For Pigeons Playing Ping Pong, music is a living flame—one demanding relentless tending, fresh kindling, and the collective breath of community to sustain it. On their eighth studio album, Feed The Fire (No Coincidence Records), the Baltimore quartet—“Scrambled Greg” Ormont [vocals, guitar], Jeremy Schon [guitar, vocals], Ben Carrey [bass, vocals], and Alex "Gator" Petropulos [drums, vocals]—push their psychedelic funk odyssey into its most expansive incarnation yet. Across sixteen years, eight albums, and countless sweat-soaked performances, Pigeons have mastered transformation, deepening their connection with their devoted fanbase and channeling life's seismic shifts into fuel for their unquenchable fire. "The ‘fire’ represents our passion," explains Ormont. "Making music feels like something we were born to do... Feed The Fire is the perfect metaphor for our unwavering commitment to keep evolving." Significant milestones, from headlining major stages to their fan-centric Domefest, underscore their remarkable journey. Feed The Fire shatters boundaries through adventurous collaboration. The band invited Nashville virtuoso Wes Bailey (Moon Taxi) to co-write the title track's spiraling guitar hooks—a first for the group. "As soon as I played him the demo, he came up with the soaring lead melody on the spot. It ended up being our first true collaborative writing experience," recalls Schon. In another debut, Ben Carrey steps into the lead vocal spotlight on his heartfelt groove anthem “Hit The Ground Runnin’.” Horn collaborators Here Come The Mummies and West End Blend amplify tracks like “Fantasy” and “Calm Before The Storm,” while guest producer Chalk Dinosaur enhances the psychedelic layers on “Twitch” and “Underworld.” The band's relentless evolution is evident in standout tracks like the buoyantly infectious "Right Track," which distills their live energy into a concise message of resilience and self-trust. According to Schon, "Every album we make is a reflection of where we are personally and musically. For Feed The Fire, we really leaned into exploring textures, pushing our boundaries, and letting the songs guide us." From the patient disco-funk simmer of "Fantasy" to the driving rebel cry of "Undivided," the album showcases the band’s sharpened musicianship and rhythmic intuition. Ultimately, Feed The Fire is more than an album title—it's a rallying cry emblematic of Pigeons Playing Ping Pong’s enduring philosophy. Refreshingly dynamic, resonant, and irresistibly danceable, it marks a milestone release poised to captivate listeners across genres. Ormont sums it up perfectly: "We've been given the gift of this fire, this passion. So it's our responsibility to nurture it, embrace it, and spread it wild. Because when the band and fans reach new heights together, that's the real spark.”

In June of 2017 Midnight North is slated to release their third studio album: Under the Lights. On this full length record, Midnight North left it all on the court. Recorded by David Simon-Baker (Los Lobos, ALO, Jackie Greene, Mother Hips) at the Greene Room and Allegiant Studios, Under the Lights features their 11 best new tunes. Expect flares of country on tracks like “The Highway Song” and “Greene County”, tinges of soul on the likes of “Back To California”, but mostly good solid rock and roll. With strong melodies and stronger harmonies, for this band it comes down to one thing: the song. Immediately after their last studio release, 2015’s Scarlet Skies, Midnight North - fronted by lead songwriters Elliott Peck & Grahame Lesh with lush Hammond B3 organ, lead guitar, and harmony work from Alex Jordan and stomping bass lines from Connor O’Sullivan - began touring the country in earnest, visiting the East Coast and the Midwest for the first time in Summer 2015. The band wrote the majority of Under the Lights in the following months, and the lyrical road themes - the initial excitement, the longing for home, and the inherent need to keep moving - shine through. “Under the Lights is the perfect title for this collection of songs,” said O’Sullivan. “These songs and lyrics are about being a band of musicians on the road away from home. Songs literally performed and tested under the lights at countless venues across the US.” Last year, while work in the studio continued, the band’s stream of amazing live shows and festival appearances sped by as the band jammed with heavyweights like Bob Weir, Phil Lesh, Tom Hamilton, Mihali Savoulidis, and more. Hitting the road night after night and building their fan base has proved a lot of fun and every time they come back to a city the venues and crowds get bigger while the songs get tighter. “On the road you have an opportunity to dig into what the band is capable of and learn where your limits as a group are and aren’t,” said Jordan. “It was a wonderful opportunity to capture a sound on this album that is identifiably our own.” In addition to all the touring, Midnight North is on year five of holding down Sunday nights at Terrapin Crossroads in San Rafael, CA. To celebrate the occasion, they released a free live album, Live at Terrapin Crossroads in 2016, where Relix Magazine took a shine to “the group’s powerful three-part harmonies.” Performing weekly for a hometown crowd allows a chance to continuously test new material. “I feel like I’ll come to the band with this raw idea and watch it totally come to life,” said Peck. 2017 will continue the growth for Midnight North, as the exciting release of Under the Lights helps point the way for more and more fans to discover the band. “These songs tell our story, at least up to this point,” said Lesh. “Our job is to sing you these stories as honestly as we can and transport you into our world for an hour or two.”