Common Nation of Sorrow, Baiman’s 2023 LP,  was called one of “The Best Albums of the Year (So Far)” by The Boston Globe, awarded 4 stars from American Songwriter, and deemed a “Tremendously and remarkable record” by The Amp.  On the heels of an album release year that saw her play move than 130 shows across the globe, Baiman has made 2024 her “Year of collaboration” with a series of A Side/B Side projects featuring some of her favorite songwriters including Pony Bradshaw, Caroline Spence, Nicholas Jamerson, and Kaia Kater. If Common Nation of Sorrow was a novel, this year’s releases feel more like short stories, just long enough to make you want more.  Raised in Chicago, Baiman made her way to Nashville at 18 with the dream of being a professional fiddle player and has since released two solo records and an EP, alongside session and side-person work with Kacey Musgraves, Kevin Morby, and Molly Tuttle among many others. As a songwriter, she has garnered a reputation for her specific brand of political and personal lyricism, which Vice’s Noisey described as ‘Flipping off Authority one note at a time”.  In contrast with her previous work, (Watchouse’s Andrew Marlin produced her debut album, Shame), Baiman was the sole producer of Common Nation of Sorrow. After recording for twelve days in Nashville with Grammy-Award-winning engineer Sean Sullivan, Baiman traveled to Portland, OR, where she spent two weeks mixing the record with famed engineer and producer Tucker Martine (My Morning Jacket/The Decemberists/First Aid Kit). For her new collaborative singles, she turned to friend and indie-pop writer and producer Clare Reynolds, known professionally as Lollies.  “One thing I learned from producing my own record is that I love producing, as long as it’s not my own parts”, she laughs.  “I thought it would be great to have another kind of collaboration included in these new songs, on the production side.  The first In Collaboration single release, “Dominoes”, with Pony Bradshaw, was the result of months of musical collaboration. “I’d been playing and singing in Bradshaw’s band some, and on his upcoming record, and we’d always talked about writing something together.  So this felt like a natural progression.”  The song hit 100,000 streams on Spotify in it’s first month, and Wide Open Country called it “a gut wrenching tale that catalogs the tension between two people acting on their worst impulses, leading to a domino effect of fallout.” "I've been looking for a new well of inspiration, outside of myself," Rachel Baiman told Wide Open Country in early 2024. "Every time that you work with someone you admire there's a lot of growth that happens from being around their creative process and how they approach a song. It brings a new energy to my own work when I can find a  new perspective I hadn’t seen before”.   

“When it comes to songwriting, few can do it better than Nicholas Jamerson.” – Whiskey Riff   The Narrow Way, the new full-length studio record from Kentucky-born singer-songwriter Nicholas Jamerson finds its grace in the space between folk storytelling and backroads country ramble. A heartfelt exploration of life’s struggles, joys, and the search for purpose, the record is rooted in the storytelling traditions of Appalachian roots and Americana music.    Produced by the brilliant Rachel Baiman and featuring collaborations with Baiman, Ketch Secor (Old Crow Medicine Show), Tim O’Brien, Shelby Means, and Emily Jamerson, The Narrow Way blends poetic lyrics with authentic melodies to create a deeply personal and universally resonant listening experience. Weaving together vivid imagery and poignant themes of family, nostalgia, resilience, and redemption, the record is an invitation to reflect on life’s winding paths while celebrating the bumps and beauty of the journey.   Jamerson was born into a musical family in eastern Kentucky, where gatherings were full of guitars and songs. “My grandmother always had a camera rolling, which taught me early on that life is worth documenting” he says. “That’s what I try to do through songwriting: turn ordinary moments into something meaningful.” Starting out with piano and choir as a child, Jamerson added guitar, banjo and mandolin to his repertoire along the way.    After college, he co-founded the band Sundy Best and has released a dozen records between them and his solo work and band over the last thirteen years. “Music has taken me places I never dreamed, like the Ryman and the Grand Ole Opry” he tells, “but more than anything, it’s a way for me to honor place and people, and to help others feel seen and proud of where they come from.” These days, in addition to his own music, Jamerson is working to mentor the next generation, helping other writers find their voice through projects like the Sleeping in the Woods Songwriter Festival.   Since the release of Peace Mountain (2023), Jamerson has been spending his time, as always, working. As fitting an artist who blurs the line between the universal and the deeply personal, that work has been focused on both the creation of this final chapter in the trilogy that began with The Wild Frontier(2020) and the growth of his inner world; spending time with family, deepening his faith, and trying to stay grounded while navigating the ups and downs of the world.    Written predominantly at home, The Narrow Way was recorded at The Tractor Shed in Nashville, TN. The record was produced by Rachel Baiman, and in addition to Jamerson on vocals and guitar it features performances by Baiman (vocals, banjo, fiddle) Josh Oliver (guitar, keys), Steve Haan (bass), Mark Radabaugh (drums) Tim O’Brien (mandolin and background vocals on “Working Man”), Zach Lafferty (lead guitar) Ketch Secor (fiddle, harmonica, and background vocals on “Prater Creek”), his sister Emily Jamerson (vocals), Phil Bronchtein (background vocals, keys), Aaron Smith (mandolin), Wes Smith (weed jar), Shelby Means (bass, vocals), and George Jackson (banjo).   Thematically, The Narrow Way is a meditation on walking a difficult but purposeful path while holding onto faith and integrity while navigating the messiness of life. Those universal touchstones of the human experience - faith and doubt, the complexity of family ties (love, conflict, reconciliation, and the longing for connection and understanding), and the heartache of nostalgia and loss, are all to be found within The Narrow Way. The rain feeds the flowers, and the deep greys are balanced by the lightness found through the dignity of hard work, the sharing of struggles, and the emotional labor of pushing through hardship.    Buoyed by and undercurrent of hope for personal renewal, forgiveness, and a clearer path forward, Jamerson hopes that listeners find the record a cathartic experience. “My hope is that it shakes something loose inside them—something they’ve been holding onto for too long—so they can finally let it go and leave it behind” he says. Written with a painterly economy of language, his songs shimmer in the space between narrative and allegory; a kaleidoscope of meditations set to music, they transcend genre and hit straight to the heart.    Expertly arranged and elegantly executed, it is a record built around eminently engaging melody and Jamerson’s soaring voice; clear and bright as the stars on a winter night. The Narrow Way is the final chapter in a trilogy that traces a journey of self-discovery, faith, and perseverance—written from the heart of Appalachia, where the sacred and the simple meet.   With a voice rooted in tradition and a pen sharpened by experience, Jamerson invites listeners to walk with him through the shadows towards something honest and eternal. The Narrow Way is a soul-stirring blend of mountain wisdom and familial remembrance, written by someone that carries the weight of memory, the fire of purpose, and the humility of a man still learning .