styled string jazz, Brazilian and East European idioms, original compositions and hints of classical music, the album marks a significant moment in the growth of a continually evolving ensemble. (And one with continually increasing popularity: the quartet’s version of Django’s "Minor Swing" has over 10 million views on YouTube, while their video clip of "Bushwick Stomp" from Travels has over three million Facebook views.)    Jason Anick, an award-winning composer and violin professor at the esteemed Berklee College of Music in Boston, has shared the stage with an array of artists including Grammy award winning guitarist John Jorgenson, Stevie Wonder, The Jim Kweskin Jug Band, and Tommy Emmanuel. Henry Acker is a young powerhouse jazz guitarist who performs both in the style of Django Reinhardt as well as traditional jazz. A child prodigy who began playing at age 8 and performing professionally at age 9, his talent and abilities have developed into nothing short of astonishing. Henry has already shared the stage with jazz greats Bucky Pizzarelli, Frank Vignola, Julian Lage, Bireli Lagrene and Vic Juris. He is a five-time winner of the Downbeat Magazine Student Award for jazz guitar soloist. 

“Evan has a distinctive style on both his chosen instruments, on which he offers appealing sounds, fluent command, and that often elusive thing called swing. His singing is gratifyingly unaffected and unpretentious, adding a personal and natural ‘extra’.” Dan Morgenstern, NEA Jazz Master “[A]rtists like Evan Arntzen represent a new generation of musicians exploring the [clarinet’s] possibilities… Evan presents an effortlessly fluid and lyrical approach in his playing that could convince even the most ardent hard-bop enthusiast to reappraise the sounds of Jimmie Noone or Buster Bailey.” Seton Hawkins, Director of Public Programs and Education Resources, Jazz at Lincoln Center Canadian-born clarinetist, saxophonist, vocalist and educator Evan Arntzen is both a powerful soloist and a keenly attuned musical collaborator with ears for days. He has developed a uniquely expressive sound as an improviser on his instruments that Grammy Award-Winning author Ricky Riccardi calls “the very definition of timeless.” Evan earned his MM in Jazz Performance from Manhattan School of Music (2022), studying privately with Jaleel Shaw and David Krakauer. A passionately engaged educator, he is the Artist Associate in Saxophone at Williams College and also maintains a private studio in his home and virtually. He is in-demand as a clinician on high school and college campuses and teaches jazz history and appreciation courses for Dorot’s University Without Walls and the New Horizons International Music Association. Evan was born and raised in East Vancouver, Canada, about as far away from New Orleans as one can be in North America, and yet it is the music of the Crescent City that sparked Evan’s musical journey. A third generation musician, Evan began learning New-Orleans-style clarinet from his grandfather, Lloyd Arntzen, at the age of seven. The first melodies he learned to play were blues, all from great Black American composers, such as Louis Armstrong, Sidney Bechet, Duke Ellington and Jelly Roll Morton. Evan discovered the tenor saxophone at thirteen and rapidly expanded his musical vocabulary, studying jazz masters throughout the history of the music and discovering contemporary sounds. He graduated from the jazz program at Capilano University in Vancouver with a degree in saxophone performance, having spent several years studying with locally renowned saxophone teacher, Stan Karp. He moved to New York City in 2014 and within a few months was performing constantly at some of NYC’s best venues, such as Jazz at Lincoln Center, Cafe Bohemia, Birdland, Town Hall, Mezzrow, Smalls, and Symphony Space, in addition to some of the best stages around the world, such as the Newport, Monterey and Montreal Jazz Festivals. He held the lead saxophone chair in Grammy Award-Winning Vince Giordano’s Nighthawks from 2017-2021, and also was a regular member of Terry Waldo’s Gotham City Band and David Ostwald’s Louis Armstrong Eternity Band. In 2017, Evan musically directed Jazz at Lincoln Center’s “Jazz for Young People” program on Louis Armstrong in the Rose Theater. Currently, Evan performs regularly with Catherine Russell, Jon-Erik Kellso and The EarRegulars and his longtime friend and collaborator, Bria Skonberg, in addition to his own groups. Evan is featured on notable recordings by Bria Skonberg (Sony Masterworks), Kat Edmonson, Loudon Wainwright III, and the award-winning soundtracks for HBO’s Boardwalk Empire and Bessie. He has also released three critically-acclaimed albums as a leader: Evan Arntzen Meets La Section Rythmique (2017), Jazz Crush (2019), and 2021’s Countermelody (Dot Time Records), which was produced by Scout Opatut (4/4 Creative). Evan has been fortunate to perform and record with a long list of US, Canadian and International Artists, including: Scott Robinson, Wycliffe Gordon, Jason Marsalis, Ken Peplowski, Houston Person, Evan Christopher, Ingrid Jensen, the late Eddy Davis, Harry Allen, Corcoran Holt, Jerome Jennings, Warren Vaché, the late Ross Taggart, PJ Perry, Terry Clarke, Brad Turner, Dave Robbins, his parents (Tom and Georgina Arntzen), and Elmo. He performed in a very shiny gold lamé blazer at the 2010 Paralympic Opening Ceremonies for a live audience of 50,000 people and broadcast across the globe. He wore nothing remarkable when he performed in Michael Bublé’s 2012 and 2013 Christmas Specials.