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Otoboke Beaver w/ Leggy
Mon, 20 Feb, 8:00 PM CST
Doors open
7:00 PM CST
The Basement East
917 Woodland St, Nashville, TN 37206
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
This show currently has no COVID safety requirements for attendees. This is subject to change. If this changes we will be sure to update this page as well as notify all ticket buyers via email.
Event Information
Age Limit
18+
Refund Policy
All sales are final. No refunds unless a show is canceled.

Garage Punk
Otoboke Beaver
Otoboke Beaver
Garage Punk
Otoboke Beaver おとぼけビ~バ~ are a punk-rock-garage quartet from Kyoto, Japan named after a local ‘Love Hotel’-they describe themselves as: “Japanese girls ‘knock out or pound cake’ band”.
Formed in 2009’s summer in Kyoto, Japan, and consists of Accorinrin (Lead Vocal & Guitar), Yoyoyoshie (Guitar &Vocals), Hiro-chan (Bass &Vocals) and Pop (Drums &Vocals).
Live the band often invade the audience, often with guitarist Yoshie crowd-surfing whilst playing wild riffs flawlessly. Sonically, it’s crazed, deranged garage, punk-rock-pop at break-neck speed and everyone sings in Japanese, often in Kyoto slang.
2017 was a breakthrough year for the band with premieres in Pitchfork, NPR, i-D and The Fader, astonishing SXSW/Fuji Rock debuts, a sold-out 100 Club gig and their ‘Love Is Short’ 7” sat in the UK charts for 4 weeks. 2018 promises to just as exciting.
“The Kyoto feminist punks Otoboke Beaver blaze through “Love Is Short” with all the gravitational force of a brick to the ground. It’s sheer calamity and deliriously fun—supercharged, sugar-rush hardcore with breathless vocals, pogoing rhythms, and torrential DayGlo riffs…the fire of “Love Is Short” recalls a lineage of patriarchy-scorching girl-gang shrieks, from the Slits’ “Shoplifting” to Bikini Kill’s “Liar” and beyond.” Pitchfork
“Their Riot Grrrl attitudes and passion for noise-rock make them stand out as true renegades in the underground scene.”– i-D
“The Kyoto-based Otoboke Beaver takes in the history of Japanese punk and runs with scissors in hand towards the bonkers-noise of early Boredoms, Afrirampo’s uninhibited avant-punk, and the revved-up garage-rock of Shonen Knife (and maybe a little bit of John Zorn‘s blistering Naked City, just to put it over the top). Punk is rarely this charmingly vicious.” NPR
“Not new, just new to us. Unhinged garage-punk from Japanese all-woman quartet-not to be missed.” The Guardian

Punk
Leggy
Leggy
Punk
Hailing from the heartland of America, Ohio's Leggy is a blonde-heavy dream punk trio exploding with empowered earnestness, an undeniably catchy pop sensibility and that ever timeless grrrl in-and-out of love allure. With influences drawn from contemporary artists like Lana Del Rey & St. Vincent, as well as 90's jammers like The Breeders and Hole, Leggy produce a unique style of music that equal parts dark pop and shimmery punk.
Leggy began after singer/ guitarist Veronique Allaer (Belgian parents) took a hip-breaking tumble off a fire escape days after graduating from college. Priorities drastically rearranged, she ditched the plans for grad school and instead moved into a house with her two best friends and music lovers, Kerstin Bladh and Christopher Campbell. The three began crafting raucous yet infectious garage pop led by Bladh's fuzzed out and slinky bass lines, fortified with Campbell's heavy-hitting yet tight drum beats, and sweetened with Allaer's saccharine vocals.
In 2017 Damnably had Chicago Mastering Service Remaster Leggy's eponymous 2016 album for Vinyl release. With constant touring they have gained a national following the in the States and have enjoyed significant airplay from college radio and attention from blogs. Leggy have played over a dozen festivals and have shared the stage with many notable and buzz-worthy bands such as Bully, EMA, Ex Hex, Cursive, Colleen Green, and Tweens.
"Raw, catchy as hell, and utterly dance-able, Cincinnati trio Leggy make skin-bearing garage rock that isn't afraid to rip the guise off dated and romantic tropes." Noisey
"...lo-fi productions of infectious melodies, bubblegum punk and a taste of not giving a fuck." - She Shreds Magazine
" It discomfits. It unsettles. It reassures. I would have covered this for Melody Maker." - Everett True