Ravagers are a rabid punk rock and roll band from Baltimore Maryland. They have been ripping up a dust storm of debauchery for nearly a decade. Dressed in leather and denim, the Filth City foursome may look like menaces to society, but rest assured, their ferocious blend of punk fury and sneering rock ’n’ roll nonchalance make them a threat to not just the laws of man, but the laws of nature. It’s easy to think of Ravagers as a group of rebel-rousing shit stirrers. Their songs evoke an attitude of manifest malfeasance. Lyrics often paint perilous, black landscapes akin to a Danzig wet dream. But at its core, Ravagers are here for a good time, and the brevity of their songs, blending elements of punk rock, glam rock, and post-punk, means they won’t be here for long. No tomorrow? No problem! Rather than extinguish the rising flames of hell, these guys prefer to throw a Molotov cocktail and raise a Natty Bo. A brief history lesson for the squares: 2014 brought about their premier EP Livin’ In Oblivion (Cricket Cemetery Records) with subsequent touring slashed across the U.S. and Canada. Fans lucky enough to have caught a glimpse certainly have the scars to prove it. Their 2015 followup EP Natural Instinct (Rock & Rule Records) not only continued the momentum, but proved the gang to be the new east coast champs in the contemporary rock circuit. The group soon found themselves scorching stages as warmup acts for legends like The Damned, Fear,  and The Adicts, and featured on festivals like Las Vegas’ Punk Rock Bowling. Ravagers’ ascension was not without its mishaps and misfortunes. Finding a second guitarist was a challenge, set back by life’s little hurdles (girlfriends, suicide, etc.) until long-time friend and former Biters guitarist Matt Gabs filled the void. Together, he and band leader/lyricist/vocalist Alex Hagen carved out the sadistic, sardonic and supremely catchy “Drowning in Blood” single in 2018, b/w “Suzi (Has an Uzi).” This brief tease of new material baited fans throughout their blitzkrieg of gigs, all the while singing songs of recklessness and apocalyptic pop until Covid-19 turned the world into exactly that. Making the most of a shit situation, the band headed South to write and record their first full-length LP, Badlands due in 2022 with production/engineer duo Tuk Smith (Biters, Tuk Smith & The Restless Hearts) and Dan Dixon (PLS PLS) at the helm. The result was 10 of the groups strongest tracks at the time. An auditory onslaught of filth and fun, of catchiness and catastrophe. The release resulted in an extensive headline tour of Europe and Spain along with the full US. The singles were featured on XM Radio stations and received regular plays on Little Steven’s Underground Garage. 2025 sees the release of Baltimore’s Ravagers new record “On The Loose”. The 10 tracks that comprise the new record feature Ravagers signature rock n roll sound blending punk, with elements of glam, and hard rock. The band stays true to their aggressive sound while pulling new tricks out of their sleeves. The rhythm guitars are gritty yet clean, driving under leads that pull in catchy melodies through delayed goth overtones. The rhythm section works together between simple bashed out drumbeats and walking bass lines brought in by new bassist Sam Hariss. Alex Hagen’s vocals are versatile yet add a cohesive feel throughout the album with lyrics painting perilous pictures of urban decay, crime, frustration, and violence. The songs are executed flawlessly with impressive dynamic and attitude, each with their own unique sense of identity. Produced once again by Tuk Smith and Dan Dixon, this album is a raw, thrilling ride that’s sure to cement Ravagers as one of the most exciting bands in rock today. "On The Loose" holds on to everything the band has always encompassed: grim situations, high tension, and one hell of a good time.  

The Strains are 100% street. They cut their teeth on the nitty gritty spanning many decades. Individually from the gutters of Detroit in the mid 70s , to the Bowery in New York in the late 70s , the frigid climes of Minneapolis in the 80s , and the dive bars of Europe in the post Cold War era in the 90s and 2000s, only to meet up in Detroit in the NOW. These guys do not mince words or notes. They have been there through every fashion change and shift in taste, yet remain true to what has been fundamental throughout the decades. The rock and roll spirit. This live album captures them at their most real. Songs about truth. Songs about hurt. Songs about hope.