Wed Feb 25 2026

6:00 PM (Doors 5:00 PM)

The Bluebird Cafe

4104 Hillsboro Pike Nashville, TN 37215

The Bluebird Cafe

4104 Hillsboro Pike Nashville, TN 37215

All Ages

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There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open. 

Ticket reservations at The Bluebird Cafe are an agreement to pay the cover charge and applicable taxes/fees and to meet the $15.00 per seat food and/or drink minimum.

Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email info@bluebirdcafe.com or call 615-383-1461. Phone line hours are Monday-Friday, 12-4 pm.

Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.

Pony Show with Abbey Cone, Madison Kozak, Karley Scott Collins & Mae Estes

  • SOLD OUT! There will be a few walk-up seats that are first come, first served when doors open.

  • Abbey Cone

    Country Pop

    After carving out her own lane in modern country-pop, Abbey Cone is turning her compass back toward the classic country sound that raised her. The Texas-born singer and songwriter first made her mark blending sharp lyrical honesty with sleek melodies on her debut album Greener, earning millions of streams, early “artist to watch” nods, and a debut on the Grand Ole Opry. Now, with new music on the way — beginning with her latest single “Change The Man” — Abbey leans into a more traditional country foundation without losing the edge and wit that define her voice. It’s the sound of an artist who’s grown up, changed the man, and come home to herself.

  • Madison Kozak

    Country

    “Sharp, swooning, and all the right kinds of sentimental” (Rolling Stone), blossoming singer/songwriter Madison Kozak mesmerizes listeners with a strong pen and a vulnerable voice. Her breakout debut single, “First Last Name,” not only scored the Belmont alum a publishing deal with Big Loud in 2018, but compelled award-winning songwriter Nicolle Galyon to launch female-driven label Songs & Daughters, and sign Kozak as their flagship artist. In the months following her signings, Kozak graduated with a music business degree, toured the U.S. and Canada with Morgan Evans, Aaron Watson, and Mason Ramsey, and made her Grand Ole Opry debut to a standing ovation. Named to CMT’s 2021 LISTEN UP roster and 2020 Next Women of Country class, the Lindsay, Ontario native was named a country artist to watch by Pandora, Pop Culture, Sounds Like Nashville, and more. Kozak returns with a taste of “a voice that glows and songwriting capability that resonates” (Sounds Like Nashville) on her first new release in over two and a half years, “If We Were A Country Song.”

  • Karley Scott Collins

    Country

    Flight risk. For most, it’s a term rooted in fear. Fear of getting hurt, fear of commitment, fear of rejection. For Karley Scott Collins, it’s independence. Transformation. Growth. A debut album five years in the making, Flight Risk introduces Collins’ powerful voice in epic manner: heartbreak, acceptance, desire, and jealousy—all threaded together by a self-aware kind of maturity. Across Flight Risk’s 16 tracks, Collins takes the reins and leads the charge. “I’ve experienced so much over the past few years, in relationships and just in growing up and coming into my own as an artist,” Collins shares. “There was a time where I was running just to feel safe, but now, if I’m running, it’s only from things that I know aren’t meant for me. If I run from something now, I’m doing it because I know who I am and what I want, and I know where the exits are when I need to leave a place - or a person - that isn’t right for me.”

    Collins’ creative fingerprint graces every aspect of the project, where she and Grammy Award-winning collaborator Nathan Chapman co-produced and played nearly every instrument throughout – Collins even picked up banjo, violin and bass during the sessions. She learned how to engineer in the studio, making sure every note was a personal and raw reflection of her journey. Smoky electric guitars match Collins’ lived-in rasp. From start to finish, Collins speaks with the hard-earned wisdom of a soul twice her age, unafraid to lay bare the truths gathered in just 25 years of living, loving and learning.

  • Mae Estes

    Country

    Mae Estes got her start at age 7 in the middle of an Arkansas rodeo arena, singing the national anthem. Hope, Arkansas native, Mae Estes hasn’t stopped singing since. Paying dues in Music City for nearly a decade, she’s now stacked with stories to tell. In 2019, Estes began releasing music and signed her first publishing deal with Plaid Flag Music in 2020. She’s since racked up more than 10 million streams across platforms and over one million views on YouTube, independently and organically building a quickly-growing fan base with her “plain-spoken truth”. 
     
    In 2023, Estes releasedi her debut EP, “Before the Record”, a six-song project produced by hit songwriter Paul Sikes. Later that year, she announced a signing with Big Machine Records, WME Agency, Kobalt Music, and Blue Bronco Entertainment. She was also honored with Arkansas CMA Female Vocalist of the Year for the third consecutive year in her home state. Events such as The Grand Ole Opry, NHL Stadium Series, PBR Stadium Series, Music City Grand Prix, Wrangler’s National Finals Rodeo, The Bluebird Cafe, CMA Fest, Nissan Stadium, The Country Music Hall of Fame and more have hosted this “stone-cold country newcomer”. Estes was recently honored as a new member of the 2024 CMT Next Women of Country class. She joins Dierks Bentley, Jackson Dean, Nitty Gritty Dirt Band and more on tour in 2024 and looks forward to releasing new music. 

Pony Show with Abbey Cone, Madison Kozak, Karley Scott Collins & Mae Estes

Wed Feb 25 2026 6:00 PM

(Doors 5:00 PM)

The Bluebird Cafe Nashville TN
  • SOLD OUT! There will be a few walk-up seats that are first come, first served when doors open.

All Ages

There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open. 

Ticket reservations at The Bluebird Cafe are an agreement to pay the cover charge and applicable taxes/fees and to meet the $15.00 per seat food and/or drink minimum.

Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email info@bluebirdcafe.com or call 615-383-1461. Phone line hours are Monday-Friday, 12-4 pm.

Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.

After carving out her own lane in modern country-pop, Abbey Cone is turning her compass back toward the classic country sound that raised her. The Texas-born singer and songwriter first made her mark blending sharp lyrical honesty with sleek melodies on her debut album Greener, earning millions of streams, early “artist to watch” nods, and a debut on the Grand Ole Opry. Now, with new music on the way — beginning with her latest single “Change The Man” — Abbey leans into a more traditional country foundation without losing the edge and wit that define her voice. It’s the sound of an artist who’s grown up, changed the man, and come home to herself.

“Sharp, swooning, and all the right kinds of sentimental” (Rolling Stone), blossoming singer/songwriter Madison Kozak mesmerizes listeners with a strong pen and a vulnerable voice. Her breakout debut single, “First Last Name,” not only scored the Belmont alum a publishing deal with Big Loud in 2018, but compelled award-winning songwriter Nicolle Galyon to launch female-driven label Songs & Daughters, and sign Kozak as their flagship artist. In the months following her signings, Kozak graduated with a music business degree, toured the U.S. and Canada with Morgan Evans, Aaron Watson, and Mason Ramsey, and made her Grand Ole Opry debut to a standing ovation. Named to CMT’s 2021 LISTEN UP roster and 2020 Next Women of Country class, the Lindsay, Ontario native was named a country artist to watch by Pandora, Pop Culture, Sounds Like Nashville, and more. Kozak returns with a taste of “a voice that glows and songwriting capability that resonates” (Sounds Like Nashville) on her first new release in over two and a half years, “If We Were A Country Song.”

Flight risk. For most, it’s a term rooted in fear. Fear of getting hurt, fear of commitment, fear of rejection. For Karley Scott Collins, it’s independence. Transformation. Growth. A debut album five years in the making, Flight Risk introduces Collins’ powerful voice in epic manner: heartbreak, acceptance, desire, and jealousy—all threaded together by a self-aware kind of maturity. Across Flight Risk’s 16 tracks, Collins takes the reins and leads the charge. “I’ve experienced so much over the past few years, in relationships and just in growing up and coming into my own as an artist,” Collins shares. “There was a time where I was running just to feel safe, but now, if I’m running, it’s only from things that I know aren’t meant for me. If I run from something now, I’m doing it because I know who I am and what I want, and I know where the exits are when I need to leave a place - or a person - that isn’t right for me.”

Collins’ creative fingerprint graces every aspect of the project, where she and Grammy Award-winning collaborator Nathan Chapman co-produced and played nearly every instrument throughout – Collins even picked up banjo, violin and bass during the sessions. She learned how to engineer in the studio, making sure every note was a personal and raw reflection of her journey. Smoky electric guitars match Collins’ lived-in rasp. From start to finish, Collins speaks with the hard-earned wisdom of a soul twice her age, unafraid to lay bare the truths gathered in just 25 years of living, loving and learning.

Mae Estes got her start at age 7 in the middle of an Arkansas rodeo arena, singing the national anthem. Hope, Arkansas native, Mae Estes hasn’t stopped singing since. Paying dues in Music City for nearly a decade, she’s now stacked with stories to tell. In 2019, Estes began releasing music and signed her first publishing deal with Plaid Flag Music in 2020. She’s since racked up more than 10 million streams across platforms and over one million views on YouTube, independently and organically building a quickly-growing fan base with her “plain-spoken truth”. 
 
In 2023, Estes releasedi her debut EP, “Before the Record”, a six-song project produced by hit songwriter Paul Sikes. Later that year, she announced a signing with Big Machine Records, WME Agency, Kobalt Music, and Blue Bronco Entertainment. She was also honored with Arkansas CMA Female Vocalist of the Year for the third consecutive year in her home state. Events such as The Grand Ole Opry, NHL Stadium Series, PBR Stadium Series, Music City Grand Prix, Wrangler’s National Finals Rodeo, The Bluebird Cafe, CMA Fest, Nissan Stadium, The Country Music Hall of Fame and more have hosted this “stone-cold country newcomer”. Estes was recently honored as a new member of the 2024 CMT Next Women of Country class. She joins Dierks Bentley, Jackson Dean, Nitty Gritty Dirt Band and more on tour in 2024 and looks forward to releasing new music.