Progression and subversion coincide.   By subverting the ideals and constructs of society, rules, and religion, progress transpires.  Poppy leverages evolution as a weapon for transformation. By doing so, she asserts herself as an anti-hero for a gender-less and genre-less world in need of a god-dess. Her quiet rise from incalculable phenomenon viewed over half-a-billion times on YouTube into unassuming paragon of high culture, high fashion, and high art extolled by everyone from HIGHSNOBIETY to Flaunt fuels her metamorphosis as “Poppy Version X.” Embodying “alternative” in the truest sense of the word, she bleeds the boundaries between pop, progressive, and electronic underpinned by unpredictable time signatures shifts and heavy edge on her third full-length and debut for Sumerian Records, I Disagree.   “In terms of doing what I wanted to in every element from start-to-finish, this feels like my first album,” she explains. “The narrative is really about destroying the things that try to destroy you.”   Throughout 2019, Poppy carefully constructed a sonic framework to do so. On the heels of her sold-out Am I a Girl? Tour, she sequestered herself in Los Angeles alongside trusted longtime collaborators Zakk Cervini, Chris Greatti, and Titanic Sinclair. They conjured the full powers of a creative spirit first summoned on “X” in 2018. Under the influence of everything from Madonna, Air, and Gary Numan to Nine Inch Nails and Marilyn Manson, she took the reins and built the album in an unfiltered and unfettered creative ecosystem of her own design, expanding the sonic palette with an arsenal of analog synths and sonic flourishes.   “I worked with Zakk, Chris, and Titanic throughout the entire process,” she recalls. “I didn’t let anybody else hear it before it was done, and I didn’t take any outside remarks. In the past, I’d go in and make a song in a day. That was fun, but we really spent days or even weeks on these new songs to make them the best they could be. That’s a lost art in music we got to explore. There’s a lot of life that gets lived during the creation of an album over ten months that gives you a different experience and perspective. ‘X’ sparked the idea of making experimental music with no rules among my friends. That was the goal. Creating Poppy Version X.”   A siren wail and whispered plea to “Bury me six feet deep” initially heralded the record on “Concrete,” dipping in and out of fits of fret-burning solos and stained glass-smashing crooning. Meanwhile, the single “BLOODMONEY” slips from a heavenly harmony into a hellishly barked commandment, “Beg for forgiveness from Jesus to Christ” above an industrial stomp and glitchy buzzing. In many ways, the title track “I Disagree” crystallizes a mission statement cast in crimson-soaked verses and a beautifully bludgeoning refrain as she chants, “We’ll be safe and sound when it all burns down.” The music ultimately manifests her vision.   “Sometimes when I write music about one thing, it ends up being about something else and coming true,” she explains. “It’s life imitating art—or art imitating life. ‘I Disagree’ is about wanting to light everything on fire and enjoying it. You’re not thinking about rebuilding anything yet, just thinking about destruction. It feels good.” This feeling consistently translates to audiences. As the story goes, Poppy’s internet-breaking YouTube uploads entrenched her within the cultural conversation. She levied this position to leave an indelible imprint on art at large, beginning with her 2017 full-length debut, Poppy.Computer, and followed by the sold-out Poppy Computer Tour. 2018’s Am I Girl? accelerated her rise as she once again packed houses on the subsequent headline tour as well. Along the way, she stood out as the rare talent who could collaborate with Diplo, accompany Bring Me The Horizon on an arena tour, perform at WWE: NXT, and incite conversation at New York, Paris, and Milan Fashion Week appearances. Not to mention, she received praise from the likes of Rolling Stone, New York Magazine, and Alternative Press and appeared  on the covers of Revolver, NME, Kerrang!, and many more. In the end, her evolution as Poppy Version X may just empower.   “When you listen to I Disagree, I hope you’re not afraid of change,” she leaves off. “It’s a non-gender specific empowerment album. Right now, I’m both thankful and sick of it all. This is Poppy Version X.”   Rick Florino, November 2019

  We are LANDMVRKS, a Metalcore band from Marseille.  

Buried In Jade stands as a career-defining moment for Thousand Below, distilling nearly a decade of sonic exploration into a cohesive yet diverse body of work. The album spans multiple sonic spectrums from crushing metalcore anthems and hook-heavy modern pop elements to atmospheric rock, heartfelt ballads, and the band’s signature post-hardcore roots. It's a bold step forward—both sonically and thematically—for a band unafraid to grow beyond genre lines. Produced by Austin Coupe (The Devil Wears Prada, Citizen, nothing, nowhere) — as well as Josh Gilbert on select tracks (“Palace Of Dread” “The Quiet And Cold”) and mixed by Joseph McQueen, Buried In Jade captures the essence of Thousand Below’s past while boldly forging their future.