“Pete Tong said it perfectly: getting a release on Perfecto is like a badge of honor,” Paul Oakenfold recalls. “A dance music badge of honor! Those words really meant a lot to me as we began to consider how to properly pay tribute to Perfecto’s first three decades as a record label.”  Pete Tong, of course, is dance music’s longtime tastemaker supreme – but don’t just take Tongy’s word for it: in 2003, none other than the late Queen Elizabeth bestowed an award on Oakenfold on behalf of the British Empire as a “Pioneer of the Nation” for his contributions to dance music. All aspects of that legacy are coming together with “Perfecto 30”: a expansive series debuting in 2023-2024 spanning unique global events, musical releases, and exclusive artist/DJ performances that reflect not just 30-plus years of the Perfecto imprint’s success, but the goalpost-moving achievements of Oakenfold, Perfecto’s co-founder and figurehead, as well. Indeed, it’s hard to separate Perfecto’s landmarks from Oakenfold’s storied history as arguably the first global superstar DJ, paving the way from Ibiza and the Glastonbury main stage to smash Las Vegas residencies; as a hitmaking producer for everyone from Happy Mondays to Madonna and U2; a pioneer of contemporary electronic music soundtracks for games and hit Hollywood movies like Swordfish and Bourne Identity; and an innovator of DJ culture across genres, crucial in bringing underground club sounds from trance to EDM to a worldwide mainstream audience (and that’s just a partial list). “Paul’s attitude in starting Perfecto was quite visionary, quite refreshing – I think he started a brand, really, that also happened to be a label,” Tong notes in the upcoming documentary Welcome to Perfecto.  “Perfecto 30 is really the umbrella for it all,” Oakenfold explains. In addition to the release of Welcome to Perfecto (which features additional commentary from the legendary likes of Fatboy Slim, Carl Cox, Todd Terry and David Guetta, along with cultural perspective Mixmag’s Nick Stevenson and DJ Times editor Carl Loben), Perfecto 30 will include a series of remixes and DJ mix recordings featuring everyone Oakey OGs like Carl Cox to new jacks like Frankie Wilde. Meanwhile, Oakenfold himself will make a series of special DJ appearances criscrossing America and the UK to Ibiza and Australia – many involving the parties, festivals, and superclubs like Cream where he made his name; in them, he plans to revisit Perfecto classics and deep cuts like PPK’s “Resurection,” Planet Perfecto’s “Bullet in a Gun,” and his own smashes like “Starry Eyed Surprise” (the hit collaboration with Crazy Town’s Shifty Shellshock from Oakenfold’s platinum debut solo album, 2002’s Bunkka). Oakenfold also promises a special event at an epic, unexpected venue where dance music has never been played before, which is no small promise. After all, he was the first DJ to play Stonehenge, Area 51, the Great Wall of China, and base camp at Mount Everest – and when he played at the Special Olympics in Abu Dhabi, his set was broadcast to over 760 million worldwide households. “All I can say is we’re looking at one of the oldest cathedrals in England,” Oakenfold notes with a mischievous smile.  Most of all, “Perfecto 30” will celebrate the full heritage and influence of the dance-music empire Oakenfold has built – from helping create DJ superstars out of the likes of Hernán Cattáneo, Mark Ronson, and David Guetta to bringing underground dance sounds to fresh ears. “I can honestly say, Perfecto tipped me on to house music,” Fatboy Slim claims, pointing to hearing early Perfecto classic “I’ll Be Your Friend” by house-music legend Robert Owens at a Brighton club as a career-changing epiphany. “I learned trance from Paul Oakenfold,” Todd Terry admits in Welcome to Perfecto, citing his groundbreaking mix CD’s like Another World and the Tranceport series. Indeed, with trance revivalists like Evian Christ currently redefining the big room sounds Oakenfold popularized and neo-electronic groups like Sextile exploring the Madchester grooves he helped produce in the studio for Happy Mondays, Perfecto’s diverse sound remains more relevant than ever. Across the main Perfecto imprint and its four sub-labels – Perfecto Fluoro, Perfecto Black, and Perfecto House – the label has touched nearly every significant dance movement of modern times, from progressive, trance, and EDM but also drum and bass, Balearic, electro, and beyond; as such, on his last artist album, 2022’s Shine On, Oakenfold found himself collaborating with a diverse creative crew including Cee Lo, Luis Fonsi, Aloe Blacc, Azealia Banks, and Zhu. Oakenfold points out Perfecto 30 will also launch a number of releases of today’s most cutting edge dance-music artists and producers including Velvet Cash, Danny Stubbs, Blink, Adam White, and Nat Monday. Oakenfold’s syndicated Perfecto Radio show, meanwhile, still draws 25 million listeners internationally on a weekly basis to hear him spin his latest tunes and dancefloor discoveries. For the next chapter of Perfecto, meanwhile, Oakenfold claims he’s returning to the roots of the label’s original mission.  “I’m going back to doing straight club records – underground tracks that I love,” Oakenfold says. “You have to understand, Perfecto is now a thirty-year-old brand: there are generations that have grown up with the sound. They got into dance music and have grown up with the label, collecting our vinyl from day one. It’s turned into much more than a label. So to celebrate that spirit, I’m just going to do what I’m good at and really love – and go out in a blaze of glory for my last dance! 

For nearly three decades, The Crystal Method has remained one of the most influential and well-respected acts in electronic music. Co-founded by Scott Kirkland and Ken Jordan in 1993, the GRAMMY®-nominated duo pioneered the big beat genre and defined the sound of a generation, beginning with their platinum-selling debut, Vegas (1997).  To date, The Crystal Method has played more than 1300 shows—headlining EDC, Lollapalooza, and Ultra Miami—while their music has appeared in more than 100 film, TV, and video game soundtracks. Along the way, TCM has released such best-selling titles as Tweekend (2001), Legion of Boom (2004), and Divided by Night (2009)—the latter two of which earned GRAMMY® nods for Best Dance/Electronic Album. While Jordan retired in 2017, Kirkland reimagined The Crystal Method as a solo act. Now, the innovative artist continues the evolution with TCM’s seventh studio album, and his second solo outing, The Trip Out.

“One of America’s most influential DJs” – Urb Magazine Liquid Todd is an award-winning DJ/programmer at SiriusXM, known for his dance radio shows, dynamic live performances, original music and remixes and, more recently, his Twitch streams. He has created critically acclaimed shows at SiriusXM and on some of the biggest FM radio stations in North America. Liquid Todd hosted afternoon drive on BPM for over a decade and currently programs #betaBPM – a weekly new music show twice-nominated for Radio Show of the Year. He produces remixes and original songs – frequently collaborating with NYC duo Disco Killerz. The Morgan Page remix of Stellar went to #1 on BPM and, after being picked up by Armada, went on to become their biggest radio song of 2016. Easy Boy, Todd’s collaboration with GATTÜSO, has topped 16 million streams. Todd Wilkinson – his real name – was the first DJ to play what is now called EDM (electronic dance music) on commercial radio. First in Boston with his Spin Cycle show on WFNX, then in the nation’s #1 market, New York City, where his Solid State show aired live on 92.3 K-Rock every Saturday night for eight years – creating millions of new EDM fans and more than a few DJs and producers. Solid State also aired on WBCN Boston and WHFS Washington DC, then became Altered State on 103.5 WKTU New York. After joining Sirius Satellite Radio in 2004, Todd contributed to the creation of three new dance channels: Area (progressive), Chill (downtempo) and Boombox (breaks, mashups). Todd also programmed/hosted Boombox Radio, a long-running alt-remix show on Alt Nation. “Gleefully subversive” – amazon.com Liquid Todd has performed at clubs and festivals all over the world including Coachella, Ultra, Electric Daisy Carnival, Lollapalooza, Freaky Deaky, Groove Cruise, 2014 Superbowl, Dada Land, Woodstock '99, Central Park Summerstage, Sun City Music Festival, Aca World Sound Fest and Bass Camp – just to name a few – and he’s a lotta fun. 😊