Great vulnerability is often part and parcel of great artistry. The songs that last decades and weave themselves into the fabric of listeners’ lives are usually the ones in which an artist lays her soul bare for the world to hear. Nora Jane Struthers’ new album Champion is built on these kinds of songs.  The 13-song collection is the follow-up to 2015’s Wake, which earned Struthers acclaim from major outlets like NPR Music, Rolling Stone Country, and “Fresh Air.” Struthers wrote and recorded the album with her longtime road band the Party Line, and the chemistry between her and the other players is palpable. The album, produced by Neilson Hubbard in Nashville, is full to the brim with stellar musicianship, unexpected arrangements that blur the lines between folk, roots, and rock, and an audible sense that everyone in the studio is having a damn good time.  Where Wake explored themes like new love and new beginnings, Champion finds Struthers documenting the trials and tribulations of adult life; decrying the increasingly intrusive nature of technology; and plainly laying out the struggles faced by a young woman grappling with infertility.  “I’m 33 and want to start a family, but when I was 18 I was diagnosed with a condition called premature ovarian failure,” she explains. “I’ve known for a long time that I’m going to have to find other ways to have kids. A lot of the songs on the album are about my personal fertility quest.”  That quest has led Struthers and her husband — musician and songwriter Joe Overton — down many new paths: trying alternative fertility methods, exploring Eastern medicine, and finding new strength in the support system of their partnership. It also led Struthers to see the other parents in her life — friends, relatives, fans — in a new light, an eye-opening experience also reflected on Champion.  “I’ve been watching my friends and family members become new mothers and parents,” she explains. “Everybody’s path there is so different and there are always challenges, but they present in different ways for different people. That’s been really interesting.”  While opening up about such a painful personal journey hasn’t been an easy task for Struthers, she’s happy to have put these experiences to song, in doing so finding her own personal catharsis and hoping that others will experience the same sense of connection and release upon listening.  “There’s a weird societal stigma with infertility,” she explains. “I definitely feel like, in the past whenever I’ve opened up to people I’ve always been met with support and often with stories of someone else’s struggle,” she explains. “I’ve realized that this kind of problem is naturally really isolating, so this is my way to combat that isolation by being a voice for it and also by opening myself up to connect with other people.”  The first track that Struthers wrote for what would become Champion drew heavily from the experiences of others. “Wonderful Home” is a hopeful closing note to the record, though the subject matter that inspired the lyrics was initially painful and difficult.  “I was visiting a friend of mine in West Virginia who was, at the time, four months pregnant, and she was having a really difficult pregnancy,” Struthers shares. “There was a 50/50 chance that it was going to end in a miscarriage, and it had been so hard for her. I was thinking about my own emotional dealings with my infertility and really feeling for her, so I wrote the song for her and her husband about how I think they would be such wonderful parents.”  By the time Struthers and her band entered the studio to record “Wonderful Home,” her friends had tragically lost the first baby, but were happily seven months into a second, healthy, pregnancy. The song became something of an anthem for Struthers, enabling her to move forward with telling her own difficult story. “The arc of that particular song is the arc I hope my own fertility journey takes,” she adds.  There are many hopeful moments on the album. Standout track “Belief” is a nuanced look at the difficulties of staying optimistic in the face of setbacks, illustrating both the fragility and the resiliency of hope. The track builds from Struthers singing over a lone acoustic guitar to a harmony-drenched anthem, mirroring the song’s message of hope and redemption.  “‘Belief’ is the bedrock of the record,” Struthers says. “I’ve really grappled with the mind-body connection. I really wanted to believe in my body but instead I was just on the side of hoping. There’s a strange shame that comes with that that I couldn’t fully grasp.”  While her journey in trying to start a family takes center stage in many on Champion, it’s far from the only topic to which Struthers lends her thoughtful eye and singular voice. On opening song “Each Season,” she and Overton explore the strange, wonderful bond experienced in long-term relationships, the story told over crunchy guitars and gently rolling banjo.  “The first track on the album is a song that my husband and I wrote together,” she says. “It’s the second song we’ve ever written together. It’s about how when you have a partner and have love, time — which is such a strange thing anyway — everything circles and centers around them, and around you two as a unit, and how beautiful that is because it gives you an anchor in the tumultuous sea of time.”  That tune is one of only two co-writes on the album, as Champion is, through and through, a showcase of Struthers’ voice and preternatural gift for storytelling. Coupled with a more deeply realized sense of vulnerability, that narrative tendency makes for a collection of stories that should resonate long after the last notes of the last track end.  “My songwriting style on this album is a real marriage of the narrative style songs I was writing in my early career and then the really autobiographical style of my last album,” Struthers says. “It feels like a natural progression of artistic growth that was both hard and easy at the same time, and I think you can hear that when you listen to it.”

Chelsea Ford and The Trouble is a string band from Cincinnati, OH with influences ranging from traditional folk to jazz/blues including The Carter Family, Dakota Staton, and Loretta Lynn. They formed in July 2017 and are husband and wife duo Jon and Chelsea Ford on banjo/guitar/vocals and Matt Crone on upright bass.