Loaded guns, space heaters, and big skies. Welcome to the lethal littered landscape of Jim Heath’s imagination. True to his high evangelical calling, Jim is a Revelator, both revealing & reinterpreting the country-blues-rock roots of American music. He’s a time-travelling space-cowboy on a endless interstellar musical tour, and we are all the richer & “psychobillier” for getting to tag along.       

Seeing REVEREND HORTON HEAT live is a transformative experience. Flames come off the guitars. Heat singes your skin. There’s nothing like the primal tribal rock & roll transfiguration of a Reverend Horton Heat show. Jim becomes a slicked-back 1950′s rock & roll shaman channeling Screamin’ Jay Hawkins through Buddy Holly, while Jimbo incinerates the StandUp Bass. And then there are the “Heatettes”. Those foxy rockabilly chicks dressed in poodle-skirts and cowboy boots slamming the night away. It’s like being magically transported into a Teen Exploitation picture from the 1950′s that’s currently taking place in the future.      

 Listening to the REVEREND HORTON HEAT is tantamount to injecting pure musical nitrous into the hot-rod engine of your heart. The Reverend’s commandants are simple. And no band on this, or any other, planet rocks harder, drives faster, or lives truer than the Reverend Horton Heat. These “itinerant preachers” actually practice what they preach. They live their lives by the Gospel of Rock & Roll.       

From the High-Octane Spaghetti-Western Wall of Sound in “Big Sky” — to the dark driving frenetic paranoia of “400 Bucks” – to the brain-melting Western Psychedelic Garage purity of “Psychobilly Freakout” — The Rev’s music is the perfect soundtrack to the Drive-In Movie of your life.       

Jim Heath & Jimbo Wallace have chewed up more road than the Google Maps drivers. For twentyfive Psychobilly years, they have blazed an indelible, unforgettable, and meteoric trail across the globe with their unique blend of musical virtuosity, legendary showmanship, and mythic imagery.       

“Okay it’s time for me to put this loaded gun down, jump in my FiveOh Ford, and nurture my pig on the outskirts of Houston. I’ll be bringing my love whip. See y’all later.” - Carty Talkington Writer/Director Rev your engines and catch the sermon on the road as it’s preached by everybody’s favorite Reverend. Don’t forget to keep an eye out for the 11th studio album from REVEREND HORTON HEAT, boldly titled Rev, due out January 21st.

Williams started his professional music career at 21, just five years after high school, recording singles for his brother's El Sid label. Sid also opened a venue in Lafayette, El-Sid-O's, where Nathan became a staple performer on Friday nights.

Williams' big break came when Buckwheat Zydeco recommended him to Rounder Records, which was searching for an accordionist after Buckwheat left for Island Records. Nathan auditioned, secured a recording contract, and in 1985, he founded Nathan & the Zydeco Cha-Chas, inspired by a Chenier instrumental. The band debuted at the New Orleans Jazz & Heritage Festival in 1988.

In November 1992, the Cha Chas played at the New Orleans Rock n' Bowl for the first time, paving the way for regular zydeco nights there starting in spring 1993. Nathan's 1997 live album, "I'm a Zydeco Hog: Live at the Rock 'N' Bowl, New Orleans," captured the energy of these performances. They also celebrated the venue's 30th anniversary in 2018.

The New York Times once noted that Williams, at 25, was "poised to become important" in revitalizing zydeco. His music blends zydeco, jazz, blues, and R&B, with most of the band’s original songs penned by Williams.

For over three decades, Nathan & the Zydeco Cha Chas have toured extensively, performing everywhere from local Louisiana spots to international stages in countries like Austria, Spain, France, Japan, the Netherlands, Turkey, Germany, and even Poland, a first for a zydeco band.

The band has always been a family affair, featuring Nathan on accordion and vocals, his brother Dennis Paul on guitar, cousin Mark Anthony "Chukka" Williams on rubboard, and Sid as manager. Other family members involved include his son Nathan Jr., cousin Allen, and nephew Djuan, alongside non-family members like bassists Paul Newman and Wayne Burns, and saxophonist Allen "Cat Roy" Broussard.

In his 1995 album "Creole Crossroads," Williams collaborated with Cajun fiddler Michael Doucet from BeauSoleil, highlighting a rare fusion of zydeco and Cajun styles with his brother Sid and Sid's wife, working in their grocery store. During a period of illness recovery, Williams chose to devote himself to mastering the accordion, practicing secretly in the bathroom. He looked up to Buckwheat Zydeco, who was a key mentor, but it was Chenier who left a lasting impact on his music. Sid eventually bought Nathan his first accordion from Buckwheat Zydeco.