Noise Pop Festival 2022 presents Nate Smith + KINFOLK

Tue Feb 22 2022

8:00 PM (Doors 7:00 PM)

Brick and Mortar Music Hall

1710 Mission Street San Francisco, CA 94103

$25 ADV / $30 DOS

All Ages

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Noise Pop Festival 2022 presents
Noise Pop Festival 2022 presents Nate Smith + KINFOLK

  • Nate Smith

    Nate Smith

    Jazz

    FOR NEARLY TWO DECADES, NATE SMITH HAS BEEN A KEY PIECE IN REINVIGORATING THE INTERNATIONAL MUSIC SCENE WITH HIS VISCERAL, INSTINCTIVE, AND DEEP-ROOTED STYLE OF DRUMMING. HE HOLDS A DIVERSE AND AMPLE RÉSUMÉ — WHICH INCLUDES WORK WITH ESTEEMED JAZZ LEADING LIGHTS SUCH AS PAT METHENY, DAVE HOLLAND, CHRIS POTTER, JOSÉ JAMES, JOHN PATITUCCI, RAVI COLTRANE, AND SOMI AMONG MANY OTHERS. HIS 2X GRAMMY-NOMINATED DEBUT ALBUM, KINFOLK: POSTCARDS FROM EVERYWHERE, SEES SMITH FUSING HIS ORIGINAL MODERN JAZZ COMPOSITIONS WITH R&B, POP, AND HIP-HOP. HE’S ALSO VENTURED INTO THE POP/ROCK WORLD WITH RECENT COLLABORATIONS WITH VULFPECK SPINOFF BAND THE FEARLESS FLYERSBRITTANY HOWARD (OF ALABAMA SHAKES) AND PERFORMANCES WITH SONGWRITERS EMILY KING AND VAN HUNT. IN RECENT YEARS, THROUGH A SERIES OF VIRAL VIDEOS, HE HAS EMERGED AS ONE OF THE MOST INFLUENTIAL AND POPULAR DRUMMERS OF HIS GENERATION. HIS VIDEOS HAVE BEEN VIEWED MILLIONS OF TIMES AND HAVE INSPIRED COUNTLESS MUSICIANS AND FANS. IN SEPTEMBER OF 2018, HE RELEASED HIS FIRST EVER SOLO DRUMSET ALBUM POCKET CHANGE 

    AS A COMPOSER AND ARRANGER, MR. SMITH RECEIVED TWO (2) GRAMMY NOMINATIONS FOR HIS COMPOSITION “HOME FREE (FOR PETER JOE)” FOR BEST INSTRUMENTAL COMPOSITION AND BEST ARRANGEMENT (INSTRUMENTAL OR A CAPPELLA). OF THE KINFOLK: POSTCARDS FROM EVERYWHERE PROJECT, MR. SMITH SAYS: “IT WAS MY GOAL TO START WITH THE SIMPLEST OF ELEMENTS, SINGABLE MELODIES WITH FAMILIAR HARMONIES, AND USE THEM TO WEAVE STORIES THAT FELT NOSTALGIC WITHOUT BEING OVERLY SENTIMENTAL. PIECES LIKE ‘RETOLD’ AND ‘PAGES’ USE FAMILIAR, CONSONANT HARMONIES AS A MEANS OF EVOKING THE LISTENER TO “REACH BACK” FOR A MEMORY, WHILE ‘SKIP STEP’ AND SPINNING DOWN’ USE LAYERS OF RHYTHM TO EXPRESS A FEELING OF UNSETTLED TENSION. ‘DISENCHANTMENT: THE WEIGHT’ USES AN ASCENDING/DESCENDING CHORD PROGRESSION TO SIMULATE A DEEP SIGH OF RESIGNATION, WHILE ‘HOME FREE (FOR PETER JOE)’ USES A HYMN LIKE MELODY AS A MEANS OF EVOKING FEELINGS OF BOTH SOLEMNITY AND CEREMONY.

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limit 10 per person
General Admission

$25.00

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Noise Pop Festival 2022 presents

Noise Pop Festival 2022 presents Nate Smith + KINFOLK

Tue Feb 22 2022 8:00 PM

(Doors 7:00 PM)

Brick and Mortar Music Hall San Francisco CA
Noise Pop Festival 2022 presents Nate Smith + KINFOLK

$25 ADV / $30 DOS All Ages

Nate Smith

Nate Smith

Jazz

FOR NEARLY TWO DECADES, NATE SMITH HAS BEEN A KEY PIECE IN REINVIGORATING THE INTERNATIONAL MUSIC SCENE WITH HIS VISCERAL, INSTINCTIVE, AND DEEP-ROOTED STYLE OF DRUMMING. HE HOLDS A DIVERSE AND AMPLE RÉSUMÉ — WHICH INCLUDES WORK WITH ESTEEMED JAZZ LEADING LIGHTS SUCH AS PAT METHENY, DAVE HOLLAND, CHRIS POTTER, JOSÉ JAMES, JOHN PATITUCCI, RAVI COLTRANE, AND SOMI AMONG MANY OTHERS. HIS 2X GRAMMY-NOMINATED DEBUT ALBUM, KINFOLK: POSTCARDS FROM EVERYWHERE, SEES SMITH FUSING HIS ORIGINAL MODERN JAZZ COMPOSITIONS WITH R&B, POP, AND HIP-HOP. HE’S ALSO VENTURED INTO THE POP/ROCK WORLD WITH RECENT COLLABORATIONS WITH VULFPECK SPINOFF BAND THE FEARLESS FLYERSBRITTANY HOWARD (OF ALABAMA SHAKES) AND PERFORMANCES WITH SONGWRITERS EMILY KING AND VAN HUNT. IN RECENT YEARS, THROUGH A SERIES OF VIRAL VIDEOS, HE HAS EMERGED AS ONE OF THE MOST INFLUENTIAL AND POPULAR DRUMMERS OF HIS GENERATION. HIS VIDEOS HAVE BEEN VIEWED MILLIONS OF TIMES AND HAVE INSPIRED COUNTLESS MUSICIANS AND FANS. IN SEPTEMBER OF 2018, HE RELEASED HIS FIRST EVER SOLO DRUMSET ALBUM POCKET CHANGE 

AS A COMPOSER AND ARRANGER, MR. SMITH RECEIVED TWO (2) GRAMMY NOMINATIONS FOR HIS COMPOSITION “HOME FREE (FOR PETER JOE)” FOR BEST INSTRUMENTAL COMPOSITION AND BEST ARRANGEMENT (INSTRUMENTAL OR A CAPPELLA). OF THE KINFOLK: POSTCARDS FROM EVERYWHERE PROJECT, MR. SMITH SAYS: “IT WAS MY GOAL TO START WITH THE SIMPLEST OF ELEMENTS, SINGABLE MELODIES WITH FAMILIAR HARMONIES, AND USE THEM TO WEAVE STORIES THAT FELT NOSTALGIC WITHOUT BEING OVERLY SENTIMENTAL. PIECES LIKE ‘RETOLD’ AND ‘PAGES’ USE FAMILIAR, CONSONANT HARMONIES AS A MEANS OF EVOKING THE LISTENER TO “REACH BACK” FOR A MEMORY, WHILE ‘SKIP STEP’ AND SPINNING DOWN’ USE LAYERS OF RHYTHM TO EXPRESS A FEELING OF UNSETTLED TENSION. ‘DISENCHANTMENT: THE WEIGHT’ USES AN ASCENDING/DESCENDING CHORD PROGRESSION TO SIMULATE A DEEP SIGH OF RESIGNATION, WHILE ‘HOME FREE (FOR PETER JOE)’ USES A HYMN LIKE MELODY AS A MEANS OF EVOKING FEELINGS OF BOTH SOLEMNITY AND CEREMONY.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 10 per person
General Admission
$25.00

Delivery Method

ticketFast
Will Call