"Kona Dub-Rock." That's how Pepper describes their blend of reggae, alternative rock, dub, island rhythms, and punk rock energy. It's a sound that's taken the trio from the Big Island of Hawaii — where vocalist/guitarist Kaleo Wassman, vocalist/bassist Bret Bollinger, and drummer Yesod Williams held their first band practice as teenagers in the late 1990s — to the upper reaches of Billboard's Reggae Albums chart, where 2019's Local Motion peaked at Number 1.
Nearly 25 years into the band's career, Pepper's three members are no longer merely artists. They're ambassadors to a thriving scene. As co-founders of their own record label, LAW Records, they've enriched the reggae community worldwide by reissuing albums by Steel Pulse and Jimmy Cliff and releasing more than 20 other artists. As road warriors, they've traveled North America with The Wailers, 311, Pennywise, and Snoop Dogg, building a diverse community of collaborators and fans by blurring the boundaries that normally exist between genres. For Pepper, each new album is an opportunity not only to pay homage to their own reggae-rock roots, but also to expand the circle of connection, camaraderie, and synergy that surrounds the band.
Makai, the group's newest EP, finds Pepper leaning even further into those roots. The record's title is a Hawaiian term that roughly translates to "by the ocean," and these six songs evoke the sounds and sights of the band's island home. "Get Me Ready" (co-written by Tim Armstrong of Rancid and Kevin Bivona of The Interrupters) opens the album with a burst of sonic sunshine, while "Sweet Leef" sings the praises of herbal relief. Even the album's artwork, which was created by longtime collaborator Ben Brough, pays tribute to Hawaii's ocean culture.
Brough isn't the only collaborator to appear on the record. Makai continues the band's longtime practice of community building, with more than a half-dozen guest musicians contributing to various songs. Stick Figure's Johnny Cosmic produces the track “Stay High.” Edley Shine of Born Jamericans appears on "Dancing on the Moon," a song produced by David Foral of the Dirty Heads, while Iration — one of the first bands to ever release music through LAW Records — contribute to "Tides." Together, those collaborators help shine a light on the extended family that Pepper has spent decades creating.
With new music and other creative ventures on the horizon, Pepper's three members continue to fly the flag for a rich musical community built upon camaraderie and collaboration. There will always be more shows to play. More albums to release. More friends to work with. As Pepper moves forward, though, the band continues to look back, too, honoring the Hawaiian homeland that has always been the inspiration for the band's art.

Passafire’s single, Keepin’ On, serves as a mission statement for the veteran rock-reggae outfit as they continue to forge ahead through their second decade of reimagining the boundaries of the current rock-reggae landscape.

Unflinchingly optimistic, Keepin’ On shows off what Passafire does best: expertly blending the macro/political and the micro/personal. The rock-steady anthem weaves together Passafire’s take on global warming, economic uncertainty, and technology’s threat to personal privacy with the band’s dedication to survival, intent on thriving by any means necessary.

“We are very grateful to be where we’re at with awesome fans that sustain and support us,” said Passafire’s bassist Will Kubley. “But every band wants to get to the next level” quickly pointed out lead guitarist/lead singer Ted Bowne. “We keep reaching new milestones and having new meaningful events, but we still have many ambitions we want to achieve. So we’ve got to keep going until we do.”

Passafire released their 7th full length album, STRATA, in September 2021 on their own independent label, Flameguy Records. You can find Passafire on tour now in support of the release.

Since forming in 2003, Passafire has released a total of six studio albums and boasts credits like producing with Paul Leary (Sublime, Pepper, U2, Slightly Stoopid), #1 albums on both the Billboard and iTunes Reggae charts, and sharing stages with rock-reggae OGs 311 and Pepper, and legends Toots & the Maytals, the Wailers, and John Brown’s Body, who in the band’s early years, inspired them to explore reggae with a gritty edge.

“We like to mix tight, clean reggae grooves with distorted guitar riffs” insisted Ted, “We’re ‘90s kids,” added Will, “we love rock, hip-hop and metal equally. It was always natural for us to straddle the line between genres.”

Passafire’s name is a take-off on The Wailers’ classic Catch a Fire album and the band’s hypervigilance towards honoring the culture without appropriating it combined with their unwavering dedication to the expansion of their skills as musicians, producers and songwriters, has led the band to create a sound that stands out from their peers.