Red Red Meat plus Califone, Ryley Walker, #EB25

Wed Nov 22 2017

9:00 PM

Empty Bottle

1035 N. Western Ave. Chicago, IL 60622

$20.00

Ages 21+

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Chicago’s RED RED MEAT are a full-fledged staple of the Empty Bottle and no 25th Anniversary could be complete without them returning to our stage. Unsurprisingly, the spin-off (and equally-excellent) CALIFONE is also a Bottle fave and we're lucky enough to have the ORIGINAL RRM LINEUP performing here tonight with two members of Califone at their side! This has never happened before, folks, and there's a damn good chance it'll never happen again. This Thanksgiving Eve is absolutely not to be missed!

RRM released three albums on Sub Pop in the middle 1990s (and a self-titled album before that on their own Perishable Records). The band called it quits in 1997, its principals heading off in their own, frequently inter-related directions. Singer/guitarist/primary songwriter Tim Rutili and percussionist Ben Massarella formed CALIFONE, bassist Tim Hurley formed SIN ROPAS, and drummer/producer Brian Deck went on to become a full-time music producer, working with bands including MODEST MOUSE, IRON & WINE, CALIFONE, and the FRUIT BATS.

“In the ‘90s RED RED MEAT was poised for world domination with a distinctively acid-stained, unhurried take on blues/roots music—-snazzily produced for record by its drummer, Brian Deck. But even with a cohesive and accessible album like 1995’s Bunny Gets Paid, RRM remained a cult act during the postgrunge heyday.”—-Time Out Chicago (Jul. 2008)

We’ve celebrated a few NYE runs with these boys, most notably our ’94 end-of-the-year showdown with HUM and VELO DELUXE. Their last show here was a two-night run back in ‘09 with RICHARD EDWARDS AND THE NUKES and PILLARS & TONGUES. Almost ten years later, we get to re-live the action and relish the fact that they actually agreed to be a part of the fun.

---------------------

Thanks to our partners EventbriteTopo ChicoA.V. Club & Chicago Athletic Association for supporting our 25th Anniversary! #EBlovesyou

Coming in from out of town? Book your hotel room at Chicago Athletic Association!

Empty Bottle, Inc.
Red Red Meat plus Califone
Ryley Walker, #EB25

  • Advance tickets to this show are sold out. We will have a limited number of tickets available at the door when we open the night of the show. They are first come, first serve.
  • Red Red Meat plus Califone

    Red Red Meat plus Califone

    Alternative

  • Ryley Walker

    Ryley Walker

    Pop

    In November 2015, at the end of a ten month period which saw him play over 200 shows, Ryley Walker decided that he should probably head home. However you wished to measure it, he was surely due some sort of holiday. The preceding months had been extraordinary. In March, his second album 'Primrose Green', emerged to critical hosannas from the likes of NPR, Village Voice, Uncut, and Mojo – in the process, earning admiration of musicians who had chalked up no shortage of turntable miles in Walker’s life. Robert Plant declared himself a fan – as did double-bass legend Danny Thompson, with whom Ryley would later embark on a British tour. For all of that, a holiday was the last thing on Ryley’s mind – and certainly not a holiday in his adopted hometown. After a year spent on the road, all that Ryley could associate with Chicago was the emotional debris he had left behind.

    Indeed, anyone who caught his performances throughout the course of 2015, will attest to Ryley’s apparently effortless facility to conjure a breath-taking spectacle from a standing start. By the time of his 26th birthday last summer though, it became increasingly clear to Ryley that his recorded work was becoming less and less representative of the directions he and his close-knit group of musicians were taking in the live shows. Word of mouth and critical acclaim ensured sell-out audiences at his British shows, whilst a sprawling tour of the USA around 'Primrose Green' presented a perfect chance to workshop ideas for what would eventually become his third studio album, 'Golden Sings That Have Been Sung'. Last May, before an audience of “about four people” in Cleveland Ohio, Ryley remembers springing a new riff upon long-time guitar foil Brian Sulpizio, over which he found himself singing the line, “I only have a Christian education.” Over a period of successive nights, this riff, attached to a single lyrical fragment, broadened out into what would become one of the signature songs on the next record – with Ryley as much a fascinated witness to its creation as those who saw it taking shape. Of “Sullen Mind”, the song which grew out of those improvisations, Ryley explains, “I felt like I wasn’t raised to have to deal with negative, dark things in my life, but the reality is that I do. Everyone does. And a Christian education isn’t likely to save you from that.”

    Over the ensuing months, Ryley’s increasing desire to push himself beyond the strictures of songs he had already recorded, increased his hunger for concocting new material before ever increasing audiences. In September, over 1500 people turned up to watch Ryley and his band at Amsterdam’s legendary Paradiso club. “I didn’t really have any lyrics at that point. All I had was ‘You could find me at the Roundabout’. I was thinking about a bar just outside of Appleton, Wisconsin, called The Roundabout, that I’d sometimes go to with my parents.” What is ostensibly a song about “any of those bars in the mid-West where the beer is $2 for a giant glass of beer, and they’ve got chicken fingers and fries for $5” opens a portal into Ryley’s own blue-collar psychogeography, with inspired gambolling double bass from Anton Hatwich to help propel us there.

    If “The Roundabout” represented a symbolic return to Chicago, other songs were directly wedded to Ryley’s actual return there. Some of his formative musical memories had been shaped by the work of pioneering Chicago acts such as Gastr del Sol and Tortoise. “Jeff Parker was the guitarist with Tortoise, and I used to listen to him a lot,” recalls Ryley, who figured that, for the first time in his career, it might be helpful to enlist the services of a producer. With only one person on his shortlist, once again, all roads led back to Chicago. Ryley had been a long-time admirer of sometime Wilco multi-instrumentalist LeRoy Bach. Back in 2009, still in his teens, he had frequented the improv nights hosted by Bach at a restaurant/gallery space called Whistler. “For me, it was an incredible opportunity,” recalls Ryley, “…because you would sometimes also have Dan Bitney, the drummer with Tortoise, and I’d get to play with these people. I mean, they were twice my age. I’m sure they thought I was annoying at first, maybe some of them still do, but I kind of looked at them like gurus – and to have these old school Chicago heads taking me in was just amazing.”

    For Ryley then, the prospect of having Bach produce his album was something of a no-brainer. “It was everything I wanted it to be,” he enthuses. “I would go to LeRoy’s house every other day with a riff, and we would take it from there.” Perhaps more than any other song on the record, the somnambulant sun-dappled intimacies of opening track “The Halfwit In Me” most audibly bear the imprint of those Whistler sessions. “Absolutely,” concurs Ryley, “I have to give LeRoy a hand for that. He helped shape that song, especially the clarinet parts. We went into the studio over the Christmas vacation – in fact, I think we actually recorded that song on Christmas Day.” Here and elsewhere, it’s impossible to miss the concerted lyrical shift away from the rapt generalities of 'Primrose Green' and into avowedly personal territory. “Funny Thing She Said” is a case in point – an unflinching study of separation set to a shimmeringly supple ensemble performance, at times calling to mind David Sylvian’s late 80s solo albums or the humid euphoria of Iron & Wine’s best work.

    Perhaps the most exciting moment of these recordings though, came right at the very end, when he and LeRoy Bach assembled them in a line and began to realize the distance they had covered together. “It isn’t always obvious to you, when you’re in the thick of it,” he explains. “But, for the first time, I thought we had something that corresponds to what I was hearing in my head.” No less exciting for Ryley, and for those of us who have followed his path with increasing enthusiasm, are the new possibilities mapped out by these songs: the soft, slo-mo explosions of melody on “A Choir Apart” that intermittently burst through the distant thunder of the verses; the intriguing surreal images meted out by “I Will Ask You Twice”, like a malfunctioning slide projector; and, perhaps best of all, the stunning finale, “Age Old Tale”, which spiders out from an Alice Coltrane-inspired reverie into a sustained rapture that very few artists beyond perhaps Talk Talk on 'Laughing Stock', have managed to achieve. This is music made for the dewy magic hour when night and day have yet to meet and, as long as the song is playing, you feel might briefly leave the corporeal world with them. This is the music you might imagine the woodland animals making once the humans have left for the night. This is Ryley Walker’s coming of age.

  • #EB25

    #EB25

    Special Event

Empty Bottle, Inc.

Red Red Meat plus Califone
Ryley Walker, #EB25

Wed Nov 22 2017 9:00 PM

Empty Bottle Chicago IL
Red Red Meat plus Califone, Ryley Walker, #EB25
  • Advance tickets to this show are sold out. We will have a limited number of tickets available at the door when we open the night of the show. They are first come, first serve.

$20.00 Ages 21+

Chicago’s RED RED MEAT are a full-fledged staple of the Empty Bottle and no 25th Anniversary could be complete without them returning to our stage. Unsurprisingly, the spin-off (and equally-excellent) CALIFONE is also a Bottle fave and we're lucky enough to have the ORIGINAL RRM LINEUP performing here tonight with two members of Califone at their side! This has never happened before, folks, and there's a damn good chance it'll never happen again. This Thanksgiving Eve is absolutely not to be missed!

RRM released three albums on Sub Pop in the middle 1990s (and a self-titled album before that on their own Perishable Records). The band called it quits in 1997, its principals heading off in their own, frequently inter-related directions. Singer/guitarist/primary songwriter Tim Rutili and percussionist Ben Massarella formed CALIFONE, bassist Tim Hurley formed SIN ROPAS, and drummer/producer Brian Deck went on to become a full-time music producer, working with bands including MODEST MOUSE, IRON & WINE, CALIFONE, and the FRUIT BATS.

“In the ‘90s RED RED MEAT was poised for world domination with a distinctively acid-stained, unhurried take on blues/roots music—-snazzily produced for record by its drummer, Brian Deck. But even with a cohesive and accessible album like 1995’s Bunny Gets Paid, RRM remained a cult act during the postgrunge heyday.”—-Time Out Chicago (Jul. 2008)

We’ve celebrated a few NYE runs with these boys, most notably our ’94 end-of-the-year showdown with HUM and VELO DELUXE. Their last show here was a two-night run back in ‘09 with RICHARD EDWARDS AND THE NUKES and PILLARS & TONGUES. Almost ten years later, we get to re-live the action and relish the fact that they actually agreed to be a part of the fun.

---------------------

Thanks to our partners EventbriteTopo ChicoA.V. Club & Chicago Athletic Association for supporting our 25th Anniversary! #EBlovesyou

Coming in from out of town? Book your hotel room at Chicago Athletic Association!