Reese Wynans is an American keyboard player, who has performed and toured with various artists since he entered the scene in 1967, most notably as a member of Double Trouble and progressive rock band Captain Beyond. In 2015, he was inducted into the Rock and Roll Hall of Fame as a member of Double Trouble.

Kenny Greenberg is a guitar player, producer, and songwriter based in Nashville, Tennessee. A three-time Grammy award winner and 2012 Academy of Country Music Guitarist of the Year, Kenny is most known for bringing a rock-and-roll sensibility to Nashville recording sessions. Growing up in Cleveland, OH, Kenny moved to Nashville at the age of 21 to play guitar. Since that time, he has worked with many of country’s top artists, including Taylor Swift, Brooks & Dunn, Gretchen Wilson, Willie Nelson, Kenny Chesney, Wynona Judd, Lee Ann Womack, Toby Keith, Sugarland, Tricia Yearwood, Montgomery Gentry, and Faith Hill. His guitar work has been included on projects with Bob Seger, Amy Grant, Etta James, Mandy Moore, Jewel, Indigo Girls, and Peter Cetera. Kenny’s studio, House of Greenberg, is home base not only for Kenny, but all of the artists he has collaborated with as well. Recent albums he’s produced and played guitar on include Hayes Carll’s You Get It All, Toby Keith’s Peso in My Pocket, Josh Turner’s King Size Manger, Allison Moorer’s Wish For You, Mark Collie’s Book of My Blues, and the Ice Road soundtrack.

Alison Prestwood has been named by the Country Music Hall of Fame as the newest member of the elite group of studio musicians and singers known as the Nashville Cats. In addition to being a top studio and touring bass player from Nashville (check her credits on allmusic.com), Alison is a unique singer/songwriter. She can rock hard or bring you to tears. She tours with Peter Frampton when not working in the studio. Rodney Crowell and Alison Prestwood wrote and performed the song “Beautiful Man,” a tribute to Michael Rhodes, world class bass player and dear friend, who passed away in March 2023. The song was record live in the studio with legendary musicians and engineers close to Michael. Please check out the video of that performance: https://youtu.be/x0Oy0DRT2Mw?si=rROMBMQAoXqWICTS

Lynn Williams has been an active part of the Nashville music community for 30+ years, lending his talents to recordings by John Hiatt, Lee Roy Parnell, Delbert McClinton, Phil Keaggy, Bonnie Bramlett, and many more. He currently tours with The Wallflowers and also does dates with The Muscle Shoals Allstars.

A self-taught student of both guitar and piano, Kevin gained notice in the late '80s, backing touring blues acts as they made their way through the Washington D.C. area. The pianist landed a gig on a European tour supporting local blues legend Tom Principato and when it conflicted with his final exams at nearby Virginia Commonwealth University, Kevin closed the books and got on a plane. After a three-and-a-half year stint as a professional musician, he returned to school, but only briefly. Flip-flopping between touring and trying to hold down a "respectable" job, the pianist jumped at the chance to work as part of Lee Roy Parnell’s band. Kevin moved to Nashville with Lee Roy, in 1994, and began working with Delbert in 1997.    Kevin McKendree is a keyboardist, guitarist, producer, songwriter and engineer. His playing can be heard on hundreds of commercial recordings, including more than a dozen Grammy winning or nominated albums. He has toured and/or recorded with Delbert McClinton, Lee Roy Parnell, Brian Setzer, Brooks & Dunn, John Oates, Joe Bonamassa, George Benson, Buddy Guy, Little Richard, Etta James, Black Stone Cherry, John Hiatt, Hal Ketchum, George Thorogood, Seven Mary Three, The Kentucky Headhunters and many others.

Jimmy Hall was born in Birmingham, Alabama and raised in Mobile by a musical family steeped in gospel tradition.   Jimmy Hall first gained notoriety as the lead vocalist, saxophonist, and harmonica player for the band Wet Willie, which emerged from Mobile, Alabama in 1970. His unique brand of R&B-infused rock and roll swagger propelled the group’s “Keep On Smilin’” to the Top 10 on the Billboard singles chart in 1974. After five albums with Capricorn Records, Wet Willie moved to the Epic label in 1977, carrying the singles “Street Corner Serenade” and “Weekend” to the Top 40. As a solo artist, Jimmy appeared in the Top 40 yet again with “I’m Happy That Love Has Found You” in 1980. His songs have been recorded by Gregg Allman, The Marshall Tucker Band, The Amazing Rhythm Aces, Blackberry Smoke, Johnny Russell, and others. Additionally, Jimmy has been a vocalist and bandleader for Hank Williams, Jr. since the 1980s. Jimmy is an inductee of both the Georgia Music Hall of Fame and the Alabama Music Hall of Fame. A 2017 Alabama Media Group article dubbed Jimmy “Alabama’s greatest Southern rocker." Additionally, Jimmy Hall, has toured as a vocalist with Jeff Beck's US Tour over the years. According to Jeff Beck's Website, Hall is referred to as “A Southern Boy with Lots of Soul.”

Listen to Jonell Mosser just once in concert and you’ll be an instant believer. She sings with all-out passion and heart. No frills. No games. Just a soulful intensity that makes you realize you’re in the presence of the real thing, not some manufactured, corporate-approved diva of the sort littering the landscape these days.  By STEVE MORSE, former staff writer at the Boston Globe for nearly 30 years, who has also written for Billboard and served on the nominating committee of the Rock and Roll Hall of Fame. Jonell is as honest as they come, both in her personal life and in her music. Her voice is stunning in its raw power, scope, and ability to take you places where you’ve never been. In addition to her four official album releases, she will be releasing a new album this year.   Jonell's Music Journey Past Jonell started singing at a young age, rising to do jazz standards in piano bars in her childhood home of Louisville. Her dad, a retired Air Force Master Sargent, had died of a heart attack when she was 3, so she was brought up by her mother, Joy, who loved jazz. “I listened to all the big band stuff,” Jonell recalls. “I loved Rosemary Clooney, Nat King Cole and Billie Holiday. She bought me 45s and albums from the time I was 5 or 6. Later on, my brother had great records by Jethro Tull, Al Green and Dobie Gray.” And what about Janis Joplin, to whom she has been compared? “I didn’t like her at first. Janis seemed unattainable. And on the other side, Aretha Franklin seemed unattainable. So I was drawn more to men’s voices, like when I heard Otis Redding for the first time. And James Taylor, of course. I adored him and Jackson Browne and Dan Fogelberg. And then I found Lowell George and Little Feat.” She also loved Texas singer-songwriter Townes Van Zandt {whom she first met in Bowling Green around 1978 or ’79} and her debut album was a 1996 compilation of Townes covers called “Around Townes.” Solo Projects Her second album was “So Like Joy” in 2000, a smart, sophisticated batch of songs that Jonell wrote with John Hall (of Orleans fame) and Johanna Hall. They have been major believers in her. The disc included the high-arcing ballad “Do You Love Me” and the stylish title track, about letting go of regret. It is a connoisseur’s record. Next up was “Enough Rope,” a 2001 album that Allmusic.com proclaimed had “enough class, muscle and tough grace to stand out from the pack.” Then a lull followed as Jonell turned to raising her sons, before her “powerful “Trust Yourself” CD came out. The title track was a Dylan song given new heft by Jonell, while other stand outs were three co-writes with the Halls, and a sax-laced soul version of Harlan Howard’s “The Chokin’ Kind.” And perhaps the most intriguing project she’s been involved with in the last few years or so is being one of the Freedom Singers, who perform under the auspices of the First Amendment Center headed by former USA Today editor Ken Paulson. They feature songs that were once banned or censored, such as George M. Cohan’s “You’re a Grand Old Rag” (later changed to “Grand Old Flag”) and the controversial Billie Holiday tune, “Strange Fruit. ”It adds up to a highly unique career with no end in sight. “I’ve made a lot of mistakes in this business, but I feel successful as a human being,” says Jonell. I play and sing every day” “I’ve gotten to sing with Mavis Staples. I’ve gotten to sing with Levon Helm, and with Sam Moore, Bruce Cockburn, Waylon Jennings and Kris Kristofferson. I’ve gotten to meet and play music with so many great people, most of whom I feel I can call my friends” “That means everything to me” Now it could be Jonell’s moment to grab the spotlight. “I feel a tidal wave coming,” she says hopefully. “I just don’t want to get buried by it. I want to ride it.

Miss Jackie Wilson has one of those voices that you will never forget. She began singing when she was three years old, encouraged by her mother's love of music. An amalgam of Ann Peebles, Aretha Franklin, Joss Stone, Chaka Khan, and a touch of Whitney Houston may be heard in her songs. Jackie will touch and inspire your soul when she sings, not just sing to it. Jackie was notably one of the Top 40 American Idol Contestants in Season 10. She impressed judges Steven Tyler, Randy Jackson, and Jennifer Lopez as well as audiences throughout the world. Jackie was the featured performer for four years at the Bourbon Street Blues & Boogie Bar in Nashville, Tennessee's famed Printer's Alley. She contributed to creating a fantastic Saturday night spectacle, one for which people traveled to Nashville specifically. Jackie has had the chance to perform for some renowned artists, including, to name a few, Al Green, Chaka Khan, Michael McDonald, Jonny Lang, and Bonnie Bramlett. Everyone concurs that she has a gift you don't want to miss! Hold on to your seat as Miss Jackie Wilson enters the stage; you're about to embark on a musical journey that will bring you back to the feelings music gave you years ago while also bringing something fresh, genuine, and completely unique to the stage.