Rayland Baxter has spent much of his career chasing clarity, but his newest record, True Violet, feels like the first time he's truly found it. His 2022 album If I Were A Butterfly evoked transformation, but in Baxter's own view, True Violet is the record where the true metamorphosis has unfolded. Catalyzed less by a sudden realization than by hard-earned understanding, True Violet is a record about the slow, steady process of becoming someone new. It's about looking in the mirror, taking responsibility for your own life, and sitting with difficult emotions instead of trying to outrun them. "I sat in my chair alone for a year and wrote a bunch of songs, and what started off as an attempt to write a record got sideswiped by mediocre attempts I wouldn't even sing to my dog," Baxter recalls. "Then, like many times over the last three years, I called my sister. We talked about life and family and love and heartache, and our individual experiences with all of that. She simply encouraged me to write about what I was feeling, something I was avoiding in the early stages of writing.” Rayland took his sister's advice and began writing with a newfound vulnerability. He'd sit alone each evening with his guitar for hours, excavating experiences and emotions. If a lyric or melody didn't click, he'd stop, walk around, dig up an old tour voice memo, and return to the guitar. Movies like Dances With Wolves and The Sandlot played in the background, their colors and landscapes bleeding into his creative psyche. By the time he entered the studio, he'd amassed nearly seventy songs. True Violet is the first Rayland Baxter record made without the presence of his father, Bucky Baxter, a multi-instrumentalist best known for his work with Bob Dylan and as a member of Steve Earle and The Dukes, whose musicianship and encouragement had shaped every previous chapter of his career. "He used to be my phone call, my confidant, my teacher, and my musical guide," Baxter says. "He still is today, but he exists more in the invisible realm now, where feeling and intuition are how I experience his wisdom." In the wake of that loss, Baxter's sister became an essential presence in both his life and creative process. "Honestly, it was her encouragement that brought these songs to life," he says. "She was actually bringing me back to life." These days, Baxter has a steadier hand on the sails of his life, and you can hear it in his voice as he sings about living inside a feeling for too long and the hard-won relief of finally moving beyond it. "I was just letting it go," Baxter says. "The right people were in the room bringing the songs to life. I was observing. Feeling for the first time really steady in the process." True Violet is about what remains after the storm passes: the lessons, the scars, the gratitude, and the possibility of beginning again. The medicine of the record lies in the contrast between the hardship that inspired it and the clarity, patience, and community that finally brought it into focus.  

After taking up piano at four (and studying with the same Houston-based jazz pianist through the end of high school), Alex Amen started playing guitar in mid-adolescence after discovering the likes of Nirvana and Neil Young. Although he later enrolled in film school in California with the intention of making documentaries about rock climbing (one of his lifelong passions), he dropped out after one semester to focus on music full-time. Within weeks, he’d moved into a historic commune in Anaheim where he soon started his first band, a psychedelic folk-rock outfit named American Slang. “The commune was a crazy place to live—there were hippies and punks and skaters, all in this beautiful house that used to be on six acres of strawberry fields but now it’s surrounded by strip malls,” says Alex. “The house was owned by a professor who’d bought it in the mid-’60s and still lived there with his family, so it had this fascinating history with the anti-war movement and renowned civil-rights/psychedelic activists from that time. We’d have these big communal meals every day and debate art and God and food and politics. It was a pretty amazing place to live for a while.”  An artist untethered from time or place, Alex Amen crafts music that feels eternally familiar, yet strikingly new - shaped by a wandering spirit always in motion. Newly signed to ATO Records, Amen’s full-length debut is a body of work that opens a space for sustained and quiet wonder, offering up songs touched with both ease and beauty. Produced by Amen and engineered by Jonny Bell (Cage the Elephant, Chicano Batman), Sun of Amen matches its old-soul warmth with an astonishing clarity—the natural byproduct of his reverence for classic records and ardent refusal to chase nostalgia. Partly recorded at the legendary Valentine Recording Studios in L.A., Sun of Amen unfolds with a rich sonic depth achieved with the help of an expansive lineup of musicians, including several of Amen’s longtime bandmates as well as in-demand talents like Tommy de Bourbon (a multi-instrumentalist whose recent endeavors include playing pedal steel in Lana Del Rey’s touring band).  As he moves into a new chapter of his journey, music and the natural world remain parallel forces in Amen’s life, providing an endless source of fortifying joy. “I think it’s important for everyone to have a physical connection with nature, partly because it creates more of a desire to make sure we’re not destroying the planet, but it’s also good for humans on every basic level to move and be outside,” he says. “It’s the same thing with music—I think I’ve been very blessed in the sense that music has always been something I’ve done because I love it; it’s never felt forced to me. I really just love the way it feels to play music, and I’ve found the more you chase it and live with an open heart, the more life brings you songs.”